検索キーワード： ナレーター "John Rayburn" すべてのカテゴリー

Unassuming in plot and style, Heidi may none the less lay claim to rank as a world classic. In the first place, both background and characters ring true. The air of the Alps is wafted to us in every moment; the house among the pines, the meadows, and the eagle poised above the naked rocks form a picture that no one could willingly forget. And the people, from the kindly towns-folk to the quaint and touching peasant types, are as real as any representation of human nature need be. Every goat even, has its personality.

Nothing is so easy as falling in love on a long sea voyage, except falling out of love. Especially was this the case in the days when the wooden clippers did finally land you in Sydney or in Melbourne under the four full months. Passengers and crew all saw far too much of each other, unless, indeed, they were to see still more. Their superficial attractions were mutually exhausted, they lost heart and patience in the disappointing strata which lie between the surface and the bed-rock of most natures.

Here is a meeting with George and Marion Kerby, a couple of free-wheeling ghosts, who meet up with respectable banker Cosmo Topper. This was noted by the New York Times, claiming: “Thorne Smith created the modern American ghost story, ghosts with style and wit; ghosts that haunt us still.” Others pointed out, “Smith was a master of urbane wit and sophisticated repartee.” The overall mood has a touch of silliness, but it provides lighthearted reading and listening, a matter of nonsensical escapism. For Topper it meant relief from a nagging wife with ongoing indigestion.

The story you’re about to hear is the second Charlie Chan novel, and it features a parrot named Tony who is witness to a crime. The unusual bird spoke Chinese and had a less-than-perfect use of English grammar but was killed by the criminals as a precaution. Chan himself was a friend of a family selling jewels and agreed to deliver them on his first trip to mainland California. While there he masquerades as a pidgin-speaking cook during his undercover investigation. His profound and original intelligence offers genial humor and witty dialogue. 

Dick Martin is leaving Scotland Yard. His final job, investigating a stolen book, takes him from a conversation with librarian Sybil Lansdown to a meeting with a Doctor Stalletti, who will become a key figure. Along the way, Martin becomes involved with a small-time crook who tells him about a recent lock-picking job that has made him nervous. But before he can pass along details, the lock-picker is murdered. Next, the retiring detective gets involved in a couple of seemingly unrelated incidents—the theft of an obscure book, and an assignment to chase after an elusive young heir. 

It wouldn’t be out of line to call this book a great world of pretend. It is actually eight short stories that are clever and magical, as well as frightening at times. The storyteller, Edith Nesbit, was born in 1858 in what is now Greater London. She had the imaginative foresight to concoct tales that often found her called the creator of modern children’s fantasy. Her imagination attracted children of her time and involved them in what seemed to be a real world filled with unexpected adventures. Her powers of invention brought us the magical stories we’re about to hear.

A weapon used to murder a wealthy business man was apparently an ancient dagger stolen from a museum. It supposedly was from Peru and had a centuries-old inscription that was thought to tell whereabouts of a massive gold stash in the South American country. It was said to have a curse on it for anyone using it to track down the treasure. Professor Craig Kennedy, noted user of science to solve such cases, was contacted to see what he could do. Would his thinking prowess be enough? The finger of blame points at several possibilities as to the guilty party, or possibly parties. 

Being able to unravel and analyze the findings of others was a rare attribute of University Professor Craig Kennedy. He coupled this with use of various gadgets and devices that were commonplace in the early twentieth century. They seem primitive by much of today’s standard equipment but were actual forerunners to what are matter-of-fact equipment, enhanced and extended in the present day. His ability to analyze his findings resulted in the well-earned recognition of “The Scientific Detective.” He was always accompanied by young newspaper reporter Walter Jameson, who kept tabs on plot details.

Some of the stories by Arthur B. Reeve seem more plausible today than to some skeptical readers back in the early twentieth century. The primary character, University Professor Craig Kennedy, used forensic methods before such criminalistics were commonplace. These include DNA analysis as well as studies of such topics as fingerprints, blood stain patterns, tool marks, and toxicology (poisons used alone or administered in non-lethal potions).

This book has all the ingredients of cowboys, horses, boots, and spurs, in a period of lawlessness that often brought on gunfights in those days. The cowboy hero is Panhandle Smith, known as Pan, as he grew to be wild and free virtually from childhood. The tale prompts seeing, hearing, and feeling what it was like in those bygone days.

This was a time that was a major part of western history, a sort of baptism of sweat and blood. Great buffalo herds covered mile after mile, and hide hunters swarmed the plains. They were hard-riding and reckless and killed buffalo by the tens of thousands, bringing on near extinction. The invasion was part of the great western migration, and it caused major confrontations with such Indian tribes as Comanche, Kiowa, Arapaho, and others.

Seeing justice done in your own way of thinking is not the wisest path to follow. However, it was indeed how one individual managed his life. He did it in such a way that criminals at all levels feared him, as did Scotland Yard as they tried to put a halt to his actions. The Yard itself hadn’t the slightest idea of what he looked like because this man, who came to be known as The Ringer, had a baffling way of disguising himself.

The contents of this book stem from a series of short stories originally in Cosmopolitan magazine in the early twentieth century.

Written nearly a century and a half ago, this book was the first major animal story in children’s literature, although the author had intended it for adults. Anna Sewell had been crippled at a young age, but could still drive a horse-drawn carriage. She often drove her father to the station to go to work and later picked him up to bring him home. During those times, she saw there was often inhumane treatment of horses and was inspired to write about it in order to, as she said, “To induce kindness, sympathy, and an understanding treatment of horses.”

Versatility was a key talent of author Frederick Faust using the pseudonym Max Brand. What you’re about to hear is one of his lesser known stories that ranks as a prime example of his stupendous ability.

Throughout the stories here is information on how places, cities, and states got their names. However, questions arise because Native American tribes of the day didn’t yet have a written alphabet, and none of those came along until Sequoyah invented one in 1821, one that was actually more of a syllabary with symbols that stood for consonant/vowel sequences and could make words, basically just a writing system.

There were signs that H. G. Wells wasn’t quite sure how to end his famous story The War of the Worlds, which featured an invasion from the planet Mars. He certainly knew how to do the story itself and pointed out Martians were highly advanced over humans in their technology. Wells used an unnamed narrator telling the tale in first person with input from his brother. The book was published in 1898, and even with the passing of years, there are no present day traces of life on Mars, a reality that would have undoubtedly disappointed the author.

This is a kind of history, or at least remembrances. It’s primarily personal but overall takes a look at the way things were many, many decades ago. Details may get a little out of whack from a chronological order now and then, but the gist of the way things in some desperate personal and national times will be fairly well put in place. It begins a trifle before the outset of the 1929 stock market crash that led to the Great Depression. Then, it points to the difficulties, financial and otherwise, that confronted individuals and the beleaguered nation overall.

Frederick Faust (pen name Max Brand) was said to have written in excess of twenty-five million words as he seemed to have a button to push to generate fictional ideas. Of course, it’s known that much of his work was issued under pen names, around twenty of them, a great many of them wild Westerns. This one that features a drifter named Donnegan. He gets off a train and takes on a job with a rich man who doesn’t seem to care much about the difference between rights and wrongs.

This is a classic mystery novel by the creator of the fictional Chinese detective Charlie Chan. The tale you’re about to hear is in London just before WWI. American visitor Geoffrey West is attracted to a beautiful young lady and he decides to try and get her attention by putting a personal ad in the so-called "Agony Column" of a London newspaper. She sees it and responds by demanding he send her several letters so she can make up her mind as to whether she has any interest in him.  Before anything else happens, Geoffrey winds up being thought possibly guilty of a vicious murder.