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Lucas knows the perfect night entails just three things: video games, wine, and pad thai. Peanuts are a must! Other people? Not so much. Why complicate things when he’s happy alone? Then one day the apartment board, a vexing trio of authority, rings his doorbell. And Lucas’s solitude takes a startling hike. They demand to see his frying pan. Someone left one next to the recycling room overnight, and instead of removing the errant object, as Lucas suggests, they insist on finding the guilty party. But their plan backfires. Colossally.

Soseki Natsume's comic masterpiece, I Am a Cat, satirizes the foolishness of upper-middle class Japanese society during the Meiji era. With acerbic wit and sardonic perspective, it follows the whimsical adventures of a world-weary stray kitten who comments on the follies and foibles of the people around him. A classic of Japanese literature, I Am a Cat is one of Soseki's best-known novels. Considered by many as the greatest writer in modern Japanese history, Soseki's I Am a Cat is a classic novel sure to be enjoyed for years to come.

Brought to you by Penguin. The hilarious new satire from the bestselling author of the Ross O'Carroll-Kelly series There’s only one idea more foolish than dividing Ireland – and that’s trying to put it back together again. Meet Fiach O’Bric: career diplomat, recent widower, and a man...

Told with razor-sharp wit and an unfiltered, hypnotic voice, Clean Houses follows Sol. She is a progressive young woman obsessed with cleanliness who, upon becoming pregnant, hires two housekeepers to help her at home. Although having cleaners should, in theory, make her life easier, it instead becomes a source of inner turmoil: she needs them, yet she wishes they didn't exist. Morally compelled to justify her privilege, she searches for a more "respectable" and creative job—one just as precarious as those of her girls.

The Mittelschmerz is the origin story of a family shaped not by catastrophe, but by smaller, more durable forms of suffering—the kind that lingers, adapts, and eventually feels like home. Set across the formative years of the Mittelschmerz parents and their children, the novel traces the emotional inheritance that will echo through generations: deferred ambition, stubborn love, inherited guilt, and the quiet heroics required to endure them.

Where do we go after we die? In this story the protagonist, Oscar Whatmore, dies and finds himself transported to a rundown spiritual realm, eventually appearing before a vast court presided over by a diminutive and disagreeable Jesus clad in legal robes. Although judged worthy of admission to Heaven, Oscar finds himself in a boring and dilapidated domain, which is blighted by outdated technology. He subsequently bribes an official to gain access to Hell, which he discovers to be surprisingly pleasant and staffed by a friendly Devil who explains that the ancient punishments are obsolete.

Dans ces contes piquants et irrévérencieux, Armand Silvestre s’amuse à bousculer les convenances: il interroge les usages, nargue les habitudes bien-pensantes et met en lumière les contradictions des mœurs et des traditions. D’une plume vive, ironique et élégante, il multiplie les portraits incisifs, les situations décalées et les retournements malicieux, pour une satire aussi légère qu’acérée.

Chaque jeudi, chez Madame Charbonneau, se joue un théâtre de salon où se croise la société du milieu du XIXe siècle. Armand de Pontmartin y déploie une satire alerte des mœurs: reparties étincelantes, piques feutrées, vanités à demi voilées et ambitions patiemment ourdies.

Stan boards an Amtrak train with one clear intention: do nothing important. No itinerary to optimize. No landmarks to conquer. Just movement, time, and the quiet pleasure of watching the world pass by a window. For Stan, trains are the last honest form of vacation — places where you’re allowed to sit still while life rearranges itself around you.

Barry, Beth, and Jenny ride again! The Silver Squad Rides Again picks up where the multi-award-winning The Silver Squad: Rebels With Wrinkles left off. This time Barry, Beth, and Jenny take on a trapper who tortured a wolf and a health insurance company that has denied a fifteen-year-old girl the surgery she desperately needs.

A grieving human doesn’t get a tidy spiritual awakening—she gets drafted into celestial bureaucracy. Bob, a weary, kind “custodial angel” armed with a pencil and sheer exhausted competence, guides Hannah through the true shape of the afterlife: Heaven as upper administration and Hell rebranded as Your Afterlife™—less eternal torture, more rehabilitation, theater tech, and departments doing their best with limited staffing.

My husband is dead. I attended his funeral. I watched his casket be lowered six feet into the ground. (Actually, it may have been only five feet, but that still seems like more than enough.) And then we ate an array of finger sandwiches and deviled eggs and miniature beef wellingtons that cost more than my first car. My point is, Grant is gone. And so are all his many, many deep, dark secrets which I never really ever bothered to ask him about. He is never coming back.

Traumatized by the bombing of Dresden at the time he had been imprisoned, Pilgrim drifts through all events and history, sometimes deeply implicated, sometimes a witness. He is surrounded by Vonnegut's usual large cast of continuing characters (notably here the hack science fiction writer Kilgore Trout and the alien Tralfamadorians, who oversee his life and remind him constantly that there is no causation, no order, no motive to existence).

First there was the insomnia. Then there were the support groups that helped him sleep. Then Marla Singer turned up, muscled in on ascending bowel cancer and ruined everything. Then he met Tyler Durden. Then came Fight Club. Fight Club is the psychological story of a man's descent into an...

In a small, tidy apartment on the outskirts of the frenzied metropolis of Seoul lives Kim Jiyoung. A 30-something-year-old “millennial everywoman”, she has recently left her white-collar desk job - in order to care for her newborn daughter full-time - as so many Korean women are expected to do. But she quickly begins to exhibit strange symptoms that alarm her husband, parents, and in-laws: Jiyoung impersonates the voices of other women - alive and even dead, both known and unknown to her.

The richest, most depraved man on Earth, Malachi Constant, is offered a chance to take a space journey to distant worlds with a beautiful woman at his side. Of course, there's a catch to the invitation....

INSTANT NEW YORK TIMES BESTSELLER A REESE'S BOOK CLUB PICK “Hard to put down, harder to forget.” — Stephen King, #1 New York Times bestselling author White lies. Dark humor. Deadly consequences… Bestselling sensation Juniper Song is not who she says she is, she didn’t write the...

If we were as tiny as ants to another being, what would they make of our philosophies? The great satirist Voltaire imagines alien visitors who have opinions. Bedtime stories are narrated by the world's most celebrated voices and written with no beginning, middle, or end so you don't stay up to hear what happens next. They're interesting enough to give your mind something to focus on, but delivered in a way that encourages sleep.

Obituary writer Bud Stanley isn’t really living his best life. He’s fallen into a funk after a divorce. (She left him for another man, who, in fairness, was far more interesting.) He’s not doing his job well. He’s given up on dating. And he’s about to be fired for accidentally publishing his own obituary one mildly drunken night (though technically the company can’t legally fire a dead person). As Bud awaits his fate at work, he does the only logical thing: He goes to the wakes and funerals of total strangers to learn how to live again.

"Like shyte through the bull's anus, so are the days of our lives."

Warning! Dangerous Horrorscope!! Listen at Your Own Peril!!!