検索キーワード： ナレーター "Elizabeth Wiley" すべてのカテゴリー

Ever since Jessica Tandy glided onto the stage in Tennessee Williams’s A Streetcar Named Desire at the Ethel Barrymore Theatre in 1947, Blanche DuBois has fascinated generations of audiences worldwide and secured a place in the history of literature, theater, and film. One of Williams’s greatest creations, Blanche has bedazzled, amused, and broken the hearts of generations of audiences. Before the Covid pandemic, the stage classic was performed somewhere in the world every hour. It has been adapted into a ballet and an opera, and it was satirized in an episode of The Simpsons.

When Lise, a pianist, suffers a nervous breakdown early in her marriage, her husband, in a warped act of protection and jealousy, has her piano taken away. With prose that is precise and emotionally affecting, Andrea J. Buchanan vividly renders how Lise's separation from her one source of expression and fulfillment cascades into her relationship with her daughter, leaving a legacy of trauma that echoes through the generations to come.  

The Uncollected Essays of Elizabeth Hardwick is a companion collection to The Collected Essays, a book that proved a revelation of what, for many, had been an open secret: that Elizabeth Hardwick was one of the great American literary critics, and an extraordinary stylist in her own right. The thirty-five pieces that Alex Andriesse has gathered here-none previously featured in volumes of Hardwick's work-make it clear that her powers extended far beyond literary criticism.

Americans' current trust in journalists is at a dismayingly low ebb, particularly on the subject of national and international politics. It might be tempting to look back to the mid-twentieth century, when the nation's press corps was a seemingly venerable and monolithic institution that conveyed the official line from Washington with nary a glint of anti-patriotic cynicism. As Kathryn McGarr's City of Newsmen shows, however, the real story of what Cold War-era journalists did and how they did it wasn't exactly the one you'd find in the morning papers.

Bea wakes to Daddy’s note in a hayloft, where he abandoned her with her little sister after the stock market crash took everything: Daddy’s job at the bank, their home, Mama’s health and life. How is Bea supposed to convince the imposing Mrs. Scott to take in two stray children? Mrs. Scott’s money and Virginia farm are drying up in a drought and the Great Depression, too. She might have to sell her beautiful horses, starting with a dangerous chestnut that has caused tragedy in the past and injures her stableman shortly after Bea arrives.