検索キーワード： 著者 "Don Delillo" すべてのカテゴリー

Richard Elster was a scholar - an outsider - when he was called to a meeting with government war planners, asked to apply "ideas and principles to such matters as troop deployment and counterinsurgency". We see Elster at the end of his service. He has retreated to the desert, "somewhere south of nowhere", in search of space and geologic time. There he is joined by a filmmaker, Jim Finley, intent on documenting his experience.

It is Super Bowl Sunday in the year 2022. Five people are due to have dinner in an apartment on the east side of Manhattan. The hosts are a retired physics professor and her husband; they are joined by one of her former students and await the arrival of another couple, delayed by what becomes a dramatic flight from Paris. In the apartment, talk ranges widely. The opening kickoff is one commercial away. Then something happens, and the digital connections that have transformed our lives are severed.

When an industrial accident unleashes an "airborne toxic event", a lethal black chemical cloud floats over the Gladneys' lives. The menacing cloud is a more urgent and visible version of the "white noise" engulfing the Gladneys - radio transmissions, sirens, microwaves, ultrasonic appliances, and TV murmurings - pulsing with life yet suggesting something ominous.

Il mondo devastato dell'Undici settembre, le inquiete solitudini della famiglia di un sopravvissuto al crollo delle torri e la paradossale normalità di un terrorista che si prepara al martirio. Scendendo con altre migliaia di persone le scale della Torre nord del World Trade Center, Keith Neudecker riesce a mettersi in salvo pochi minuti prima del crollo. Ha i vestiti impregnati di sangue e di cenere, la faccia cosparsa di frammenti di vetro, e negli occhi immagini che non potrà mai dimenticare.

Fin dalla sua prima apparizione nel 1985, "Rumore bianco" di Don DeLillo si è imposto come un vero e proprio romanzo di culto, apice del postmoderno americano: non a caso il successo di critica e di pubblico culminò con la vittoria del National Book Award. Meno scontato era prevedere che nei decenni successivi "Rumore bianco" avrebbe continuato a essere la piú precisa, divertente e inquietante mappa per orientarsi nei tempi nuovi e sconosciuti in cui la civiltà occidentale stava entrando.

Aprile 2000. Mattina. Sull'East River. Il giovane miliardario Eric Packer esce dal suo lussuoso attico a tre piani e sale sulla limousine bianca per andare a tagliarsi i capelli a Hell's Kitchen. È l'inizio di un viaggio lungo un giorno che lo porterà ad attraversare Manhattan per andare incontro al proprio destino. Durante il tragitto Packer, ossessionato da una folle scommessa finanziaria contro lo yen e da un'oscura "minaccia attendibile" alla propria incolumità, incontra gli uomini e le donne della sua vita sullo sfondo di scenari erotici, o tragici, o enigmatici.

At Logos College in West Texas, huge young men, vacuum-packed into shoulder pads and shiny helmets, play football with intense passion. During an uncharacteristic winning season, the perplexed and distracted running back Gary Harkness has periodic fits of nuclear glee; he is fueled and shielded by his fear of and fascination with nuclear conflict. Among oddly afflicted and recognizable players, the terminologies of football and nuclear war - the language of end zones - become interchangeable, and their meaning deteriorates as the collegiate year runs its course.

Manhattan, 2022. Una coppia è in volo verso New York, di ritorno dalla loro prima vacanza dopo la pandemia. In città, in un appartamento nell'East Side, li aspettano tre loro amici per guardare tutti insieme il Super Bowl: una professoressa di fisica in pensione, suo marito e un suo ex studente geniale e visionario. Una scena come tante, un quadro di ritrovata normalità. Poi, all'improvviso, non annunciato, misterioso: il silenzio. Tutta la tecnologia digitale ammutolisce. Internet tace. I tweet, i post, i bot spariscono.

On the 50th anniversary of "The Shot Heard Round the World", Don DeLillo reassembles in fiction the larger-than-life characters who on October 3, 1951, witnessed Bobby Thomson's pennant-winning home run in the bottom of the ninth inning.

"Zero K" er Don DeLillos første roman i ti år og er en mesterlig skildring af livet og kampen mod døden. Jeffrey Lockharts far, Ross, er mangemilliardær og gift med den yngre kvinde, Artis, som er uhelbredeligt syg. Ross er hovedinvestor i et afsides liggende og hemmeligt kompleks, hvor alvorligt syge mennesker fryses ned i håbet om, at de kan vende tilbage til livet den dag, hvor medicinske fremskridt ville kunne kurere dem.

Moll Robbins is a journalist in a rut. But she gets wind of a very exciting story: it concerns a small piece of celluloid, a pornographic film purportedly shot in a bunker in the climactic days of Berlin's fall - with Hitler as its star. One person claims to have access to this unique piece of Naziana; inevitably, more than one wants it. Unfortunately for Moll, in the black-market world of erotica, the currency is blackmail, torture and corruption, and no price is too high.

At the heart of the book is Bill Gray, a famous reclusive writer who escapes the failed novel he has been working on for many years and enters the world of political violence, a nightscape of Semtex explosives and hostages locked in basement rooms. Bill's dangerous passage leaves two people stranded: his brilliant, fixated assistant, Scott; and the strange young woman who is Scott's lover - and Bill's.

Since the publication of his first novel 30 years ago, Don DeLillo has lived in the skin of our times. He has found a voice for the forgotten souls who haunt the fringes of our culture and for its larger-than-life real figures. The Body Artist is DeLillo's haunting and profoundly moving new novel.

In this powerful, eerily convincing fictional speculation on the assassination of John F. Kennedy, Don DeLillo chronicles Lee Harvey Oswald's odyssey from troubled teenager to a man of precarious stability who imagines himself an agent of history. When "history" presents itself in the form of two disgruntled CIA operatives who decide that an unsuccessful attempt on the life of the president will galvanize the nation against communism, the scales are irrevocably tipped.

DeLillo's Running Dog, originally published in 1978, follows Moll Robbins, a New York City journalist trailing the activities of an influential senator. In the process, she is dragged into the black market world of erotica and shady, infatuated men, where a cat-and-mouse chase for an erotic film rumored to “star” Adolph Hitler leads to trickery, maneuvering, and bloodshed. With streamlined prose and a thriller's narrative pace, Running Dog is a bright star in the modern master's early career.

Set against the backdrop of a lush and exotic Greece, The Names is considered the book that began to drive "sharply upward the size of his readership" ( Los Angeles Times Book Review). Among the cast of DeLillo's bizarre yet fully realized characters in The Names are Kathryn, the narrator's estranged wife; their son, the six-year-old novelist; Owen, the scientist; and the neurotic narrator obsessed with his own neuroses.

Nick Shay and Klara Sax knew each other once, intimately, and they meet again in the American desert. He is trying to outdistance the crucial events of his early life, haunted by the hard logic of loss and by the echo of a gunshot in a basement room. She is an artist who has made a blood struggle for independence.

Shots ring out. A president dies. And a nation is plunged into psychosis. Don DeLillo's extraordinary Libra is a brilliant reimagining of the events and people surrounding the assassination of President John F. Kennedy. Concentrating on the lives of Lee Harvey Oswald, some rogue former spooks unhappy with Kennedy's presidency, and Nicholas Branch, a CIA archivist trying to make sense of or draw inferences from the mass of information after the assassination, Libra presents an apologetically provocative picture of America.

The Body Artist begins with normality: breakfast between a married couple, Lauren and Rey, in their ramshackle rented house on the New England coast. Recording their delicate, intimate, half-complete thoughts and words, Don DeLillo proves himself a stunningly unsentimental observer of our idiosyncratic relationships. But after breakfast, Rey makes a decision that leaves Lauren utterly alone, or seems to.

In the opening scene of Falling Man, Keith Neudecker emerges from the smoke and ash of the burning tower where he worked, and makes his way to the apartment of his ex-wife and young son uptown. Throughout this bold and haunting novel, DeLillo traces the way the events of September 11 kindled or rekindled relationships, reconfigured our emotional landscape, our memory, and our perception of the world.