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"Peace from Heaven" is an impressionistic poem written by Louisa May Alcott that weaves together pagan and Christian imagery to communicate the special magic of the Christmas season.

In "Mrs. Podger's Teapot", an old woman and her boarder take in an orphan on a cold winter's night. The child's natural spirit of generosity moves Mrs. Podger, and helps her find true happiness at Christmas.

In "Rosa's Tale", Louisa May Alcott spins a heartwarming fable about a horse who magically speaks to a lonely girl at midnight on Christmas Eve.

"What Polly Found in her Stocking" is a delightful Christmas poem that tells what a girl of the late 1800s might have gotten from Santa - if she were very good.

In "A Hospital Christmas" a Civil War-era hospital is the setting for a Christmas story about caring for others, thinking positively, and how sharing can make Christmas meaningful for those who have little.

In "The Quiet Little Woman" a lonely orphan girl named Patty desires only for a family to love her. When a family finally does come for Patty, she learns it is because they need a servant. But it happens that there is one person who cares about Patty, whose life will soon change forever.

From the snow-covered prairie to the remote Australian Outback, a cowboy's loving kiss makes this Christmas merry and bright in each of these novellas.

When it comes to men, Nealy is very content with her new husband, lawyer Hatch Littletree. When it comes to horses, she is never satisfied. Nobody can measure up to her standards as a trainer, not even her daughter, Emmie, who now runs the family's famous stables, Blue Diamond Farms. But returning to Blue Diamond Farms for a family reunion sends Nealy reeling. Emmie has let the farm slide, and she has picked a small, gutsy colt to send to the Derby - a nice horse but clearly the wrong one.

With Nealy, horses come first. So when her two grown children's irresponsible acts nearly cost her Shufly, she throws them both off Blue Diamond Farm, choosing to work alone rather than give them another chance to risk her dream of training the promising foal into a Triple Crown winner. But while the estrangement from her children doesn't seem to affect her work, inside she's shattered.

Josh Coleman left SunStar, the thoroughbred horse farm he'd built from nothing, unfinished when he took to his deathbed. But his family's unfinished business cannot be ignored now that his long-lost daughter has come back to settle an old score. No longer resembling the teenage waif who slipped away in the middle of the night with her illegitimate child 30 years ago, Nealy is rich, sophisticated, and renowned in the racing world-a woman to be reckoned with - and her shocking return changes everything.

Interior Decorator Madison Night has her hands full with a demanding client and a product endorsement, but when the news shifts from reports of recently abducted women to the discovery of a dead body, she can't deny the danger. Evidence from the scene links the flirtatious Lt. Tex Allen to the crime, taking him off the case. As more abductees are either released or killed, Tex struggles with his suspension, on the brink of turning vigilante. Madison's own life is complicated by the return of her hunky handyman, Hudson James.

When a rare $5,000 bill arrives in the mail, interior decorator Madison Night knows it's a message from her past. In happier times, she once joked that she could be bought for $5,000 - how could she deny a bill with her name on it? Suspecting the bill indicates trouble, she consults a numismatist. They set up a meet, but upon arrival she finds an abandoned office, a scared dog...and a dead body in the kitchen. The twist? The victim isn't the numismatist; it's a John Doe.

Joseph Armagh was 13 when he first saw America through a dirty porthole on the steerage deck of The Irish Queen. It was the early 1850s, and he was a penniless orphan cast on a hostile shore to make a home for himself and his younger brother and infant sister. Some 70 years later, from his deathbed, Joseph Armagh last glimpsed his adopted land from the gleaming windows of a palatial estate. A multimillionaire, one of the most powerful and feared men, Joseph Armagh had indeed found a home.

Will Rees is back home on his farm with his teenage son, his pregnant wife, their five adopted children, and endless farmwork under the blistering sun. But for all that, Rees is happy to have returned to Dugard, Maine, the town where he was born and raised and where he's always felt at home. When a man is found dead - murdered - after getting into a public dispute with Rees, Rees starts to realize someone is intentionally trying to pin the murder on him. Rees can feel the town of Dugard turning against him.

Bernie's college roommate, Ellen Hadley, is burning the candle at both ends. And after her children forget her birthday and her husband forgets their anniversary, her Mother's Day expectations are understandably modest. When Bernie jokingly suggests Ellen fake her own kidnapping to set her family straight, she never imagines the stunt will find Ellen in a hotel room next to a dead body.

In The Kiss, a beautiful young woman, Nathalie, has decided to marry the unattractive and uninteresting but very wealthy Mr. Brantain. When an old friend kisses her passionately in front of Mr. Brantain, Nathalie must control the damage done by this kiss in order to reassure Mr. Brantain. This done, the relieved Mr. Brantain proposes to her. At their wedding, her old friend appears and suggests another kiss. Has Nathalie arranged matters perfectly? Or not?