検索キーワード： 著者 "Patricia Lockwood" すべてのカテゴリー

This is a story about a life lived in two halves. It’s about what happens when real life collides with the increasing absurdity of a world accessed through a screen. It’s about where we go when existential threats loom and the high stakes of reality that claim us back. It’s about living in world that contains both an abundance of proof that there is goodness, empathy and justice in the universe and a deluge of evidence to the contrary.

Poetry. Even all by themselves, the titles of Patricia Lockwood's poems reveal the sort of surreal, enigmatic, rhetorically- longated world her sensibility inhabits effortlessly.

Father Greg Lockwood is unlike any Catholic priest you have ever met - a man who lounges in boxer shorts, who loves action movies, and whose constant jamming on the guitar reverberates "like a whole band dying in a plane crash in 1972". His daughter is an irreverent poet who long ago left the church's country. When an unexpected crisis leads her and her husband to move back into her parents' rectory, their two worlds collide.

Padre Greg Lockwood è diverso da qualsiasi prete cattolico abbiate mai incontrato: circola per casa con i boxer, adora i film d'azione (con molta, moltissima azione), il suo frequente accanimento su una chitarra elettrica genera un rumore simile a quello di "un'intera band che muore in un incidente aereo nel 1972". Sua figlia Patricia è una poetessa non esattamente ossequiosa, che da un bel pezzo ha abbandonato la retta via della Chiesa. Ma quando una crisi inaspettata la costringe a tornare insieme al marito nella canonica dove vivono i suoi genitori, questi due mondi inevitabilmente si scontrano.

FINALIST FOR THE BOOKER PRIZE & A NEW YORK TIMES TOP 10 BOOK WINNER OF THE DYLAN THOMAS PRIZE ONE OF THE ATLANTIC’S GREAT AMERICAN NOVELS OF THE PAST 100 YEARS “A book that reads like a prose poem, at once sublime, profane, intimate, philosophical, witty and, eventually, deeply moving.”...

The world might be in disarray, but for one young woman, the very weave of herself seems to have loosened. Time and memories pass straight through her body, she’s afraid of her own floorboards, and ‘WHAT IS LOVE? BABY DON’T HURT ME’ plays over and over in her ears. ‘I’m sorry not to respond to your email,’ she writes, ‘but I live completely in the present now.’ But tearing through the slippery terrains of fiction and reality, the possibility for human connection seems to beckon from the other side – and with it, the chance for a blinding re-emergence into the world.

“Lockwood has written a roving chronicle of the madness of illness and the frightening porousness of what it means to be yourself in the hilariously profound way that only she could.” – Vulture “Bonkers.” – The New York Times “Reliably brilliant.” – The Washington Post “A...

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