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Endpapers
- ナレーター： Dani Martineck
- 再生時間： 8 時間 36 分
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Endpapers
批評家のレビュー
“Sometimes the hardest thing to be is our authentic selves. How do we do that when society has hidden and erased any path that could show us the way? Dawn Levit finds that heroic path by believing in hunches and looking for clues. Not quite a mystery novel, this is a story of following one’s own inner desire for belonging through art and surprising friendships. Savran Kelly creates a story full of humans who we long to be friends with after the last page is read. Love is acceptance, and this book is that and more.”—Amy Wallen, author of When We Were Ghouls
"Part portrait of the artist, part queer coming-of-age, and part investigative puzzle, this intimate, emotional novel parlays romance, passion, politics, and history into a compelling tale, beautifully and insightfully told. Jennifer Savran Kelly is an exciting, empathetic new voice.”—J. Robert Lennon, author of Subdivision and Let Me Think
“Endpapers is a richly imagined and moving novel about identity, desire, and art. Its characters are believable and engaging, its plot intriguing, but just as important is its urgent subtext, a plea for humans to break free from constricting labels and instead behold each other in all their thorny, unpredictable individuality; to love complexity and uncertainty, rather than ideology and order. This just might be the most urgent issue of our time, and Endpapers tackles it with energy and—that most apropos weapon—subtlety.”—Brian Hall, author of The Stone Loves the World
あらすじ・解説
In this novel set in 2003 New York City, a genderqueer book conservator feels trapped by her gender presentation, her ill-fitting relationship, and her artistic block—until she discovers a decades-old hidden queer love letter and becomes obsessed with tracking down its author.
It’s 2003, and artist Dawn Levit is stuck. A bookbinder who works in conservation at the Met, she spends her free time scouting the city’s street art, hoping something might spark inspiration. Instead, everything looks like a dead end. And art isn’t the only thing that feels wrong: wherever she turns, her gender identity clashes with the rest of her life. Her relationship, once anchored by shared queerness, is falling apart as her boyfriend Lukas increasingly seems to be attracted to Dawn only when she’s at her most masculine. Meanwhile at work, Dawn has to present as female, even on the days when that isn’t true. Either way, her difference feels like a liability.
Then, one day at work, Dawn finds something hidden behind the endpaper of an old book: the torn-off cover of a ‘50s lesbian pulp novel, Turn Her About. On the front is a campy illustration of a woman looking into a handheld mirror and seeing a man’s face. And on the back is a love letter.
Dawn latches onto the coincidence, becoming obsessed with tracking down the note’s author. Her fixation only increases when her best friend Jae is injured in a hate crime, for which Dawn feels responsible. As Dawn searches for the letter’s author, she is also looking for herself. She tries to understand how to live in a world that doesn’t see her as she truly is, how to get unstuck in her gender, and how to rediscover her art, and she can’t shake the feeling that the note’s author might be able to help guide her to the answers.
A sharply written, deeply evocative story about what it means to live authentically—even within an identity whose parameters have not yet been defined—Endpapers will appeal to readers of queer, nonbinary, or trans fiction like Torrey Peters’ Detransition, Baby as well as anyone who loves character-driven, setting-rich stories like Tell the Wolves I’m Home or The Immortalists.