検索キーワード： 短編小説

Howard Phillips Lovecraft (1890 - 1937) gilt als der bedeutendste Autor der phantastischen Horrorliteratur - quasi der "Edgar Allan Poe" des 20. Jahrhunderts. Mit dem "Cthulhu-Mythos" erschuf er eine ganze Welt, in der außerirdische Wesen, vor Urzeiten auf unseren Planeten gelangt, gottgleich und quasi unsterblich herrschten. Die vorliegende Geschichte "Necronomicon" ist eher wie ein Eintrag in einem Lexikon gehalten; er gibt einen zeitlichen Abriss des "Necronomicons" - der Welt des Horrors, die Lovecraft selbst schuf.

On a far-off colony, humans tower over the local species who grow the plants they need. Narr keeps the workers in line—someone has to. But when Narr learns just how short-lived their species is, the little alien embarks on a big mission: to find out why their people die and how to stop it. Stubborn and hopeful, Narr has a plan for the locals, for humans, and for the future.

Александр Грин - писатель, жизнь которого была тяжела, а порой почти беспросветна - создал в своих произведениях удивительный романтический мир.

“One of the great … American short-story writers” exposes the darkness of the human heart in these speculative tales of terror and tragedy (George R. R. Martin).

When a young orphan decides to ignore the kind teachings of the people who took him in, he finds that he hurts those who care about him most. Will he ever mend his ways - and when will it be too late?

Mar de historias es una antología de algunos de los mejores relatos que Cristina Pacheco publicó durante más de treinta años en La Jornada. Dramática, conmovedora y no exenta de sentido del humor. La vida es un alud de anécdotas y lo cotidiano, el escenario de lo insólito.

This collection of short stories and poems by Ada Hoffmann traverses extraordinary universes packed with faeries, cyborgs, talking otters, punitive gods, lovestruck sea creatures, fossil hunters, extraterrestrials, and much more. Exploring themes of love and self-existence, community and otherness, and perseverance, Resurrections is a wondrous blend of genres and literary forms.

A flock of great blue herons descending through a snowstorm to the streets of New York.... A river in Nebraska disappearing mysteriously.... A ghostly herd of buffalo that sings a song of death.... A mystic who raises constellations of stones from the desert floor.... All these are to be found in Winter Count, the exquisite and rapturous collection by the National Book Award-winning author of Arctic Dreams.

Diane Williams, "godmother of flash fiction" (The Paris Review), returns with thirty-three brilliant short stories. In Williams's stories, life is newly alive and dangerous; whether she is writing about an affair, a request for money, an afternoon in a garden, or the simple act of carrying a cake from one room to the next, she offers us beautiful and unsettling new ways of seeing everyday life.

„Das Landleben hat seine großen Vorzüge“, sagte er häufig. „Man sitzt auf dem Balkon und trinkt Tee, auf dem Teich schwimmen deine Enten, es riecht so gut, und... und die Stachelbeeren reifen.“

Once happily married with a young son, Jess takes to the road to escape her failed relationship and the disappointment of losing touch with her son. Four years into a nomadic existence, she has learned the hacks of van life and promotes a fantasy version of it on Instagram that bears little resemblance to her eclectic community of fellow travelers. But it’s that camaraderie, and the vastness of the great outdoors, that gives Jess the space she needs to find out what really matters to her. And act on it.

For some fifty years, in intriguing and ingenious fictions that reimagined the very form of the short story—from his 1935 debut with A Universal History of Iniquity through his immensely influential collections Ficciones and The Aleph, the enigmatic prose poems of The Maker, up to his final work in the 1980s, Shakespeare’s Memory—Jorge Luis Borges returned again and again to his celebrated themes: dreams, duels, labyrinths, mirrors, infinite libraries, the manipulations of chance, gauchos, knife fighters, tigers, and the elusive nature of identity itself.

El destino del imperio incaico sobre un tablero de ajedrez. ¿Podrá Atahualpa ver el siguiente movimiento de los españoles o sucumbirá por su inocencia? Una de las tradiciones más entrañables de Palma.

En «Una novela no escrita», la protagonista —alter ego de Virginia Woolf— especula sobre la vida interior y el alma de una persona mientras la observa desde el asiento de un tren.

This audiobook, read by Audie award-winning narrators, includes unabridged recordings of over 120 of Twain's inventive, humorous, and most-loved short stories.

In these short stories, collected and translated by Ralph McCarthy, we can see just how closely Dazai’s life mirrored his art, and vice versa, as the writer/narrator falls from grace, rises to fame, and falls again. Addiction, debt, shame, and despair dogged Dazai until his self-inflicted death, and yet despite all the lies and deception he resorted to in life, there is an almost fanatical honesty to his writing.

Esta reunião de contos de Kate Chopin inclui os contos Além do riacho, A senhora Pelagie, O bebê de Desirée, Uma mulher respeitável, O beijo, Um par de meias de seda e O medalhão, além do pequeno ensaio Uma reflexão.

Юрий Казаков (1927–1982) – известный русский прозаик, сценарист. Критики называли Юрия Казакова – мастера малого жанра – достойным преемником Бунина и Чехова. Его небольшие по объёму рассказы раскрывают глубокие и трогательные истории. Ничего не предвещает беды ранним тихим утром, когда двое мальчишек – деревенский Яшка и приехавший из города Володя – собираются на рыбалку. Так начинается рассказ Ю. Казакова Тихое утро. Яшка знает о рыбалке всё, но его приятель из Москвы совсем новичок в рыбной ловле: неопытный Володя только суетится и мешается под ногами.

Caught in their last moment of decadent obliviousness, the characters in At Danceteria are so blinded by the strobe lights they can't see what's waiting in the shadows. While fictional, each of the collection's seven stories, set at the dawn of the AIDS crisis, takes as their inspiration a real event.

La señora Pengelley visita a Hércules Poirot porque sospecha que su marido la está envenenando. Cuando el detective Belga llega a la casa para investigar el caso, al día siguiente, descubre que es tarde porque la señora Pengelley ha muerto. Poirot se siente tan responsable por no haber dado crédito a las palabras de la señora Pengelley que llegará hasta las últimas consecuencias a la hora de resolver este intrincado caso.