検索キーワード： 著者 "Friedrich Nietzsche" すべてのカテゴリー

Nietzsche is a major figure in Western philosophy. His work is radical, sometimes violent, often ironic; it fascinates anyone bold enough to delve into it, exerted a profound influence on modern intellectual history, and covers a wide range of subjects. Nietzsche's writings border on the poetic; his aphorisms are particularly well-known for conveying all the radicalism of his thinking in a intense but light, sometimes amusing manner.

In Beyond Good and Evil, Friedrich Nietzsche attacks past philosophers for their alleged lack of critical sense and their blind acceptance of Christian premises in their consideration of morality. The work moves into the realm "beyond good and evil" in the sense of leaving behind the traditional morality, which Nietzsche subjects to a destructive critique, in favor of what he regards as an affirmative approach that fearlessly confronts the contextual nature of knowledge.

The Antichrist is a book by the philosopher Friedrich Nietzsche, originally published in 1895. The reference to the Antichrist is not intended to refer to the biblical Antichrist but is rather an attack on the slave morality and apathy of Western Christianity. Nietzsche's basic claim is that Christianity is a poisoner of western culture and perversion of the words of and practice of Jesus.

The Antichrist and Ecce Homo were two of the last works written by Friedrich Nietzsche just before his mental collapse in 1889. Though both written in 1888, they are very different in content and style. In The Antichrist, Nietzsche expands on his view that the submissive nature of Christianity undermined Western society, depressing and sapping energy.

Lire Nietzsche, c'est apprendre à philosopher à coups de marteau. Dans les bibliothèques universitaires, ce sont les livres de Nietzsche qui sont les plus souvent volés. Pas étonnant : la rencontre avec Nietzsche fascine et apprend à penser, voire à se rebeller. Sa pensée est radicale, parfois violente, souvent ironique ; ses écrits sont à la frontière de la philosophie et de la poésie. Ses aphorismes en particulier véhiculent toute la force de sa pensée de façon directe, efficace, et souvent pleine d'humour.

In On the Genealogy of Morals, subtitled "A Polemic", Nietzsche furthers his pursuit of a clarity that is less tainted by imposed prejudices. He looks at the way attitudes towards 'morality' evolved and the way congenital ideas of morality were heavily colored by the Judaic and Christian traditions.

Nietzsche is a major figure in Western philosophy. His work is radical, sometimes violent, often ironic; it fascinates anyone bold enough to delve into it, exerted a profound influence on modern intellectual history, and covers a wide range of subjects. Nietzsche's writings borders on the poetic; his aphorisms are particularly well-known for conveying all the radicalism of his thinking in an intense but light, sometimes amusing manner.

It was with Human, All Too Human, first published in 1878, that Nietzsche developed the aphoristic style that so suited his challenging views and uncompromising style. The text is divided into three main sections: 'Of the First and Last Things', 'History of the Moral Feelings' and 'The Religious Life'.

Ecce homo est une autobiographie à la fois parodique et philosophique de Friedrich Nietzsche. C'est aussi le dernier ouvrage original, avant la période de démence de ses dernières années de vie. Ecce Homo, malgré sa brièveté, est l'un des livres les plus importants pour comprendre la pensée nietzschéenne dans son originalité. Au cours de ces quelque cent pages, Nietzsche invente un nouveau type d'écriture, tonitruant et virtuose, qui lui permet de réaliser son programme de "philosophie à coups de marteau". Nietzsche est ici clair, dense et brillant. Rédigé en 1888, il fut publié à titre posthume en 1908.

Nietzsche is a major figure in Western philosophy. His work is radical, sometimes violent, often ironic; it fascinates anyone bold enough to delve into it, exerted a profound influence on modern intellectual history, and covers a wide range of subjects. Nietzsche's writings border on the poetic; his aphorisms are particularly well-known for conveying all the radicality of his thinking in a intense but light, sometimes amusing manner.

Thus Spoke Zarathustra is the fictional account of the travels and teaching of the prophet Zarathustra. One of the more controversial aspects of Nietzsche's work is that he puts forth the idea of human evolution and the transformation of modern humans from their ape-like ancestors. Nietzsche inserts a number of controversial ideas into his fictional account of Zarathustra, including some reoccurring themes such as the superman, a self-mastered individual.

"Gott ist tot!" Dieser Satz aus Nietzsches Werk hallt bis heute in den Köpfen wider. Nietzsche ging es darum, traditionelle Werte zu überwinden und an die Stelle alter Moralvorstellungen die Selbstbestimmung des freien Geistes zu setzen. Friedrich Nietzsche in 100 Minuten bietet einen Leitfaden durch sein Werk und verhilft zu einem umfassenden Verständnis seiner Thesen. Mit der Stimme von Helge Heynold werden Sie Schritt für Schritt mit der diesem radikalen Philosophen eigenen Sprache vertraut gemacht und behutsam und erhellend durch sein Werk geführt.

Friedrich Nietzsche's Beyond Good and Evil, first published in 1886, presents a scathing critique of traditional morality and attacks previous philosophers for their blind acceptance of Christian ideals of virtue. As an alternative to what he viewed as the illogical and irrelevant philosophy of the nineteenth century, Nietzsche argues for the importance of imagination, self-assertion, danger, and originality for genuine philosophy.

El anticristo propugna la superación del nihilismo y del cristianismo.

"The Birth of Tragedy" stands alongside Aristotle’s "Poetics" as essential works for all who seek to understand poetry and its relationship to human life. In this, his first book, Nietzsche developed a way of thinking about the arts that unites the Greek gods Apollo and Dionysus as the central symbol of human existence. Although tragedy serves as the focus of this work, music, visual art, dance, and the other arts can also be viewed using Nietzsche’s analysis and integration of the Apollonian and the Dionysian.

Zaratustra se presenta como el profeta supremo fuente de sabiduría, un ermitaño que vive recluido en la montaña, donde a lo largo de su retiro reflexiona sobre la vida y la naturaleza del hombre. Cuando siente que es el momento adecuado, decide regresar al mundo para comunicar el fruto de su conocimiento. Así, esta obra narra los discursos que Zaratustra pronuncia entre los hombres para anunciar su nueva doctrina.

Friedrich Nietzsches Gedichte erklingen mit Klavieren, Cellos, Geigen und der Stimme Friedrich Friedens auf wuchtig-harmonische Art und Weise ohne dabei künstlich oder kitschig zu wirken. Auf einem wilden Ritt durch die Jahrhunderte begegnet man Mitleid, Furcht, Wut, Wille, Lebensfreude und Tugendhaftigkeit.

Friedrich Frieden unterlegt auf diesem Hörbuch die Gedankenwelt Nietzsches mit unterschiedlichster instrumentaler Musik und diversen akustischen Stilmitteln, um der universellen Natur Nietzsches gerecht zu werden. Nietzsches rasierklingenscharfer Verstand analysiert alle Bereiche der menschlichen Kultur. Von der Kunst über die Religion bis zu den europäischen gesellschaftlichen Strukturen.

Questa è l'opera più amata dallo stesso Nietzsche, con qui questi prosegue la propria strada di allontanamento da Schopenhauer e da Wagner. Vengono trattati i temi della morte di Dio e la parabola dell'avvento del superuomo; è un trattato esoterico di filosofia e di morale, scritto in un linguaggio poetico e metaforico.

Was macht den Menschen aus? Was sind die Fehler aller Religionen? Warum sind Ideale Irrtümer? Was ist der Ursprung von Philosophie? Was ist der Ursprung des menschlichen Geistes? Warum beruht jede Gesellschaft auf Lügen und Täuschung? Warum werden Lügen und Irrtümer als Wahrheiten propagiert? Warum ist die Lüge das Fundament der menschlichen Kultur? Was macht einen außergewöhnlichen Künstler aus? Warum kritisieren wir, was wir nicht verstehen?