検索キーワード： ナレーター "Steven Crossley Crossley" すべてのカテゴリー

Rampton Farm, Northumberland, has always been a gloomy, godforsaken place. Now it’s earmarked for demolition—to make way for just another tawdry amusement park. It will be progress, and nothing can stand in the way—except perhaps Arnold Landon, the Planning Officer who must glean the lie of the land.

The most famous date in history is 1066, and with good reason, since no battle in medieval history had such a devastating effect on its losers as the Battle of Hastings, which altered the entire course of English history. 

British soldier Peter Lennox, a POW in an Italian prison camp, is still fighting his own war. An artist in civilian life, his hands bear the scars of wounds received during his capture at the fall of Tobruk, and he suspects he will never paint again. The only thing that sustains him is plotting his escapes, no matter how many times he is recaptured. But in September 1943 the Italians surrender to the Allies, and Lennox is free.

The story of Catholic Emancipation begins with the Anti-Catholic Gordon Riots in 1780, fuelled by a reduction in Penal Laws against Catholics harking back to the 16th century. Fifty years later, the passing of the Emancipation Bill was hailed as a 'bloodless revolution'. Yet, had the Irish Catholics been a 'millstone', or were they the prime movers? 

A haughty professor comes calling on Arnold Landon for research assistance. But he’s overlooked an important fact. Landon already has a job at the council—along with a raft of superiors who’d rather he focused on the dispute at hand. Namely, who is the rightful owner of the Kilgour Estates? And the opulent manor house in the grounds? Dashing rake Patrick Yates insists it’s all his. But a black sheep in the family returns to claim otherwise. Who is telling the truth?

St Michael’s Church may be derelict but it’s not deserted. Someone still comes here to worship on nights when the moon is full. Arnold Landon should know. He’s seen the grisly evidence for himself. Blood among the roses. The butchered remains of a man, tangled in the undergrowth. The victim was a traveler. How did he come to be in the churchyard? Arnold has a theory that leads back centuries, all the way to the cult of the Raging Wolf. Everyone tells him it’s impossible, that the cultists are dead and buried. But the devil wears many faces.

Late one night, Lynne Anderson reveals to her lover that she has something to tell him. And it’s not just pillow talk. But before she can spill her shocking secrets, a shooter silences her and her lover for ever. Meanwhile, her husband Kevin Anderson has disappeared, leaving behind only a partial report on the ancient tower houses he and Arnold Landon are reviewing. Arnold is left trying to puzzle out Kevin’s skimpy notes. But the deeper he gets the more he fears for his missing coworker.

Andrews is found dead in his own living room. His head blown to bloody smithereens. Who will finish what the dead man started? The publisher turns to Arnold Landon. And why wouldn’t he pick up the mantle? Everyone tells him it’s safe. The police have their man for Andrews’ killing. But the closer Landon gets to Andrews’ checkered past, the less certain he becomes. Could the true killer be out there still? Watching, waiting for his chance to strike again …

Arnold Landon finds himself drawn into another bitter dispute over land—in which a defenseless old woman pays the ultimate price. To the casual observer, Penbrook Farm might seem like a ramshackle hovel, buried deep in the woods of Northumberland. But to fragile old Sarah Ellis, it’s home. And the developers can have the place over her dead body. Of course, no one ever expected it to come to that.

Orson Welles' 1938 radio adaptation of The War of the Worlds has done much to obscure the real brilliance of the original work. Written at a time when "science-fiction" did not exist as a genre, The War of the Worlds was a new departure in literature. Author H.G. Wells, deeply committed to social improvement in turn-of-the-century Britain, used extra-terrestrial invasion to predict the results of a not-entirely-impossible violent upheaval in contemporary society: for "Martians" read "bolsheviks."

As dusk approaches a small Dublin suburb in the summer of 1984, mothers begin to call their children home. But on this warm evening, three children do not return from the dark and silent woods. When the police arrive, they find only one of the children gripping a tree trunk in terror, wearing blood-filled sneakers, and unable to recall a single detail of the previous hours. Twenty years later, the found boy, Rob Ryan, is a detective on the Dublin Murder Squad and keeps his past a secret.

Arnold Landon can’t help but feel drawn to Oldham Manor, an atmospheric medieval house in the middle of nowhere. When he is invited to catalogue the library there, he jumps at the chance. The place is a maze of musty old papers and books. And that’s not all. Late one night, he stumbles on a secret passage, twisting deep under the ground. Where will it take him? And why was it walled up? When a stranger turns up dead in a ditch, Landon begins to realize that someone is watching his every move. And they have a plan to ensure the past stays buried for good.

From William Shakespeare’s series of history dramas, to Sir Walter Scott, and George R. R. Martin’s A Song of Ice and Fire—not to mention the smash-hit TV show Game of Thrones—the British civil war of 1455 to 1485 has inspired writers for centuries. Ed West’s My Kingdom for a Horse illuminates the bloody war fought for thirty long years between the descendants of King Edward III in a battle for the throne. 

England in the Age of Chivalry … and Awful Diseases covers the events, personages, and ideas most commonly known as “medieval.” This includes Geoffrey Chaucer, the peasants revolt, the Scottish Wars of Independence, the Great Famine of 1315, the Black Death, and the 100 Years War. Central to this time is King Edward III, who started the 100 Years War and defined the concept of chivalry, including England’s order of the garter. His legacy continues to shape our view of England’s history and is crucial in understanding the development of Europe. 

Thailand, 1996: Supot, a postman with the Royal Thai Mail service, hates his job. The only bright spot in his life is watching classic movies with his best friend, Ali, the owner of a video store. These cinephiles adore the charisma of the old Western stars, particularly the actresses, and bemoan the state of modern Thai cinema—until a mysterious cassette, entitled Bangkok 2010, arrives at Ali’s store.

From the moment Karen Stannard comes striding in the door, Arnold Landon knows his workplace will never be the same. Now, he is saddled with a project he never wanted: the Ridgeway Viking Trust. Its shady leaders tell him there’s treasure buried in the rolling Northumberland Hills—they just need one more payout to reach it. But is there more to the Trust than meets the eye? Muck-raking journalist Alan Crickley seems to think so. He’s got the scent of corruption and he’s on the trail... Until the day he drives his car into a ditch, a stone’s throw from the dig.

Colin Bannock is hiding quite the secret. By day, he’s a smooth-talking lawyer. After hours, he is someone else entirely. He corners Arnold Landon, wanting him to join his society of history fanatics. Appalled, Arnold declines outright. He’s never been a joiner and, besides, he has enough on his plate already. He is hunting for a lost and ancient treasure. And he knows the hiding place is close. Then Bannock’s body washes up on the banks of the River Tyne, battered and bloated beyond recognition. Was he also chasing the mythic treasure?

Arnold Landon steps out with his lady friend, hunting for relics on the deserted dig site where he works. Before long, they stumble on something under a bridge. The mangled remains of Arnold’s fellow historian. His chest gapes open, his insides arranged in a pair of bloody wings. Arnold’s no expert, but he knows a blood eagle when he sees one—the handiwork of a berserker warrior. Mad with blood lust and out for vengeance.

A skeleton buried on a lonely Northumberland hill? Nothing wrong with that. Garrigill was once an ancient burial ground. Archaeologist Rena Williams is here to excavate the site. She is an old friend of Arnold’s. And with his help, her team have uncovered more than a few old bones already. But never like this. The bludgeoned skull, the modern dental work…nothing about this death feels accidental. Or even all that old. Who was the dead man, and what did he know that was worth killing for?