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Clayton Smith presents Book 4 in the Apocalypticon series.

The threat of nuclear war is no longer scary. This is much worse. It's invisible. It works quickly. And it's coming. The scourge has already infected and killed half the population in China and it is heading towards the UK. There is no time to escape. The British government sees no way out other than to distribute 'Dignity Pills' to its citizens – one last night with family or loved ones before going to sleep forever … together.

Pigs might not fly but they are strangely altered. So, for that matter, are wolves and racoons. A man, once named Jimmy, lives in a tree, wrapped in old bedsheets, now calls himself Snowman. The voice of Oryx, the woman he loved, teasingly haunts him. And the green-eyed Children of Crake are, for some reason, his responsibility.

À Dublin, un soir de pluie, deux hommes frappent à la porte d’Eilish Stack. Membres d’une toute nouvelle police secrète – le GNSB –, ils demandent à s’entretenir avec son mari, enseignant et syndicaliste, mais celui-ci est absent. Larry se rend au commissariat dès le lendemain, puis disparaît dans des circonstances troublantes. Tandis que le malaise s’installe peu à peu, Eilish voit son quotidien et celui de ses quatre enfants amputés d’une liberté qu’elle tenait pour acquise.

Welcome to the Japan of tomorrow. Here, the practice of radical sympathy toward criminals has become normalized. The incarcerated are considered victims influenced by their environments to commit crime and are labeled accordingly as Homo miserabilis. A grand, yet controversial, skyscraper in the heart of Tokyo is planned to house lawbreakers in compassionate comfort—Sympathy Tower Tokyo. Acclaimed architect Sara Machina has been tasked with designing the city’s new centerpiece but is filled with doubt.

In the city of Dividium, the law is simple: commit a crime, and your punishment is a life sentence in Endlock. Raven Thorne is Dividium’s most notorious bounty hunter, living on the edge of society. But when her younger brother, Jed, is sentenced to Endlock, Raven will do anything to save him—even if it means getting herself arrested. Now trapped in a prison where danger lurks around every corner, Raven must use all her cunning and strength to protect Jed—and herself.

Toby, a survivor of the man-made plague that has swept the earth, is telling stories. Stories left over from the old world, and stories that will determine a new one. Listening hard is young Blackbeard, one of the innocent Crakers, the species designed to replace humanity. Their reluctant prophet, Jimmy-the-Snowman, is in a coma, so they've chosen a new hero—Zeb, the street-smart man Toby loves. As clever Pigoons attack their fragile garden and malevolent Painballers scheme, the small band of survivors will need more than stories.

In the distant future, humans are on the verge of extinction and have settled in small tribes across the planet under the observation and care of the Mothers. Some children are made in factories, from cells of rabbits and dolphins; some live by getting nutrients from water and light, like plants. The survival of the race depends on the interbreeding of these and other alien beings — but it is far from certain that connection, love, reproduction, and evolution will persist among the inhabitants of this faltering new world.

In Dividium, all crimes are punishable by life in prison. A prison that’s a life sentence in more ways than one. Where the wealthy can hunt the inmates for sport. Raven’s mission is simple: infiltrate the infamous and deadly Endlock Prison to save her brother. There’s just one problem: Raven has a target on her back. Her reputation as the most ruthless bounty hunter in Dividium precedes her, and the inmates she’s sent to Endlock want their revenge.

Der zweite Teil der Reihe von Andreas Brandhorst, Joshua Tree und Brandon Q. Morris. Wir schreiben das 23. Jahrhundert. Das Raumschiff "Wayfarer" ist unterwegs zum Omikron-System, um den Ursprung eines außerirdischen Artefakts zu erforschen, als sein Flug von einem Notsignal unterbrochen wird. Mitten im All schwebt das Wrack eines anderen Raumschiffs. Als sie näher kommen, stellen sie fest, dass auch dieses Schiff von der Erde stammt – aber es wurde fünfzig Jahre nach der "Wayfarer" losgeschickt! Wie kommt es hierher, und welche Waffe konnte es zerstören?

Das Finale der Space-Opera von Andreas Brandhorst, Joshua Tree und Brandon Q. Morris. Im 23. Jahrhundert wird eine Mission von der Erde zum neunzig Lichtjahre entfernten Omikron-System geschickt. Man nimmt an, dass Vorfahren der Menschheit vor Jahrmillionen von dort zur Erde aufgebrochen sind. Bei Omikron angekommen, trifft das Raumschiff "Wayfarer” jedoch auf Widerstand – und nur mithilfe einer Quantenintelligenz überleben die Menschen. Jetzt stehen sie vor ihrer größten Entscheidung: Retten sie sich selbst, oder retten sie den wahren Ursprung der Menschheit?

Guy Montag is a fireman. His job is to destroy the most illegal of commodities, the printed book, along with the houses in which they are hidden. Montag never questions the destruction and ruin his actions produce, returning each day to his bland life and wife, Mildred, who spends all day with her television “family.”

Fiona, better known as eco-influencer @FoliageFifi, hasn't left her apartment since her boyfriend, Ed, died. But when Ed's favourite houseplant randomly appears on her doorstep with an anonymous note, Fiona takes this as a sign. Pouring Ed's ashes into the soil, she finds the plant has vibrantly flowered. And can... talk? There's only one logical explanation: Ed is back. This time as a houseplant. Intent on keeping Ed alive, and making up for her past mistakes, Fiona slowly ventures back out into a world on the verge of a climate crisis.

New York City, 2075. Filipino-American Nick Carraway has just moved to the heart of the fractured New Americas, where he's struck by the city's contradictions - shining corporate towers casting bleak shadows over the slums of a crumbling middle class. When Nick meets alluring new-money Jay Gatsby, he falls for Gatsby's frank charm and confident aura. But in a city where the wealthy flaunt tech-enhanced bodies to cheat death, surfaces aren't all they seem - and as a corporate-sanctioned cyberspace hacker, Nick knows that no secret can stay buried forever.

Quinze ans après l’effondrement, le jeune Burl vit isolé avec ses deux mères, Eva et Nell. Pour éviter d’attirer l’attention, elles ont brûlé leur maison et se sont installées au cœur de la forêt. Non loin d’une grande souche, elles se sont construites une vie bien réglée. Pour se nourrir, Burl et ses mères chassent et cueillent. La danse, la musique et les récits qu’ils inventent au coin du feu rythment leurs journées.

In Earth's near future, seas consume coastal cities and mutant fish lurk in their depths. Skipper, a skilled sailor and the youngest of three sisters, earns money skimming and reselling plastic from the ocean to care for her ailing grandmother. Her eldest sister, Nora, left home in pursuit of a cure for failing crops all over the world. Now, she’s missing. When Skipper and her other sister, Carmen, receive a cryptic plea for help, they must put aside their differences and set out across the sea to save her.

Two and a half centuries before the Hell Divers, the Machine War erupted—autonomous killer robots turning Korea into a battlefield that threatened to consume civilization. As the dust settles, three men stand at the crossroads of humanity’s fate. CEO Tyron Red, thrust into leadership of the Industrial Tech Corporation after his father’s death, works to reverse the war’s catastrophic effects while battling enemies, both human and machine, lurking in the shadows.

In 1979, in a version of England where nobody won WWII, 13-year-old triplets are the only boys left in an orphanage whose dark secret is the reason for their existence– and the key to their survival.

England, 1979. Vincent, Lawrence and William are the last remaining residents of a secluded New Forest home, part of the government's Sycamore Scheme. Every day, the triplets do their chores, play their games and take their medicine, under the watchful eyes of three mothers: Mother Morning, Mother Afternoon and Mother Night.

In late-twenty-first-century Australia, Tao-Yi and her partner Navin spend most of their time inside an immersive, consumerist virtual reality called Gaia. They log on, go to work, socialise and even eat in this digital utopia. Meanwhile, their aging bodies lie suspended in pods inside cramped apartments. Across the city, in the abandoned real world, Tao-Yi's mother remains stubbornly offline, dwindling away between hospital visits and memories of her earlier life in Malaysia.