検索キーワード： ナレーター "Shazia Nicholls" すべてのカテゴリー

1990. A woman’s body is found brutally murdered in the woods, and next to it, a shallow grave hiding a terrified young girl. 2021. When Mia and Rich move to an eco-village in Spain, they’re looking for a new start. Val Verde is everything they wished for—at least to begin with. But when someone is murdered in an olive grove, Mia realises the village isn’t the safe haven she was hoping for.

Everywhere Sara Javed goes—online or outside—everyone is shouting about something. Couldn't they all just shut up? One day she takes her own advice. At first people don't understand her silence and are politely confused at best. But the last thing Sara could anticipate is becoming the figurehead of a global movement that splits society in two. The Silent Movement sparks outrage in its opposers. Global structures start to shift. And the lives of those closest to Sara—as well as strangers inspired by her act—begin to unravel.

A wealthy woman is found brutally murdered in the locked fortress of her London mansion. Surrounding her are four mysterious objects, including a book on forensics by Dr Laughton Rees. As a teenager, Laughton’s life was destroyed after witnessing her mother’s brutal murder. Now a mother herself and forensic analyst, she is an expert on how to read crime scenes–but never works live cases.

A glamorous woman is murdered in her ultra-luxurious London mansion and her husband goes missing. But according to public records, neither of them exists. The only leads police have are several objects arranged around the woman’s body, including a set of keys and a book called How to Process a Murder by Laughton Rees—a book that appears to have helped the killer forensically cleanse the crime scene.

Something deadly lurks in the forest around Cinderfield. Locals put the unusually high number of disappearances down to transients or runaways; some even blame the Cinderman, a figure of local legend rumoured to haunt the woods looking for unsuspecting victims. Forensic specialist Laughton Rees doesn’t believe in monsters. Already investigating the area’s history of missing women, news of the latest ‘runaway’ Maddie Friar brings her to Cinderfield to find out the truth. 

Midsummer’s Eve. Bonfires dot the English countryside and flicker in the ancient Forest of Dean as costumed revelers dance and drink the night away. But when the sun rises, a local girl, Maddie Friar, has vanished, last seen heading to a party in a forest commune called “The Clearing.” Her sister Adele reports her missing but the local police say Maddie was a known party girl and probably ran off with some boy, or maybe the “Cinderman” got her, referring to a local legend of a forest spirit said to haunt the woods in search of a lost daughter.

Noreen Masud has always loved flatlands. Her earliest memory is of a wide, flat field glimpsed from the back seat of her father's car in Lahore. As an adult in Britain she has discovered many more flat landscapes to love: Orford Ness, the Cambridgeshire Fens, Morecambe Bay, Orkney. These bare, haunted expanses remind her of the flat place inside herself: the place created by trauma. Noreen suffers from complex post traumatic stress disorder: the product of a profoundly disrupted and unstable childhood.

It’s always been Malak, Kees, and Jenna against the world. Since childhood, under the watchful eyes of their parents, aunties and uncles, they’ve learned to live their own lives alongside the expectations of being good Muslim women. Staying over at a boyfriend's place is disguised as a best friend’s sleepover, and tiredness can be blamed on studying instead of partying. With growing older and the stakes of love and life growing higher, the delicate balancing act between rebellion and religion is becoming increasingly difficult to navigate.

Every morning, Kerry gets up, goes on her post-round, talks to the locals, and then goes home again. Once a month, she has Sunday lunch with her perfect sister’s perfect family. Life is simple, life is fine. Her sister, Beth, thinks Kerry is kidding herself. She thinks Kerry needs to move out of their parents’ annexe, find a better job, and maybe even meet a man. Beth is determined to make Kerry get a life... whether Kerry likes it or not. But Kerry knows something Beth doesn’t.