エピソード

  • 118. Robertina Šebjanič – Aquatocene
    2021/06/27
    Robertina Šebjanič - Aquatoceneby MTF Labs | MTF Podcasthttps://musictechfest.s3.eu-west-3.amazonaws.com/podcast/118-robertina-sebjanic.mp3Robertina Šebjanič is an internationally awarded artist, whose work revolves around the biological, chemical, political and cultural realities of aquatic environments, and explores humankind’s impact on other species and on the rights of non-human entities. Based in Ljubljana, her research into the sound worlds and everyday realities of aquatic environments serves as a starting point to investigate and tackle the philosophical questions on the intersection of art, technology and science, and the role of humans not only in damaging the environment but also potentially helping to repair it. Robertina Šebjanič@roiiroiiro on TwitterDownload episode← Previous episodeTranscriptDubber Hi, I’m Andrew Dubber. I’m Director of MTF Labs, and this is the MTF Podcast. You’ll be familiar by now that one of the main interests that brings this amazing global MTF community together is the intersection of science and art. But it’s not just that it’s cool or interesting to bridge those worlds in new ways, although, of course, it is that too. It’s also becoming central to our understanding of how the grand challenges of our world – not the least of which involves our stewardship of the earth, its ecosystems, and diverse species – can be urgently addressed.With that in mind, over the course of this podcast we’ve explored the built environment, new ways of mapping the world, new ways of understanding biological lifeforms, and new knowledge through the perspective gained with the view from space, but perhaps one of the richest seams of seldom explored potential for the kinds of new knowledge we need to ensure our ongoing existence is to be found in something that there is more of than pretty much anything else in this world: ocean. And someone who doesn’t just bridge but blends oceanic science and art is MTFer Robertina Šebjanič. Robertina is an internationally awarded artist whose work revolves around the biological, chemical, political, and cultural realities of aquatic environments and explores humankind’s impact on other species and on the rights of non-human entities.Dubber Robertina, it’s really great to have you on the MTF Podcast. Of course, you were involved in MTF Aveiro in Portugal last year, but I remember we first met at MTF Central in Ljubljana back in 2015. Do you want to start by telling us a little about how you connected with MTF in the first place?Robertina It’s true. It’s quite some while ago that we met and all this started to happen. So I was at that time working on a performance together with a colleague. It’s an audiovisual performance together with colleague Aleš Hieng Zergon, and we had been doing different experimental stages, I would say, with ferrofluidic structures, which we went into showing the micro and macro situations real-time with the sonic interpretation of it also.And, actually, Miha Ciglar organised IRZU Festival at that time, also in Ljubljana. And he was the one who connected with Michela and with you and with the Music Tech Festival and with organising the Music Tech Lab also in Ljubljana, and he invited me and Aleš to encourage us to be part of it, and he was very happy to introduce us also to Michela Magas and you. This was how we started to meet. And then when you spend time together physically at the event, when you exchange a lot of thoughts… Especially with Michela. We had quite nice conversation flow. And then since then, I’m following what is happening, and I think it’s great to have this kind of base hub to follow how the communities are developing also.Dubber Because IRZU was a long-running Slovenian sound art festival. Had you done a lot with Miha at that before?Robertina Yeah. With IRZU, I was collaborating with different hats, I would say, because I was also for some while in the beginning of 2010/2012 and so on working in the media lab in Ljubljana as a producer. So with Miha, we organised together events also many times. So it wasn’t only me as an artist, but also me as an active member of the bigger organisation structures, also sometimes collaborating with Miha inside of that. And it was great because his festival… Was that it was very boutique. It was small, but it was very interesting. The people he managed to bring to Slovenia also. And I have to say, at that time, I didn’t travel yet so much. For me, it was great opportunity to really get to know different branches of experimental improvisation and sound art in general, so it was really good platform to be involved with.Dubber And you say sound art. You’re an artist and you’re a researcher, but it’s mostly underwater related things, isn’t it? It’s sound from beneath the sea. It’s sound from aquatic animals. Why? Why is that interesting?Robertina It started ...
    続きを読む 一部表示
    50 分
  • 117. Caspar Melville – It’s A London Thing
    2021/05/30
    Caspar Melville - It's A London Thingby MTF Labs | MTF Podcasthttps://musictechfest.s3.eu-west-3.amazonaws.com/podcast/117-caspar-melville.mp3Dr Caspar Melville is a Senior Lecturer in Global Creative & Cultural Industries at SOAS. He's an educator, journalist, editor and author of the book It's A London Thing: How rare groove, acid house and jungle remapped the city. Caspar believes that dance culture has been ignored in academic treatment of history and cultural theory and that it should be thought of as a powerful and internationally significant form of popular art. His work bridges decades and genres of dance music but ties them together into a single narrative of Black musical scenes of the city, from ska, reggae and soul in the 1970s, to rare groove and rave in the 1980s and jungle and its offshoots in the 1990s, and on to dubstep and grime. @casparmelville on TwitterIt's A London ThingDownload episode← Previous episodeNext episode →TranscriptDubber Hi, I’m Andrew Dubber. I’m Director of MTF Labs, and this is the MTF Podcast. Now, some years ago, I was a professor in a media and cultural studies department at a UK university, teaching, among other things, on a music industries degree course. And when that’s your focus, you tend to cross paths with other professors in media and cultural studies departments at UK universities who teach, among other things, on music industries degree courses. It’s not an enormous subset of the academic world. And so as a result of this selective professional socialising and collaboration, I know and work with Caspar Melville. Caspar’s a senior lecturer in Global Creative and Cultural Studies at SOAS, which we’ll talk about and unpack, but what I really want to discuss with him is his recent book, ‘It's a London Thing: How Rare Groove, Acid House and Jungle Remapped the City’.Dubber So, Caspar Melville, thank you so much for joining us for the MTF Podcast today. So you are, as I mentioned, a senior lecturer at SOAS. Let’s start with that. What’s SOAS?Caspar Well, SOAS is a part of the University of London. The acronym SOAS stands for School of Oriental and African Studies. Now, we call ourselves SOAS now because we’re all very uncomfortable with the term oriental. And, of course, there’s an inbuilt discomfort with the whole thing about SOAS because SOAS, which originates in the early twentieth century, was a school for training civil servants of the empire, or sometimes known as a school for spies. It was the place where the British government sent their civil servants to learn local languages of the places that they were going to go out and administer in Africa and in the Far East and the Near East and Malaya and Singapore. Places like that. So that’s the history of the institution.It has been affiliated with the University of London for I’m not quite sure how long, and now it’s a university. It’s in Bloomsbury, right near the UCL and the Institute of Education, which has actually been absorbed into UCL now. So it’s in the university intellectual part of London, around Russell Square, Bloomsbury area.Dubber Right. But you’re not teaching spies how to speak Mandarin.Caspar I don’t think I am, no. I’m in the School of Arts. I’m a slightly square peg in a round hole in the sense that the School of Arts at SOAS… It wasn’t originally an arts and humanities based institution. So the core of it, after it had been training imperial civil servants, was politics, development. Those kinds of questions. Specialists in water. Languages, very important. Out of this developed an art stream. So people who were particularly… They were ‘Africanists’ – African specialists, but they had a particular interest in music. There were people in Korean studies, in what they call area studies. This is not a discipline, but you study a particular area. They banded together and they set up a music department, and then there was a history of art department. Similarly, local area expertise. China, Korea, Africa. Usually older forms. Traditions, you might call it. And this banded together in the School of Arts, which was formed maybe ten years ago.I’ve been at SOAS for about eight years, and I came in to teach something called Creative and Cultural Industries. So this was SOAS recognising that while the ethnomusicology and the history of art were really important, there was a missing link, partly to do with media and cultural studies and partly to do with recognising that all of this is caught up within a set of industrial systems and processes. Obviously, the internet and the digitisation of culture which came in the 2010s was happening all around, and there was a sense that they wanted to recognise that. So they brought me in – it was partly under pressure, I think – to think more about careers.As you know, having been an academic, this idea of “Well, what am I going to do ...
    続きを読む 一部表示
    1 時間 24 分
  • 116. Sofia Crespo – Artificial Life
    2021/05/25
    Sofia Crespo - Artificial Lifeby MTF Labs | MTF Podcasthttps://musictechfest.s3.eu-west-3.amazonaws.com/podcast/116-sofia-crespo.mp3Sofia Crespo is a Berlin-based visual artist who uses artificial intelligence to create speculative living organisms that exist in the gap between real biological species and our perception and understanding of what ‘life' is. Her work is collaborative and connects with scientists, other visual artists, AI experts, musicians and sound designers. She is interested not just in how technologies can create biological forms, but also how organic life can create and use technologies. @soficrespo91 on Twittersofiacrespo.comDownload episode← Previous episodeNext episode →TranscriptDubber Hi, I’m Andrew Dubber. I’m Director of MTF Labs, and this is the MTF Podcast. Now, if you find yourself on Instagram and you’re looking for something other than the children, pets, and meals of friends and family, the privileged lives of the famous, the heavily filtered images of people who are good at wearing clothes, or – if you’re like me – vintage hi-fi gear, then you might find yourself looking at generative visual art. And as you scroll through the abstract designs, hypnotic pulses, and seizure-inducing strobes, you might see something that looks almost, but not quite, like a cross-breed between a penguin and a fluorescent blue slug, or an anatomically unlikely cicada, a fractal parrot, a melty squid, or a patchwork butterfly. If so, then chances are you’ve found the art of Berlin-based AI artist Sofia Crespo.With the help of machine intelligence, Sofia creates artificial life. She joined us to do that at MTF Aveiro in Portugal last year, and she’s started collaborations with other MTFers, not so much to play god, but – to mangle the theology of the metaphor – maybe to act as one of his elves in the living organism toy workshop. Okay, this all breaks down a little bit, but you get the idea. She uses thinking computers to make what you might call speculative creatures, and then she brings them to life.Dubber Sofia Crespo, thanks so much for joining us for the MTF Podcast. I was going to say “How are you doing?”, but you’re not doing very well.Sofia Yeah, I’m not. I’m a bit ill right now, but, nevertheless, thank you so much for having me here.Dubber You’re welcome. And you’re a hospital escapee.Sofia Yeah.Dubber You have to tell that story.Sofia I left the hospital yesterday. I got very anxious after being there for eight hours, waiting, and alone in a room in isolation. I feel terrible for their hospital staff, though. And the police came looking for me, and it was a first. First time running away from hospital for me.Dubber It’s good that you can laugh about it and that, I know you say you’re unwell, but you tested negative for COVID. You have a bit of a fever, but you’re not bleeding to death or anything like that.Sofia No, but I’m worried that I might have tuberculosis.Dubber Oh, really? Oh my god.Sofia Yeah. So that’s something that is also a first. I have all the symptoms, but I haven’t been tested for it.Dubber Wow. And that’s why they were quite keen for you to stay in the hospital.Sofia Yeah. Well, mainly because of COVID because they were worried that I have COVID. But I was in the ER station, so they don’t do TB tests there. They were just worried about something very acute. But, yeah, it’s strange. The only things I know about tuberculosis are that it’s a very old disease that used to kill a lot of people back in the day before there was a cure.Dubber Sure, yeah. The only thing I know about it is that you’re meant to take it seriously. You seem fine, but I’m not a doctor.Sofia Yeah. That’s why I went to the ER in the first place. But it’s a strange time to have that because obviously COVID is the main priority right now as a health emergency.Dubber Wow. Well, I really hope you’re okay. It puts a slightly different slant on the whole interview.Sofia Oh my god.Dubber But let’s assume you’re okay and start with what you do is you make artificial life.Sofia I do.Dubber Which is to say you’re an artist that uses AI to create living creatures. What does that mean? What does that look like?Sofia Yeah. Well, in a way, it depends. There are many things to unpack, like how do we perceive life, what do we see as life, and where does life even begin for us? So what I do is just things that simulate, on a very high level, so to say, what life looks like to us when digitised. So I’m exploring that threshold of where human perception sees something that looks alive and how all those patterns are recognised by our brains. So that’s...
    続きを読む 一部表示
    40 分
  • 115. Gary Pisano – Creative Construction
    2021/05/03
    Gary Pisano - Creative Constructionby MTF Labs | MTF Podcasthttps://musictechfest.s3.eu-west-3.amazonaws.com/podcast/115-gary-pisano.mp3Gary Pisano is a Professor at Harvard Business School. He's an author, lecturer, researcher and innovation and strategy consultant to many of the world's largest corporations. His book Creative Construction focuses on how large organisations can create a culture that will allow them to innovate so that they can grow and thrive. He has strong roots in the biotech sector, but works across industries as diverse as automotive and fashion, restaurants and specialist chemicals. He's been a director of both public and private companies and currently serves on the boards of Axcella Health and Celixir. @motogp61 on Twittergpisano.comDownload episode← Previous episodeNext episode →TranscriptDubber Hi, I’m Andrew Dubber. I’m Director of MTF Labs, and this is the MTF Podcast. So I want to just get straight down to business. And since we’re interested in bringing together the brightest minds in any field, if it’s business we want to get down to, who better than a Harvard Business School professor to guide us?Gary Pisano is, among other things, a researcher, author, and educator. He’s a consultant to a whole lot of the world’s largest corporations, and he’s an expert in industry innovation, strategy, enterprise growth, and international competitiveness. He’s got a particular interest in the biotech industry, but his work spans across fields as diverse as aerospace, automotive, fashion, electronics, entertainment, finance, healthcare, manufacturing, restaurants, semiconductors, software, the chemical industry, and web platforms. His most recent book is called ‘Creative Construction: The DNA of Sustained Innovation’, and it shows how large organisations can develop the kinds of strategies, systems, and cultures of innovation needed to allow for the sort of innovation that we need in order to solve grand challenges, deal with a changing world, and grow.Dubber Professor Gary Pisano, thanks so much for joining us for the MTF Podcast. How are you doing?Gary I’m doing terrific, Andrew. Thanks for having me here.Dubber Fantastic. You’re the Harry E. Figgie Professor of Business Administration at Harvard Business School. The first question, who is Harry E. Figgie?Gary He was an industrialist. Started a fairly large company. I don’t know exactly when. It was probably the fifties or so, or forties. Rose to quite a bit of prominence and then endowed a chair at Harvard University, I think because it was interested in manufacturing. And the department I’m in is actually Technology and Operations Management, where we spend a chunk of our time doing manufacturing, and that’s also been a chunk of my research as well.Dubber Sure. Operations management being?Gary Operations management being a very broad area of inquiry. Everything from supply chains to manufacturing. There’s technical aspects of scheduling.I’m trained as an economist. My work has always spanned two areas: manufacturing and innovation. I trained as an economist in economics of R&D, economics of innovation. But when I joined Harvard back in 1988, it was actually the then called Production and Operations Management Unit which actually had some people doing innovation. So I joined that unit, but I had to teach about production, so I learned a lot about manufacturing real fast.Dubber And this is not specific to any one particular industry. It’s a broad church.Gary Yeah, absolutely.Dubber Fantastic.Gary Yeah, we’ve got folks working in everything.Dubber Yeah, for sure. I used to have two books on the shelf in my office when I was a professor. One was called ‘Everything They Teach You at Harvard Business School’, and the other one was called ‘What They Don't Teach You at Harvard Business School’. And my joke was “That’s the sum total of human knowledge right there.”. What do they teach you at Harvard Business School?Gary Oh, wow. Well, it depends how you think about it. Let me tell you how I think about it. Yes, you do learn some stuff about business. You learn about capital asset pricing models, and you learn about some technical things on supply chains or marketing and branding. You learn some substantive things, of course. But if you think of how you could read all of those things in a book, you can get all that.So I think the way we’ve always thought about it at Harvard Business School, certainly the way I think about it, is we teach you a way to think about problems. So it’s a problem-solving mentality and a problem-solving approach. I think that’s what we do very well. And then I think what we do at our best is we teach people how to learn from their experience. So if you’re ...
    続きを読む 一部表示
    55 分
  • 114. Anna Grichting – Urbanism and Jazz
    2021/04/25
    Anna Grichting - Urbanism and Jazzby MTF Labs | MTF Podcasthttps://musictechfest.s3.eu-west-3.amazonaws.com/podcast/114-anna-grichting.mp3Dr Anna Grichting is a Swiss architect, urbanist and musician who’s spent her career using arts and design to create a more beautiful, biodiverse and sustainable world, through co-creative, interdisciplinary and holistic approaches to design projects – especially at the city level. She's also an accomplished jazz singer and recording artist who has worked with musicians all over the world, incorporating different spiritual traditions. @annagrichting on TwitterAnnaGrichting.comDownload episode← Previous episodeNext episode →TranscriptDubber Hi, I’m Andrew Dubber. I’m Director of MTF Labs, and this is the MTF Podcast. There’s a lot of talk right now about cities. Cities seem to be the atomic unit of public policy. Smart cities, sustainable cities, social progress cities, cities of culture, industrial cities, music cities. And the ways in which we design and develop cities and public spaces, especially post-COVID, once we are actually post-, are central to initiatives like the New European Bauhaus, the Green New Deal, AI4Cities. Things that ask questions about not just “Where shall we live?” but also “How should we live?”.Now, someone who’s been thinking about city environments from a design, architecture, systems, and social perspective at places like Harvard University and Qatar University, Geneva, MIT, and Vermont is Dr Anna Grichting. She’s a Swiss architect, urbanist, and musician who’s spent her career using arts and design to create a more beautiful, biodiverse, and sustainable world through co-creative, interdisciplinary, and holistic approaches to design projects, especially at the city level.Dubber Dr Anna Grichting, it’s great to have you with us for the MTF Podcast. How are you doing?Anna I’m doing very well, and thank you so much for inviting me. It’s a pleasure.Dubber You’re very welcome. You’re described as various things on the internet, primarily as an urbanist. What’s an urbanist?Anna An urbanist is a word we use, I think, a lot in Europe. It obviously has to do with the urban, with cities, with planning, and it’s also quite large because it encompasses all the different scales. And I’m also particularly interested in landscape urbanism. So it’s really this bringing together landscape and urbanism and also architecture and urbanism.And I think, obviously, for a few centuries, we’ve been dividing disciplines. And increasingly, especially now, looking at ecology, environment, climate change, nature-based solutions, it’s even more and more important that landscape… What I tell my students, or even in conferences, is that landscape, in fact, for me is the foundation of any project of architecture or urbanism because we need to start from the ground. We need to start from the topography, from the water, from the biodiversity, from the soil. Soil is very important. So it’s even the landscape aspect which I find very important.And why urbanism? Because in certain countries and disciplines, we tend to talk about architecture. We talk about urban design. We talk about urban planning, and urban planning can be very linked to policy or geography. And so we separate it in different… It can be found in different faculties or different ways of teaching. And so, for me, urbanism is a way of really… That’s maybe more holistic.Dubber Are cities fit for purpose anymore?Anna Fit for purpose? What exactly…Dubber Well, fit for humans is probably really what I’m asking.Anna Yes. Well, it’s an interesting question because, on the one hand, if you listen to UN-Habitat, etc., it’s saying “Well, in the future, we’re shifting from this urban and rural balance to more and more people will be living in cities.”. So there is that focus, and it’s definitely something we have to think about. Even here in Geneva, we think about, very carefully, “Are we going to eat up…”. We don’t have much territory in Switzerland. So “Are we going to eat up all the countryside and continue sprawling, or are we going to densify the city?”. And, of course, there’s all the questions of infrastructure because you need certain densities for infrastructures.But, on the other hand, I feel also that we need to look also more and more and study the rural, and instead of everybody flocking to the city, what do we do in rural areas so that people don’t leave the rural areas? How do we make them more attractive? We have a lot of, whether it’s inner Italy or places even in France, these shrinking villages or cities where people are leaving because there’s not activity, etc. Obviously, now, with digital infrastructure, it’s become… And the COVID has shown us it’s becoming increasingly ...
    続きを読む 一部表示
    42 分
  • 113. Yaniv Balmas – Cyber Crime and Digital Espionage
    2021/04/19
    Yaniv Balmas - Cyber Crime and Digital Espionageby MTF Labs | MTF Podcasthttps://musictechfest.s3.eu-west-3.amazonaws.com/podcast/113-yaniv-balmas.mp3Yaniv Balmas is head of Cyber Research at Check Point Software in Tel Aviv. He's a security researcher, software developer, and a technology enthusiast with over a decade in the industry. His approach to keeping yourself and your computer free from attack is as much philosophical as it is technical. Cyber security may well be one of the most challenging domains in our day and age. With infinite complexity, ever changing technological landscape and thousands of new vulnerabilities found every month, protecting your network and ensuring a 100% risk free environment is nearly an impossible task..@ynvb on TwitterDownload episode← Previous episodeNext episode →TranscriptDubber Hi, I’m Andrew Dubber. I’m Director of MTF Labs, and this is the MTF Podcast. So given that you’re listening to a podcast right now, it’s a fairly safe bet that you have a computer or a smartphone and it’s connected to the internet, which means that it and you and perhaps everyone you’ve ever sent an email to is in some sort of twenty-first-century peril right now.Enter the cybersecurity specialist, coding furiously against time to take down the criminal underworld, foreign agents, malware and spyware, and lock out the hackers and the bots. The hunter becomes the hunted, and so on. In fact, according to actual cybersecurity expert Yaniv Balmas, there are actually some pretty simple things you can do yourself, or stop doing, as the case may be. And there are some things you might not actually be in a position to do anything about at all, but, well, chances are, you’re not as interesting a target as you might think. Here’s hoping, at any rate.But given that we live in a world where everything is so very digital and so very connected, from our conversations to our thermostats, our politics to our pop music, I thought I’d have a chat with Yaniv – he’s Head of Cyber Research at Check Point – to talk about what’s going on in the world of cyber and see what I can do to avoid a catastrophic network breach or some such.Dubber Yaniv Balmas, thanks so much for joining us for the MTF Podcast. Can I ask where we find you today, where you are right now, or would that give too much away?Yaniv Well, I’m at home, like most of the other people around the globe.Dubber Yeah. And where is home on the globe?Yaniv Well, I live just outside of Tel Aviv in Israel.Dubber And you’re in cybersecurity. Is Tel Aviv a good place to be doing cybersecurity?Yaniv Well, Israel has been called a cyber nation. I don’t know if it’s true or not, but, yes, there is a lot of cyber business going on in Tel Aviv and all around me here.Dubber All right. So we should probably just get to the very, very basics. What is cybersecurity?Yaniv When I started this career, there wasn’t such a term, ‘cybersecurity’, actually. It was ‘security engineering’, maybe, or ‘information security’. So cyber, for me, is just a big, new name for something. And, technically, what we’re talking about is we’re talking about mistakes. Human mistakes, usually.So we have software running. We have hardware running. We have all of these mechanics and all of these electronics going on. They should theoretically be perfect and do exactly what they’re supposed to do and absolutely nothing else, but, unfortunately, or fortunately – it depends who you ask – that’s…Dubber It depends on whether you make your living out of cybersecurity or not.Yaniv Yeah, exactly. Usually, it doesn’t work that way. There are bugs. There are errors in there. Some of them are just bugs and errors. Some of them might be much worse than that, and they could lead to a lot of security issues, and I guess that’s the core of cybersecurity. That’s where it all starts.Dubber Because what I imagine when I hear ‘cybersecurity’ is that there are lots of, for want of a better term, baddies in the world who are trying to break things, steal things, blow things up, make people’s lives miserable, and you’re the last line of defence, frantically typing like a hacker in a movie onto a screen to stop them from getting in. Is it anything like that? Is anything of that true?Yaniv Well, I always think – about this typing like a hacker in a movie – that if someone would ever make a film on me while I’m working, it would be the most boring film in the world. It really doesn’t look that way in reality.Are we the last line of defence? I don’t know. There’s a pretty large community. Some of it is by vendors. Some of it by individuals. Some is mixed. And there’s a lot of work being done on the defensive side of cybersecurity around the world. I don’t ...
    続きを読む 一部表示
    45 分
  • 112. Julia Coney – Wine is Science
    2021/04/08
    Julia Coney - Wine is Scienceby MTF Labs | MTF Podcasthttps://musictechfest.s3.eu-west-3.amazonaws.com/podcast/112-julia-coney.mp3Julia Coney is a wine writer, wine educator, speaker, and consultant. Her wine writing includes stories on wine, winemakers, and the intersection of race, wine, and language. She was the recipient of Wine Enthusiast's 2020 Social Visionary Award Winner for her work in writing and speaking on diversity, equity, and inclusion in the wine industry.Julia is the Founder of Black Wine Professionals, a resource for wine industry employers and gatekeepers, professionals, and the food and beverage community. Their goal is to lift up the multifaceted Black professionals in the world of wine.Julia Coney@juliaconey on TwitterBlack Wine ProfessionalsPhoto: Justin T. GellersonDownload episode← Previous episodeNext episode →TranscriptDubber Hi, I’m Andrew Dubber. I’m Director of MTF Labs, and this is the MTF Podcast. I quite like wine. Maybe you’re the same yourself. I’m not someone who has it every evening, but when I do have it, I enjoy it, and I know enough to have some favourites and also to know what my sort of thing is when I come across it. I particularly enjoy drinking wine with people who know more about it than I do, which, to be fair, is a low bar, but it’s always interesting to learn something along the way.So when I’ve been to wine tastings at vineyards or in the company of winemakers, which I’ve been lucky enough to do on occasion in a number of places around the world, something I’ve been struck by is that here’s someone who overlaps with the world of MTF in ways you might not expect, because while you might not think of growing and stomping on grapes for a living or serving thirsty customers in a restaurant or selling bottles in a retail outlet as having a great deal of connection with the worlds of innovation and creativity, well, au contraire. This is science meets art at its most fundamental level. The last winemaker who poured me a glass of Reserva was a microbiologist by training, a musician by calling, an entertainer by nature, and an innovator, creating new and award-winning combinations.So I thought I would indulge one of my enthusiasms by tying it, however loosely, to the established interests of this programme. Wine is art, wine is science, wine is politics, and it can also be a platform for social justice and inclusion, and someone who knows that better than anyone is wine writer and critic, Julia Coney.Dubber Welcome, Julia. Thanks so much for joining us for the MTF Podcast today. Apologies for the clichéd wine music. How are you doing?Julia I’m good. The sun is shining out here. It’s not too cold, so I’m happy.Dubber And where do we find you today?Julia Washington, DC.Dubber Right, okay. So there’s been a lot going on there in the last few months. Do you care to talk a bit…Julia Just a little bit.Dubber Yeah. We hear some bits and pieces. I’m a long way away, but some of the news filters through. You’re from the world of wine. Has there been some impact on how wine is enjoyed or consumed or sold that’s come about in the last… Well, in the last couple of months, particularly?Julia Well, I think one of the good things that has happened is the tariffs have been lifted for the US between the US and Europe for four months while people actually sit down and talk things through on how to do a tariff, or “Is it going to take place?”, or are they going to continue to have it. I’m very excited that’s stopped. And also because there’s a lot of moving parts in wine, especially because of the way the system is set up in the United States, that a lot of people were really hurting – a lot of importers, distributors, retailers – because the price and the mark up just was so expensive, so high. So hopefully, with everything coming out, it will be okay. So that’s some good news that has come out of Washington, DC, besides the November election.Dubber Yeah, for sure. I know that there’s a lot of wine production that goes on in the US, but I guess probably not all of the consumption of wine is of American wines. What proportion would that be?Julia I will say, I think people still drink the majority of American wines in America. California is the biggest, but then after that, you have Oregon, you have Washington State, you have, in New York, the Finger Lakes. We also drink a lot of European wines as well. And it also depends on where you live because the way the system is set up, everybody can’t export their wine to certain states, so it depends… New York can get anything, I always like to say, but a lot of Europe doesn’t always make its way west. So I’m here in the DC, so we’re able to get a lot of good things.So I just will say, people are now more ...
    続きを読む 一部表示
    34 分
  • 111. Nelly Ben Hayoun – Designer of Experiences
    2021/03/29
    Nelly Ben Hayoun - Designer of Experiencesby MTF Labs | MTF Podcasthttps://musictechfest.s3.eu-west-3.amazonaws.com/podcast/111-nelly-ben-hayoun.mp3Dr. Nelly Ben Hayoun-Stepanian is a designer of experiences. She makes it possible to become an astronaut in your living room while dark energy is being created in your kitchen sink and a volcano erupts on your couch. She runs a leading interdisciplinary design agency which devises subversive events, experiences, and feature-length films, working with everyone from NASA to Lego, MOMA to Mattel.Nelly is the founder of the Underground University where she leads with board members including Rose McGowan and Pussy Riot's Nadya Tolokonnikova, and she launched the International Space Orchestra – a musical group of astrophysicists, astronauts and other space scientists who have worked with Prodigy, Avalanches, Sigur Ros and others.Nelly Ben Hayoun Studio@nellybenhayoun on TwitterDownload episode← Previous episodeNext episode →TranscriptDubber Hi, I’m Andrew Dubber. I’m Director of MTF Labs, and this is the MTF Podcast. So this is one of those episodes where introducing the guest might end up taking longer than the podcast interview itself, if I’m not careful, because Dr Nelly Ben Hayoun-Stepanian does an awful lot of different things that all require some explaining but could, in short, be broadly categorised as the creation of experiences.She’s a filmmaker, artist, designer, founder and namesake of one of the world’s top design studios, founder of an underground university, of an international space orchestra that’s worked with Prodigy, The Avalanches, and Sigur Rós. She works with NASA, the European Space Agency, Singularity University, Mattel, LEGO, Airbnb, Google, The Guardian, the SETI Institute, the BBC, Red Bull, WeTransfer, XL Recordings, MoMA, Victoria and Albert Museum, the National Museum of China… You get the idea. She has, she reckons, thirteen jobs, more or less – probably more – and at one point was so in demand for public speaking engagements around the world, she employed doppelgängers, look-alikes who she trained to mimic her mannerisms and delivery style so she could literally be in multiple places at once.Dubber Dr Nelly Ben Hayoun-Stepanian, welcome to the MTF Podcast. It’s nice to see you again. How are you doing?Nelly Yes. It’s so nice to see you, Andrew. Hello listeners.Dubber It’s great to have you on. You do pretty much everything, and I feel like I’m just going to say “Tell me about this project. Tell me about that project. Tell me about this project.” because there are so many things that you do that are so much of interest to the people who listen to a podcast like this. So you’re more or less an experienced designer, but that doesn’t even begin to cover it. How do you describe what you do?Nelly Well, actually, I don’t describe myself as an experienced designer but as a designer of experiences, which basically means that, suddenly, when you start to speak about experiences, then you allow yourself to look at multiple different fields because if you want to make a meaningful experience for members of the public, then you need to know a bit about music, know a bit about architecture, know a bit about design, know a bit about academia, film. Basically all of the different realms of things. So if you want to say what I’m doing, I design experiences for members of the public to experience a rocket lift-off in their living room while dark energy is being produced in the kitchen sink, sonic booms are erupting in your bathtub, and then, as if it wasn’t enough, you have a volcano that is literally right there in front of you while someone is… I don’t know. Your auntie is experiencing stage one, two, and three of the rocket lift-off, the Soyuz rocket. That’s what I do.Dubber Okay. So I have to ask the question, why do you do this?Nelly Why do I do this? I do this because I feel like there is a part of our realities or part of science as we know it or part of the mystery of our world that a lot of us don’t have access to because we don’t have the right degree. If I’m too small, too fat, if I don’t have the right PhD, the chances that you’re going to make it to become an astronaut are really small. I found this so unfair. There is 250 astronauts up there. Why is it that you or I cannot go up there? Why is it that we cannot experience a bit of the magic of going in outer space?So in order to give you that kind of magic experience or to give you access to that sublime that is a part of our world then I have to design a meaningful experience. I need to actually find a way to give you it as close as it can be experienced. So I’m not lying to you, and I’m giving you that as close as it can be experienced, but it’s not exactly like being an astronaut. But it’s working with an astronaut to ...
    続きを読む 一部表示
    50 分