検索キーワード： 著者 "Anna Jacobs" すべてのカテゴリー

The new Anna Jacobs saga continues the story of the younger sisters of Keara Michaels, the heroine of A Pennyworth of Sunshine, following their fortunes from 19th-century Ireland to the brave new world of Australia. In 1863 the authorities send Irish orphans Ismay and Mara to Australia against their will. Just when they thought it couldn't get any worse, on arrival they're separated from one another. While Ismay is forced to take a job as a maid miles away in the country, Mara must stay in the care of the Catholic mission.

Recently widowed, Hannah Firth is still young - young enough to dream of a new life. When her spiteful daughter-in-law uses her as an unpaid servant, Hannah tries to leave, but she is unaware of the depths that Patty's spite will lead her to. Nathaniel King's life is ruined when his landlord's son lays waste to his market garden for a prank - and the resulting feud puts Nathaniel's livelihood at stake.

Keara Michaels doesn't want to leave her family in Ireland, but fate sends her first to Lancashire, then across the sea to Australia, pregnant and penniless. And Theo Mullane, the man who loves her, is married, with an ailing baby son, so cannot follow her as he longs to. Mark Gibson leaves Lancashire to avoid marriage. But gold prospecting is a dangerous pursuit, and when his gentle young wife dies in childbirth, his father-in-law kidnaps the baby. So Mark runs away again, this time to Western Australia, where he employs Keara in his country inn.

Cassandra Blake has raised her three motherless sisters. The girls are the pride of their book-loving, impractical father, and not in a hurry to marry. Then the American Civil War cuts off supplies of cotton to Lancashire, the mills fall silent and there is no work. There is a stark choice: stay and risk starvation or pack up and begin again elsewhere. Cassandra has fallen in love with Reece Gregory, but he can't support a wife. When he's given the chance to start a new life in Western Australia, he seizes the opportunity, promising to send for her.

In the untamed outback of Western Australia, the Blake sisters are together again despite what seemed like unsurmountable odds. For Cassandra, reunited again with the man she loves, the Swan River Colony is a refuge that seems like a miracle after all her ordeals. And two of her sisters have fallen in love with their new way of life. But then a messenger arrives from faraway England, and it is the fourth sister, Pandora, who jumps at the chance to make her way back to the Lancashire moors that she misses so badly. The way home, though, will be even harder than the voyage to Australia.

The Great War opened up an exciting new career for Vi in London. But that was yesterday. Now the war's over, her husband is dead and she needs to pick up the pieces of her life. On her way home from work she meets a man who is in huge need of her help. Recently demobbed, Joss Bentley has no job or home and, with his wife dead, there's a new baby to care for - and, what's more, it's not his. As he searches grimly for its real father, he runs up against people who will use any means necessary to conceal dark secrets, and Vi finds herself faced with conflicting loyalties. 

Ellen Dawson is glad when the Great War ends but sad that Lady Bingram's aides are to be disbanded. She can't bear to go back into service again after working as a driver and mechanic in London. But she is forced by her mother's illness to accept her old position as housemaid in order to stay in the small Lancashire town, and her stepfather will stop at nothing to get her under his control again. Meanwhile, Seth Talbot is also facing difficulties when he takes over as local policeman in a town where the law has been flouted for years.... 

Emmy Carter's mother is a prostitute - and her life has made Emmy determined to avoid the same fate. But Emmy is beautiful, so attracts unwanted attention; her mother's protector has his eye on her, as does evil Marcus Armistead, her employer's nephew. Marcus is excited by Emmy's virginity and has her kidnapped, but Emmy hits him over the head and escapes. Marcus, further enraged, kills her mother and becomes even more determined to rape Emmy, but the combined efforts of the local parson and Emmy's young suitor manage to keep her safe from harm. 

Calico Road runs through a tiny Lancashire hamlet up on the edge of the moors, miles from anywhere. Its folk are an independent breed - and in 1827 they are a thorn in the side of the vicious mill owner in the valley below. Toby Fletcher's father ignored his bastard son while alive. Now Toby is the new owner of the rambling old inn, an unwitting keeper of its secrets. Then Meg Staley comes to Calico - a woman who was strong enough to survive one tragedy but found it harder to withstand a second blow. 

Marjorie is the pretty one of the Preston sisters. So pretty that when a performer at her sister's music room breaks her leg, Marjorie is asked to fill in as the assistant to the singer Denby Sinclair. He offers to take her with him, away from Lancashire and into London theatres. It seems as if her dreams will come true, but Denby is not what he seems. He has a dangerous secret which, if it were to be revealed, would ruin her. Marjorie, however, is reckless and will take any risk for a chance to work on the stage. 

Carrie Preston is used to hard work - oldest of 10, with an incompetent mother and a drunken father, she struggles to find food for her siblings. But nothing could have prepared her for the day fate deals her family the cruellest of hands, rendering them more desperate than ever. In a harsh world, small acts of kindness can bring great hope - Eli Beckett's offer of a job at the Dragon pub promises a better future for Carrie, especially as Eli's uncle has offered his nephew some spare land to build a music room.

Dora Preston has guts, but it will take more than that for her to break free from Hedderby and make a life for herself on the stage. Then she meets Gideon - and pursuing her ambitions becomes even harder. Gideon has returned from the fighting in India only to discover that an impostor has stolen his inheritance. He has vowed he will claim his birthright, but his enemies are ruthless and desperate. Arson attacks, crime and drunkenness have beset the Lancashire mill town, but the forces of goodness are rallying and are determined to prevail, whatever it takes. 

Gwynna had fallen from grace once, bearing a stillborn child out of wedlock. Determined to have a respectable future, she finds a position for herself as a nursemaid at Hungerton House. But just as she begins to find her feet, the secrets of her past are revealed. She is swiftly dismissed but not before she becomes the target of a lascivious groom. And even afterwards she is pursued by Hungerton, an evil old man who wishes to send her back to the gutters.  

After a stray bomb scored a direct hit on his childhood home in Hertfordshire, the only thing that has kept Francis Brady going while he works day and night salvaging what he can from the rubble is the thought that soon he'll be joining wartime friends Mayne, Daniel and Victor as electrician in their new dream building firm in Lancashire. But things are not going to plan: Mayne isn't answering any of his letters; Francis' wife is having a change of heart about moving up north - and her parents seem set on destroying his reputation....

It's 1848, and preparations are underway for Annie Gibson's wedding to Bilsden's wealthy millowner, Frederick Hallam. But not everyone is as pleased as they are. Frederick's daughter, Beatrice, is horrified at the prospect of a new attractive stepmother arriving at the house on Ridge Hill. Even Annie's own family feels threatened. The only person who seems pleased is Tom, Annie's brother. Soon, however, real troubles begin to pile up for the Gibsons.

In 1845 Annie Gibson can finally leave Salem Street. Her dreams of being able to open an elegant dressmaking salon in the High Street of Bilsden, a Lancashire mill town, have come true. And she is going to take her father and his second family with her, away from poverty, away from the Rows. But Annie has not left trouble behind. Someone is trying to undermine her business. Her family have their own ideas about what they want to do with their lives. 

In 1820, Salem Street is sparkling and new: eight small terraced houses built by a Lancashire mill owner for his best workers. Annie Gibson's family is one of the first to move in - a step up in the world for them. But when her mother dies, Annie's happy childhood ends and she is left to bring up her brother and sister. Red-haired, intelligent and startlingly pretty, Annie soon finds herself banished from home by a jealous stepmother. She finds work in the local doctor's household, where she learns about the fascinating world outside Salem Street.

As the only female cabinet maker in the valley in 1935, Frankie Redfern is unusual. She faces prejudice even from her own mother. But she's content working for her father and is unwilling to give up her independence or the work she loves for marriage. When her husband falls gravely ill, Frankie's mother takes over, causing serious trouble for her daughter. And her cousin, an unscrupulous local builder, starts to help her for his own reasons.

Lancashire 1934. Three years after her husband's sudden death, Stella comes into some money unexpectedly and decides to make a new start in the country. She settles on Ellin Valley, where she quickly begins to make friends. She falls in love with a cottage in Birch End. Life has changed drastically for local handyman Wilf Pollard as well. When tragedy strikes, Wilf is left as the only support of his two young children. But his friends rally round to help so that he can pull his life together. 

The first book in Anna Jacobs' wonderful Backshaw Moss series. 1935. At 36, Bella Porter is dependent on her abusive cousin, acting as an unpaid servant. When a kind relative leaves her a house in the village of Backshaw Moss, Thomas tries to take it from her, but she defies him and grasps this chance of a new start in Lancashire. It is not going to be easy, though.