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The Observable Universe
- An Investigation
- ナレーター： Heather McCalden
- 再生時間： 9 時間 48 分
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The Observable Universe
批評家のレビュー
“A dazzling, kaleidoscopic work of art that pulls scientific inquiry, memoir, and uncanny metaphor into a weave powerful enough to transform grief—Heather McCalden’s and your own . . . a book that is very much a survival guide for this era . . . takes your breath away.”—Brit Marling, award-winning actress, co-creator of Netflix’s The OA and the forthcoming FX series A Murder at the End of the World
“The Observable Universe exquisitely undoes our concepts of illness, attachment, and entanglement. Strands of obsession, contagion, and radical inquiry braid together into lyrical meaning without ever settling into moralistic conclusions or assessments. This book is explosive and profound, unusual and timeless.”—Cyrus Dunham, author of A Year Without a Name
“A masterful debut—a work of confident craft, razor wire wit, and unflinching courage . . . The Observable Universe is a mixtape, a photo album, an archive of what’s lost and what’s left, and the fragmented work of sifting through it all for a story we can live with.”—Jordan Kisner
あらすじ・解説
Is anyone ever truly lost in the internet age? A moving, original memoir of a young woman reckoning with her parents’ absence, the virus that took them, and what it means to search for meaning in a hyperconnected world.
“Brilliantly innovative . . . syncing a narrative of profoundly personal emotion with the invention and evolution of today’s cyberspace.”—William Gibson, author of Neuromancer and The Peripheral
In the early 1990s, Heather McCalden lost both her parents to AIDS. She was seven when her father died, ten when she lost her mother. Raised by her grandmother, Nivia, she grew up in Los Angeles, also known as ground zero for the virus and its destruction.
Years later, she begins researching online the history of HIV as a way to deal with her loss, which leads her to the unexpected realization that the AIDS crisis and the internet developed on parallel timelines. By accumulating whatever fragments she could about both phenomena—images, anecdotes, and scientific entries—alongside her own personal history, McCalden forms a synaptic journey of what happened to her family, one that leads to an equally unexpected discovery about who her parents might have been.
Entwining this personal search with a wider cultural narrative of what the virus and virality mean in our times—interrogating what it means to “go viral” in an era of explosive biochemical and virtual contagion—The Observable Universe is at once a history of our viral culture and a prismatic account of grief in the internet age.