検索キーワード： 著者 "Joseph Conrad" すべてのカテゴリー

Each of the stories in this collection is spun from a simple, if typically wry and bleak, idea. In "Gaspar Ruiz", a South American general who has fought in a war of independence tells his guests a long tale about a notorious strong man that explains the origin of his current domestic arrangements. "The Informer" leads the reader into the depths of a political conspiracy, dealing very slyly indeed with questions of truth and pretence.

Conrad began dictating the series of loose autobiographical sketches that would become 'A Personal Record' in 1911, when he was half way through writing 'Under Western Eyes'. His avowed aim was to give his readers a sense of 'the man behind the work', and he certainly succeeded in creating a vivid impression of the kind of Joseph Conrad he would have liked to have been seen as: a man capable of wry humour and self-deprecation, but a sober, serious man too, prepared to face life as he found it.

Set during the Napoleonic Wars, this story features two French Hussar officers, D'Hubert and Feraud. Their quarrel over an initially minor incident turns into a bitter, long-drawn out struggle over the following fifteen years, interwoven with the larger conflict that provides its backdrop. At the beginning, Feraud is the one who jealously guards his honor and repeatedly demands satisfaction anew when a duelling encounter ends inconclusively; he aggressively pursues every opportunity to locate and duel his foe.

"Here speaks the man of masts and sails, to whom the sea is not a navigable element, but an intimate companion. The length of passages, the growing sense of solitude, the close dependence upon the very forces that, friendly to-day, without changing their nature, by the mere putting forth of their might, become dangerous to-morrow, make for that sense of fellowship which modern seamen, good men as they are, cannot hope to know."

In these four stories, written between 1900 and 1902, Joseph Conrad bid gradual farewell to his adventurous life at sea and began to confront the more daunting complexities of life on land in the twentieth century. In 'Typhoon' Conrad reveals, in the steadfast courage of an undemonstrative captain and the imaginative readiness of his young first mate, the differences between instinct and intelligence in a partnership vital to human survival.

Acclaimed as one of Joseph Conrad's finest literary achievements, this gripping novel deftly depicts the political turmoil of nineteenth-century Russia and follows the dramatic developments in the life of a student, Razumov, as he prepares for a career in the czarist bureaucracy. In a plot that twists and turns, Razumov unwittingly becomes embroiled in a revolutionary conspiracy when he gives refuge to a fellow student who assassinated a public official. Increasingly enmeshed in the radical's political intrigue, he betrays the anarchist who had placed blind faith in him.

I have been called a writer of the sea, of the tropics, a descriptive writer - and also a realist. But as a matter of fact all my concern has been with the 'ideal' value of things, events and people. That and nothing else - Joseph Conrad When Willems stepped off the straight and narrow path of his own peculiar honesty he thought it would be a short episode - a sentence in brackets, so to speak - in the flowing tale of his life. But Willems was wrong, for he was about to embark on a voyage of discovery and self-discovery that would change, if not destroy, the reset of his life.

Mr Verloc, the secret agent, keeps a shop in London's Soho where he lives with his wife Winnie, her infirm mother, and her idiot brother, Stevie. When Verloc is reluctantly involved in an anarchist plot to blow up the Greenwich Observatory things go disastrously wrong, and what appears to be "a simple tale" proves to involve politicians, policemen, foreign diplomats, and London's fashionable society in the darkest and most surprising interrelations.

In Nostromo, Joseph Conrad has transformed an apocryphal anecdote about a sailor who got away with stealing a boat loaded with silver into a grandly panoramic, yet deeply unsettling, narrative that sees every conceivable type of political person — from the laughably oafish and brutal to various shades of the well-meaning — caught up in an episode of revolutionary upheaval in the fictional South American country of Costaguana.

Today, we're likely to react to the title of this novella, on whose 'sincerity of expression' Conrad was willing to stake his artisitic reputation, with visceral disgust. There is a sad irony in this, for Conrad's title originally alluded to a rather complex set of meanings, implying that, by virtue of our human nature, we all carry within the fragile vessel that is our idealised image of ourselves a darker being we find troubling, even despicable, but with whom we must eventually come to terms.

Jim, a young British seaman, becomes first mate on the Patna, a ship full of pilgrims travelling to Mecca for the hajj. When the ship starts rapidly taking on water and disaster seems imminent, Jim joins his captain and other crew members in abandoning the ship and its passengers. A few days later, they are picked up by a British ship. However, the Patna and its passengers are later also saved, and the reprehensible actions of the crew are exposed. The other participants evade the judicial court of inquiry, leaving Jim to the court alone.

Henry Whalley is a true sailor, earning years of experience as a ship’s captain before his retirement. Faced with unexpected financial problems and a desire to help his married daughter earn her place in the world, Whalley is forced to sell his boat and buy his way back into service on a trade vessel. But Whalley is living so close to financial ruin that any small deviation from his course will put him over the edge . . . The End of the Tether is one of the many books that author Joseph Conrad wrote about sailors and the sea.

In the 1870s, supporters of the pretender to the throne of Spain take advantage of a young man's attraction to the sea to persuade him to run dangerous missions on their behalf, with the financial support of a beautiful but exceedingly baffling young heiress, with whom the young man is soon giddily in love. Told largely in the first person, the novel is unusual, for Conrad, in focusing largely on the evolving psychology of a young man in the throes of a great romantic passion.

A brave Malay chieftain suffers from a surprising vulnerability. After giving birth to a series of unfortunate children, a farmer's wife is determined to bear no more. A spoonful of sugar brings a neophyte ivory trader to a moment of Nietzschean self-realisation. A pompous ass discovers that his wife has run off with another man. Secluded in an eerie lagoon, a Malay carries a guilty secret in his heart. "Tales of Unrest" was the first volume of short fiction Joseph Conrad published in his own lifetime.

Written in 1915, The Shadow-Line is based upon events and experiences from twenty-seven years earlier to which Conrad returned obsessively in his fiction. A young sea captain's first command brings with it a succession of crises: his sea is becalmed, the crew laid low by fever, and his deranged first mate is convinced that the ship is haunted by the malignant spirit of a previous captain.

Heart of Darkness, a novel by Joseph Conrad, was originally a three-part series in Blackwood's Magazine in 1899. It is a story within a story, following a character named Charlie Marlow, who recounts his adventure to a group of men onboard an anchored ship. The story told is of his early life as a ferry boat captain. Although his job was to transport ivory downriver, Charlie develops an interest in investing an ivory procurement agent, Kurtz, who is employed by the government.

Almayer’s Folly, Joseph Conrad’s first novel, is a tale of personal tragedy as well as a broader meditation on the evils of colonialism. Set in the lush jungle of Borneo in the late 1800s, it tells of the Dutch merchant Kaspar Almayer, whose dreams of riches for his beloved daughter, Nina, collapse under the weight of his own greed and prejudice. Nadine Gordimer writes in her Introduction, “Conrad’s writing is lifelong questioning.

Heart of Darkness tells of the conflicting drives of two men—Charles Marlow, the captain of a steamboat, and Mr. Kurtz, a mysterious figure who oversees a trading post in Africa. After an arduous journey, Marlow finally encounters Kurtz, and the men come to grips with their differences—and their similarities. 

A young sea captain, struggling with the problems of his first far-Eastern command, is befriended by Hermann, commander of a German ship moored nearby in a treacherous river. But when the monopolistic tugboat captain Falk perceives him as a rival for Hermann's beautiful niece, the young man's problems suddenly increase—until he offers his diplomatic assistance in Falk's courtship. But Falk is haunted by an incident in his past, which he feels he must confess.

Zehn Meisterwerke von weltberühmten Autoren versammeln sich in dieser Hörbuch-Box! Mit dabei: "In der Strafkolonie" (Kafka), "Die Marquise von O." (Kleist), "Eine blassblaue Frauenschrift" (Werfel), "Der arme Spielmann" (Grillparzer), "In den Chambregarnies" (Tschechow), "Wieviel Erde braucht der Mensch?" (Tolstoi), "Die Zeitmaschine" (H.G. Wells), "Triumph der Schönheit" (Roth), "Die schwarze Spinne" (Gotthelf), "Jugend" (Conrad).