検索キーワード： ナレーター "Christine Rendel" すべてのカテゴリー

Recently returned to England, Leo, the new Earl of Salcott, discovers he's been thrust into the role of guardian to an heiress, the daughter of a notorious rake. Even worse, his wealthy ward has brought her half-sister, the beautiful but penniless Isobel, with her. Leo must find Clarissa a suitable husband, but her illegitimate half sister, Izzy, is quite another matter. Her lowly birth makes her quite unacceptable in London's aristocratic circles. However, the girls are devoted to each other and refuse to be separated. Even worse, sparks fly every time Leo and Izzy interact.

Against a backdrop of Islamophobia, Europeans are increasingly airbrushing from history their cultural debt to the Muslim world. But this legacy lives on in some of Europe's most recognizable buildings, from Notre-Dame Cathedral to the Houses of Parliament.

Alice, Lady Charlton, is finally free of her dominating husband, but on the verge of her new life, she is trapped when a blackmailer threatens to publish letters that could ruin her. To protect the secrets of her past Alice must find a lord for his daughter, Lucy, to marry. Alice reluctantly agrees to find the girl a noble husband but when Lucy arrives, she's difficult and uncooperative and has no interest in her father's scheme. A lord, she says, will only look down his nose at her-and she's having none of that! Desperate, Alice enlists the aid of her handsome young nephew.

Three years ago, a Carnelian bead came into Catrine Jarman's temporary possession. River Kings sees her trace the path of this ancient piece of jewelry back to eighth-century Baghdad and India, discovering along the way that the Vikings' route was far more varied than we might think—that with them came people from the Middle East, and that the reason for this unexpected integration between the Eastern and Western worlds may well have been a slave trade running through the Silk Road, all the way to Britain.

Here are short stories by the incomparable Virginia Woolf, including the story that was the original basis for the novel Mrs. Dalloway.

Heiress Clarissa Studley yearns to be loved for more than her fortune. Warmhearted, but plain and shy, she wishes to marry, but has two firm rules: no rakes and no fortune-hunters—her father was both, and she'll never forget the misery he caused.

The way in which organizations manage their people has always been pivotal to their performance, long before formal human resource management coalesced into a definable and somewhat fashionable discipline in the mid-1980s.

Orphaned Zoë Benoît has spent the last three years in Paris learning how to be a lady. But Zoë is torn—as an independent spirit and a talented artist, she cannot help but want more than the controlled life of a lady.

From Wilkie Collins to the adventures of Sherlock Holmes, the traditional image of the Victorian detective is male. Few people realize that women detectives successfully investigated Victorian Britain, working both with the police and for private agencies, which they sometimes managed themselves. Sara Lodge recovers these forgotten women’s lives. She also reveals the sensational role played by the fantasy female detective in Victorian melodrama and popular fiction, enthralling a public who relished the spectacle of a cross-dressing, fist-swinging heroine.

The House of Arden is a timeless tale of adventure, fantasy, and mystery for children (and adults) of all ages.

Every fortune-hunting female in London is after the newly titled Earl of Drake, but he's intent on finding a wife whose heart is true. So, while drunkenly jesting with his friends in a pub one night, he has an idea - what if the ladies of the ton didn't know he was a wealthy earl? All he has to do is pose as a servant at his friend's summer country house party and make sure the guest list is full of beautiful, eligible debutantes. What could possibly go wrong?

It was the turning point before he became a bestselling author: Hans Fallada handed himself in to the police in September 1925, following repeated cases of embezzlement to finance his alcohol and morphine addiction. At the time, a court-appointed doctor was assigned to assess the extent to which Fallada could be made accountable. This expert opinion, thought to have been lost, was only recently rediscovered. It is an extraordinary find, because it includes unpublished and rewritten stories by Fallada that focus on hitherto taboo topics such as abortion.

This "provocative study" looks at hundreds of autobiographies penned between 1760 and 1900 to offer an intimate firsthand account of how the Industrial Revolution was experienced by the working class (the New Yorker). The era didn't just bring about misery and poverty. On the contrary, Emma Griffin shows how it raised incomes, improved literacy, and offered exciting opportunities for political action. For many, this was a period of new, and much valued, sexual and cultural freedom.

At odds with love, Matthew Northcott has firmly decided that he will never marry, much to the dismay of his relatives . . . and nearly every young lady he meets. Rather than seek a marriage for himself, he attempts to find matches for others, grateful to see that love is not entirely cruel—just cruel to him. When a letter arrives from Matthew's friend Jack, asking an immense favor from him, Matthew undertakes a new challenge: Find a husband for Jack's spinster sister, Miss Cassandra Warwick, before the end of the season.

#1 International Bestseller GMA Buzz Pick A Today Show Pick A People Magazine Pick “A riveting, unsettling crime novel that will keep you turning pages well past your bedtime. Is Anna O a sleeping beauty or a sleeping killer? Matthew Blake's tension-filled thriller is as elusive and...

After being forced out of his childhood home, Jack Warwick lets Mrs. Irwin's house, happy to be away from his family and their many squabbles. Haunted by his past, he drowns his loneliness in drink, and with it, his better judgment. When a letter arrives at his new house, addressed to the previous occupant, Mrs. Irwin, from her niece, Jack writes an incoherent reply, inviting the young lady to come stay . . . an event which his drinking causes him to forget.

Abandoned by her family because of a well-kept secret, Miss Charity Oakley plans to live out her spinsterhood alone in her family's country house. But when her mysterious illness begins to worsen, she wonders just how long she will live at all. When Mr. Sidney Delamar, a presumed madman and mischief-maker, finds his way to town, Charity does all she can to avoid him. What she didn't expect, however, was to find him begging for refuge at her door. Striking a bargain with a madman is a dangerous task, but so is refusing one, especially since Mr. Delamar offers something she needs in return.

For as long as Bridget Northcott can remember, she has loved her brother's closest friend, Colin Foster. She loved him long before he grew up, became Captain Foster, and long before he left her behind for a life at sea. Although she knows her feelings will never be returned, Bridget cannot help but turn away every suitor in the hopes that one day Colin will come back to Larkhall and see her for what she has grown up to be—refined, elegant, and the precise opposite of the silly girl he once knew.

When faced with an unwanted marriage, Alice Rosemeyer accepts an invitation to the estate of Larkhall. Determined to earn her future security without a husband, she begins operating as the anonymous Ace of Hearts, writing letters and offering advice on behalf of the men eager to secure a match at the close of the London season. If she can manage to keep her identity secret, her reputation intact, and avoid the arrogant house guest, Mr. Thomas Herring, she might just call herself successful.

This is the story of Joan de Geneville, wife to one of England's most infamous traitors: Roger Mortimer. After the death of her father in 1292, Joan becomes one of the greatest English heiresses of her generation. In a time when women are subservient, she is raised by her mother to command. Educated by her tutors, she becomes a formidable woman in her own right. When Joan is married her husband's lust for power knows no bounds. She is forced to choose between her duty to her King and her loyalty to her husband.