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An irreverent and deeply moving comedy set in New York about friendship, fertility and fighting for one's sanity in a toxic workplace. Jen has reached her early 30s and has all but abandoned a once-promising painting career when, spurred by the economic crisis, she takes a poorly defined job at a feminist nonprofit. The foundation's aim is to empower women, but staffers spend all their time devising acronyms for imaginary programs, ruthlessly undermining one another and stroking the ego of their boss, the larger-than-life celebrity philanthropist Leora Infinitas.

Perhaps the most autobiographical (and deliberately least disciplined) of Vonnegut's novels, Slapstick (1976) is in the form of a broken family odyssey and is surely a demonstration of its eponymous title. The story centers on brother and sister twins, children of Wilbur Swain, who are in sympathetic and (possibly) telepathic communication and who represent Vonnegut's relationship with his own sister who died young of cancer almost two decades before the book's publication.

The story of The Happy Prince has three major themes. Firstly it shows that apparent beauty is nothing and the real beauty is to bestow love and sacrifice. Secondly, it discusses that love and sacrifice are two saving forces. Thirdly, it shows that there is a large gap between rich and poor people the rulers and the masses. When the happy prince is alive he lives a happy life without sorrows, he is living a care free life but after his death he sees through a tall Colum that life has another view except happiness and that is helplessness poverty, hypocrisy and corruption of elite and ruling class.

It’s the year 2000 in a city aglitter with wealth and possibility; what could be so terribly wrong? Our narrator has many of the advantages of life: young, thin, pretty, a recent Columbia graduate, she lives in an apartment on the Upper East Side of Manhattan paid for, like everything else, by her inheritance. But there is a vacuum at the heart of things, and it isn’t just the loss of her parents in college, or the way her Wall Street boyfriend treats her, or her sadomasochistic relationship with her alleged best friend.

Emmeline Lucas, known to all as "Lucia", and her husband, Peppino, acquire a second home in fashionable Brompton Square in London from a deceased Aunt. When they move there for the season, Lucia's 'subjects' in Riseholme seethe with envy and outrage that she has deserted them for more illustrious circles, where her snobbism and blatant ambition reach new heights.

Una tranquilla notte di regime, che assomiglia a un febbricitante sabato notte delle nostre città popolato da allegre brigate di gerarchetti clarkopodi e clarette che ridono in posa, "come un set di spot di brut". Uno strano personaggio, un po' Marlowe un po' mago, titolare di una delle più antiche magie del mondo, passa le notti tra nostalgie e sbronze colossali al bar Apocalypso.

After years of exploitation, neglect, and despair, the animals of Manor Farm revolt. They drive owner Mr. Jones off the land and rechristen the property Animal Farm, a utopia of equality and mutual support. But Napoleon, a young boar who assumes command after the rebellion, is hungry for power. And as the pigs consolidate control, all the good intentions of Animal Farm are crushed by a new and inevitable tyranny.

Every weekday morning, as the sun rises above Sixth Avenue, a peerless crop of women - frames poised, behavior polished, networks connected, and bodies generally buffed to a high sheen - are herded by the cattle prod of their own ambition to one particular building. They're smart, stylish, and sophisticated, even the one found dead in her office.

Flatland: A Romance of Many Dimensions is a satirical novella by the English schoolmaster Edwin Abbott Abbott, first published in 1884 by Seeley & Co. of London. Written pseudonymously by "A Square", the book used the fictional two-dimensional world of Flatland to comment on the hierarchy of Victorian culture, but the novella's more enduring contribution is its examination of dimensions.

The Journey of Joenes, also published as Journey Beyond Tomorrow, tells the tale of a picaresque journey through an imagined future taken by a naive and innocent man unprepared for the wonders and oddities he encounters. Sheckley examines the present through the distorting lens of a future wonderfully skewed from and yet darkly, hilariously, similar to our own world.

Writing brilliantly and profoundly about class, sex, love, loss, work, despair, and war, Saunders cuts to the core of the contemporary experience. These stories take on the big questions and explore the fault lines of our own morality, delving into the questions of what makes us good and what makes us human.

Dining alone in an elegant Parisian brasserie, accountant Daniel Mercier can hardly believe his eyes when President François Mitterrand sits down to eat at the table next to him. After the presidential party has gone, Daniel discovers that Mitterrand’s black felt hat has been left behind. After a few moments’ soul-searching, Daniel decides to keep the hat as a souvenir of an extraordinary evening. It’s a perfect fit, and as he leaves the restaurant Daniel begins to feel somehow...different.

Heroic bookseller Laurent Letellier comes across an abandoned handbag on a Parisian street. There's nothing in the bag to indicate who it belongs to, although there's all sorts of other things in it. Laurent feels a strong impulse to find the owner and tries to puzzle together who she might be from the contents of the bag. Especially a red notebook with her jottings, which really makes him want to meet her. Without even a name to go on, and only a few of her possessions to help him, how is he to find one woman in a city of millions?

London, 2045. Three months into the Coffee Wars, and Britain's caffeine supplies are at critical levels. Brits are drinking even more tea than usual, keeping a stiff upper lip and praying for an end to it all. A secret government coffee stockpile could save the day...but then mysteriously disappears overnight. One man is asked to unravel the missing-coffee mystery. His name is Pond. Howie Pond. And he's in desperate need of a triple espresso.

Flatland is populated by Squares, Triangles, Circles, and Lines, all of which are strictly divided by class and gender. However, our narrator, A Square, living a practical life in this two-dimensional universe, dreams of other worlds. Perhaps A Sphere, a figure from a three-dimensional realm, can help drive home the point. But, as A Square soon discovers, educating Flatland about the shapes of things to come proves to be a dangerous infraction.

Candide, the illegitimate nephew of a German baron and student of eternal optimist Pangloss, is living a simple and sheltered life in "the best of all possible worlds." But when Candide falls in love with the wrong woman, his uncle's young daughter, he is exiled from the baron's castle and suffers great tragedy and catastrophe, which leaves him disillusioned and questioning the goodness of the universe.

Large chests are said to encompass all manner of hopes and dreams. Men covet them. Women envy them. But one fact holds true - everyone wants to get their hands on some big ones. The same holds true for one intrepid adventurer - a strapping young lad by the name of Himmel. Armed with his grandfather's trusty longsword and the dream of being the strongest, he sets out on the journey of a lifetime!

This classic comedy is set in the charming country home of Charles Condomine, a remarried widower. A witty and convivial evening party among friends is transformed when a seance conjures the ghost of Elvira, Charles' first wife, who delights in wreaking havoc among the living. An enchanting Coward comedy!

Meet Rabo Karabekian, a moderately successful surrealist painter who we meet late in life and see struggling (like all of Vonnegut's key characters) with the dregs of unresolved pain and the consequences of brutality. Loosely based on the legend of Bluebeard (best realized in Bela Bartok's one-act opera), the novel follows Karabekian through the last events in his life that is heavy with women, painting, artistic ambition, artistic fraudulence, and as of yet unknown consequence.

"I've experienced a whole lot the last few years and I have a lot to share. So I hope that you'll take a moment to sit back, relax and enjoy the words I've put together for you in this book. I think you'll find I've left no stone unturned, no door unopened, no window unbroken, no rug unvacuumed, no ivories untickled. What I'm saying is, let us begin, shall we?" (Ellen DeGeneres)