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Dell Danvers is barely keeping it together. She’s behind on rent for her studio apartment (formerly a walk-in closet), she’s being plagued by perpetual stomach pain, and her younger sister, Daisy, is in a coma at a hospital that wants to pull the plug. Freshly unemployed and subsisting on selling plants to trust fund kids, Dell impulsively starts a 24-hour livestream under the username mademoiselle_dell to fundraise for private life support for Daisy.

Darcy’s life turned out better than she could have ever imagined. She is a librarian at the local branch, while her wife Joy runs a book binding service. Between the two of them, there is no more room on their shelves with their ample book collections, various knickknacks and bobbles, and dried bouquets. Rounding out their ideal life is two cats and a sun-soaked house by the lake. But when Darcy receives the news that her ex-boyfriend, Ben, has passed away, she spirals into a pit of guilt and regret, resulting in a mental breakdown and medical leave from the library.

Life with a living partner can be tricky. But the #1 dating app in the world, LIV, offers a solution! Date a corpse. Romantic relationships mean having tough conversations and rough patches. An embalmed body, though? Well, they’ve got no opinions, desires, or complex emotional responses. What was once taboo is now a booming business. At the heart of this deranged app are three living, breathing humans who all feel quite differently about the new world they’ve built.

Winston Kang and Jared Cahill seem like the perfect couple. When they check-in for their flight to Cambodia, where they're headed to meet the surrogate carrying their baby girl, even the woman at the airline counter recognizes it: "I'm so happy that marriage is legal for you guys," she says. But while Jared is already planning for their second kid—half white like him, half Korean like Wynn—Wynn isn't ready to give up his dreams of becoming a hip-hop dancer to become "the hostage of a crying, pooping terrorist." So he does what anyone in his position would do: He leaves Jared at the airport.

A young woman takes stock after the burglary of her apartment. A teenager becomes obsessed with the obituaries in a weekly magazine. Grandchildren mourn the grandparents who loved them and the grandparents who didn’t. Painters and almost-painters try to distinguish Good Art from Bad Art. People grapple with life-altering illness, unrequited love, and promises they have every intention of keeping. Some win the lottery. Others don’t.

Der Eigenbrötler Nicol liebt nichts mehr als die malerische kleine Bucht samt Cottage und Bootshaus, die er auf der Hebriden-Insel Gigha gepachtet hat. Ausgerechnet dort will nun der beliebte schottische Schauspieler und Regisseur Jim McKechnie seinen neuen Film drehen. Als McKechnie Nicol androht, seine Kontakte spielen zu lassen, um Nicol von seinem geliebten Fleckchen Erde zu vertreiben, kommt es zu einem wüsten Streit zwischen den beiden Männern. Am nächsten Morgen spült das Meer Nicol eine Überraschung vor die Haustür: eine männliche Leiche im Kilt. McKechnie?

When the man calling himself Archie Leach begins spotting his dead lover at random locations around the city, he must finally stop running and face the truth—which may not be quite as he's remembered it all these years. An American living in Australia, Archie's had so many aliases that when he wakes up handcuffed to a hospital bed, he almost forgets which one he's supposed to use. With his delivery job derailed by a brief and inconvenient death, he's earned the wrath of his underworld boss, landing him an exorbitant repayment plan and the commandeering of his apartment.

As the assistant of the CEO of a Fortune 500 company, Nicole Underwood has plenty of tasks on her to-do list—one of which is the blowout birthday celebration for her nightmare, one-percenter boss, Xander Chambers. But when the party ends in chaos and murder and Nicole is one of the survivors, suspicion—from the investigators to the media—lands on her. Was she the reason for all the bloodshed? A year after those deadly events, Nicole tries to set the public record straight by agreeing to consult on a feature film based on her story.

Fran Donoghue has just killed her neighbour. Don’t worry, you’ll agree, he deserved it. Detective Gareth Donoghue has a terrible feeling about his missing neighbour. By the time this is over, that will be the least of his worries… A dark, sharp and hilarious novel about love, marriage, and murder, with an ending you won’t see coming… Gareth certainly didn’t.

It's 2011 and Esther is living her best life, according to her Facebook posts. Sure her marriage is falling apart and her job is going nowhere, but at least everyone thinks she's happy. The truth is, the only thing keeping her going is Canadian actor, Ted Levy, and the fan site where her and the 'Tedettes' stalk his every move. When Ted gets a new celebrity girlfriend, Esther decides that things have gone far enough. She walks out on her life and buys a one-way ticket to Canada. After all, Ted might not know it yet, but they are meant to be together – he just needs a little bit of persuading.

Trowbridge Dispatch is part of the Trowbridge, Vermont series of novels and stories, wherein I.M. Aiken draws on her roots in public safety to narrate tales of the everyday heroes that every community depends on.

Al of Trowbridge Rescue works a shift on a commercial ambulance on the day that Vermont experiences the first ears of sweet corn. One medic says: “I wanna eat so much corn, I’ll shit kernels ‘til Thursday.” He partner replies, “The butter and salt will drip down my chin”. The crew of two ambulances celebrate an ersatz holiday.

Alex Flynn, chief of Trowbridge Rescue, recollects poignant elements of a friendship during Alex’s days in government service. The story remembers love, fear, and sadness released when hearing The Steve Miller Band’s song “The Joker”.

Anders Jensen is having a bad month. His roommate is a data thief, his girlfriend picks fights in bars, and his best friend is a cyborg…and a lousy tipper. When everything is spiraling out of control, though, maybe those are exactly the kind of friends you need. In a world divided between the genetically engineered elite and the unmodified masses, Anders is an anomaly: engineered, but still broke and living next to a crack house.

Meet Lance. Thirty-eight years old. Works a meaningless job. Still lives above his parents’ garage. By all accounts, a world-class loser. Save for one glaring exception: He has a million-dollar face. Lance has been mistaken eighty-seven times for the Oscar-winning movie star James Jansen, and for the last ten years, he’s saved his money and studied Jansen’s films, his moves, his idiosyncrasies—even the way he speaks. Now, after an unceremonious termination from his job, Lance has decided that the time has come to go after his dream of truly becoming Jansen.

Elsie Mabel Fitzpatrick is eighty-one years old. She's lived on her idyllic street, Kenny Lane, for sixty years--longer than anyone else. Aside from being a curmudgeon who minds everyone else's business, few would suspect that Elsie has a past that she has worked exceedingly hard at concealing. Because when it comes to murder, no one ever suspects little girls or old ladies. And Elsie Mabel Fitzpatrick, once a little girl and now an old lady, has a strange history of people in her life coming to a foul end.

Dame Ivy Compton-Burnett (1884-1969) was an English novelist who was a bestseller in the mid-20th century. She published eighteen highly acclaimed works of fiction in her lifetime, inspired by her own tragic experiences of family life. Her works consist mainly of dialogue and focus on family life among the late Victorian or Edwardian upper middle class. They deal with money, power, status, incest, adultery, murder, homosexuality – about which she was years ahead of her time – and all the passions and stresses of family life, described with brilliant wit and perception.

The world might be in disarray, but for one young woman, the very weave of herself seems to have loosened. Time and memories pass straight through her body, she’s afraid of her own floorboards, and ‘WHAT IS LOVE? BABY DON’T HURT ME’ plays over and over in her ears. ‘I’m sorry not to respond to your email,’ she writes, ‘but I live completely in the present now.’ But tearing through the slippery terrains of fiction and reality, the possibility for human connection seems to beckon from the other side – and with it, the chance for a blinding re-emergence into the world.

It’s 1974 and San Francisco is full of mystery and menace. Nineteen-year-old Celia Dent keeps telling herself how lucky she is to be working at a steady job and married to her Drew, a man who says he loves her. Celia’s contentment with her little life is shattered, though, when a woman she knows from work is murdered in a love tryst gone awry. What would that be like, Celia wonders, to die for love—or to kill for love? What would it be like to live each moment passionately and with full knowledge that each breath is bringing her closer to her last?

When artist Eloise Ford hears that human remains found in an abandoned mine are believed to be those of long-missing teenager Elizabeth King, the shock sends her reeling. It can't be true. Eloise knows this for a fact because... she is Elizabeth King. Now, her carefully curated life in Cornwall is falling apart. Her husband is acting strangely, her children aren't speaking to her and she can't sell a painting for love nor money. But much more worrying are the signs that someone knows exactly who she is... and why she had to vanish thirty years ago.