検索キーワード： ナレーター "Kristin Price" すべてのカテゴリー

Meet the Patel-Joneses - Babo, Sian, Mayuri, and Bean - in their little house with orange and black gates next door to the Punjab Women's Association in Madras. Babo grew up here, but he and Sian, his cream-skinned Welsh love, met in London. Babo's parents disapproved. And then they disapproved unless the couple moved back to Madras. So here they are.

America’s suburbs are not the homogenous places we sometimes take them for. Today’s suburbs are racially, ethnically, and economically diverse, with as many Democratic as Republican voters, a growing population of renters, and rising poverty. The cliche of white picket fences is well past its expiration date. The history of suburbia is equally surprising: American suburbs were once fertile ground for utopian planning, communal living, socially conscious design, and integrated housing. We have forgotten that we built suburbs like these....

Urban’s arrival at Hathaway House was as painful and as unexpected as possible. He’d been placed here with Lance’s help after Urban suddenly lost his spot in his current center. Still scarred and injured, Urban should be happy to have what help he could get. But for the first time, he realizes that he wants to be more than as good as he can be—for someone very special at Hathaway House. Too bad his scars are so ugly....

Agent Connelly tracks him through the streets. She searches for his identity, for the reasons behind his murders. Even he doesn't know the answers to those questions. She needs to find him, to stop him. How can she when he doesn't even know who he is. All he knows is that he loves women. As long as they're dead. He kills to forget. She hunts for her past. The Pass-A-Grille Killer is sinking bodies into the Gulf of Mexico, and it's up to her to fish them out. St. Petersburg, Florida, has a problem - one bigger than they know - and they'd better pray that Meredeth Connelly is the answer.

The Highwayman delivers death and destruction. Road rage is his ritual—his obsession. Always at mile marker 33. Always brutal. This might be Special Agent Meredeth Connelly's toughest case yet. His crimes span the nation's highways. His gruesome deliveries are accelerating. She's spread too thin. She needs help—but at what cost? He's got full tanks. She's riding on empty. How do you track a killer who's miles away before anyone knows he's killed again?

People around Kahin Alshaytan go missing, and everyone asks the same question: Where have they gone? He claims people come and go as they please, and the local police can't find any evidence: no blood, no signs of a struggle, no bodies.

The Ripper kills and kills and kills again, leaving their bodies where they fall. He cuts and cuts and cuts again, not content until he's killed them all. The weight of the world is on Special Agent Meredeth Connelly's shoulders. Madness has driven the Ripper into a frenzy. He moves to the rhythm of the knife, and each night, he takes another life. He leaves her messages. She's heard them all before:

It was Aaron who convinced Percy to take a chance on Hathaway House. Yet, when he arrives, Aaron is back at school and Percy’s alone after all. Giada has worked at the center for several years and always went home happily to her brother at the end of the day. Only now her brother is engaged and planning to marry in six months. Change is happening, whether she likes it or not. And, in this case, it brings up a lot of turbulence in the family dynamic. Dani offers Giada a place of her own here at Hathaway’s staff quarters, but the path forward is not so easy.

After a rough start at Hathaway House and a major reboot in attitude, Ryatt still struggles to get his feet under him at the center. Seeing his sister back here hit him harder than he expected. He would like to think that, once here, he had a free pass for the rest of his life—but apparently not. Lana loves working at Hathaway and interacting with the patients and staff. Every once in a while, she finds a patient who is reticent and even grumpy. That fits Ryatt, but she’s attracted to the dark, broken depths of him. But can she show him another way to live and to view the world?

Quinton had been a patient at Hathaway House in its first year. When she finally healed enough to move on with her life, she went into law and plowed forward. However, plowing forward may not have been the best answer for her physical injuries. While visiting Stan at the center, she collapses on her way to her brother’s room, as he’s a patient here now. The collapse shows a long-term issue, now an acute problem. After talking to Dani and Shane, Quinton’s booked back into the center on a short-term basis.

Phoebe Winchester’s beloved Aunt Eudora has a taste for adventure—and a knack for making magical tea. It’s even rumored that she just might be a witch. So when Eudora passes away and leaves everything to her niece—her Victorian mansion, her bookshop/tea store The Earl’s Study, and one very chubby orange cat named Bob—Phoebe gets more than she bargained for. And she knows she’s in deep when a dead man is found on the shop’s back step, apparently killed while trying to break in. Now she must put her newfound power to the test and cast a spell that could catch a killer.

Where Have I Been All My Life? is a compelling memoir recounting one woman’s journey through grief and a profound feeling of unworthiness to wholeness and healing. It begins with the chillingly sudden death of Rice’s mother, and is followed by her foray into the center of mourning.

Bailey Burke, reluctant spiritual medium, escapes the frozen winter with her boyfriend, Detective Jake Marner, and heads south. But in a city like Key West, murder and ghosts don’t take a vacation. A romantic sunset cruise turns not-so-romantic when a body floats by, followed by an abandoned yacht—the passengers missing. So much for searching for her lost shaker of salt. Instead she’s tracking down a killer who has left no clues. With ghosts harassing her at every turn, can Bailey solve the mystery of the floater and get back to sipping a piña colada and soaking up the sun?

Spring has sprung in Cleveland and home stager (and lousy spiritual medium) Bailey Burke is facing all kinds of major life changes. Both her grandmother and her boyfriend Jake Marner have moved in with her, she is contemplating a career change, and Marner’s mother needs her help planning a thirtieth birthday party for him. Party plans include dance lessons for Bailey and Jake. Which would be fun, except their instructor appears to have tangoed with the wrong partner. She’s found dead on the dance floor, a butchered ballroom teacher with multiple stab wounds.

When the bitterly cold days of January descend on Cleveland, Bailey Burke finds her “Put It Where?” home staging business is as frozen as her toes. The only bright spot is the return of her friend Ryan after his, ahem, eviction from heaven. Especially since no other dead people seem to be harassing her in recent weeks. Yet when her grandmother’s bingo buddy turns up frozen solid in a stranger’s back yard, Bailey is the only one who finds the death suspicious.

With funding problems a nagging issue and completely overshadowing his stay at Hathaway House, Timothy finds it hard to do anything but drive himself forward as fast and as hard as he can—even against doctor’s orders. But he wants to make the most of his time here, and knowing his stay could be rescinded at any moment is an added stress he doesn’t need.

Esther took her own personal journey towards changing her lifestyle to a more resilient one, with discovering what matters to her that drive her every day. Her true calling in this lifetime is helping other people be better versions of themselves.

When salvage expert and historian Paisley Sutton crawls into an abandoned store with a house attached, she certainly isn’t expecting to find a body on site. But soon, her discovery sends Paisley on an expedition through history that links this murder to the one that led the previous owners to abandon the building in the first place. And someone doesn’t want her to salvage this story from the wreckage.

Business has been good for historian Paisley Sutton, but when she goes into her own church parish house to salvage some of the early 20th century fixtures before the building is demolished, she uncovers far more than vintage cabinets. Once the women from church hear about the secrets Paisley is uncovering, they are bound and determined to reveal the truth and unmask a murderer in the process.

Paisley Sutton always expects the unexpected when she goes into a house to salvage the architectural prizes before its torn down. She evens knows she might encounter a rodent or two. But she really isn’t expecting to find a dead body, not again. And when it turns out the young man she found slumped in the house’s basement was killed, Paisley discovers that it’s not only the house that was abandoned.