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Uprooted from a well-ordered life in Virginia when she was nine, Willa Cather came of age in the West during the last years of the American frontier. She developed a love for the beauty of the open grassland and an abiding interest in the Old World customs of her neighbors, the dreamers and builders who inhabit her fiction. This collection includes work from the early part of Cather''s career and clearly marks themes and landscapes that she would detail and explore for the remainder of her life.

After studying piano as a child, Thea Kronborg leaves her family and their frontier town of Moonstone, Colorado, to pursue music in Chicago. There, her instructor insists that her singing voice is her greater gift, and she begins to work on mastering her craft. Seeking to become one of the world's greatest opera singers, she embarks on a journey of self-discovery and fulfillment that takes her across the world.

Seen through the eyes of a French Catholic missionary, Death Comes for the Archbishop is a tale about the development of the 19th-century American Southwest as the Indians and Spanish deal with each other and the arriving Americans.

Echoes of the Frontier gathers thirteen unforgettable tales by literary giants such as Jack London, Willa Cather, Mark Twain, and Bret Harte—each story capturing a different facet of life at the edge of civilization. From the perilous ride of The Denver Express to the poetic solitude of On the Divide, and from the chilling desperation of Love of Life to the dry wit of Nevada Sketches, these stories illuminate the grit, dreams, and humanity of those who dared to tame the wild.

Death Comes for the Archbishop is a lyrical, fictionalized account of two Catholic priests sent to establish a diocese in the New Mexico Territory in the mid-1800s. The novel follows Father Jean Marie Latour and his friend Father Joseph Vaillant as they travel through the vast, rugged American Southwest, facing cultural challenges, isolation, and spiritual tests.

Presented here is Volume III of our Feminist Literary Classics series, featuring three of the most important feminist novels ever written: Orlando: A Biography by Virginia Woolf, O Pioneers! by Willa Cather and So Big by Edna Ferber. The first book in this collection is Orlando: A Biography, a groundbreaking English novel by Virginia Woolf that explores English history, gender roles and sexual politics in a way few books have before or since.

One January day, many years ago, the little town of Hanover, anchored on a windy Nebraska tableland, was trying not to be blown away. A mist of fine snowflakes was curling and eddying about the cluster of low drab buildings huddled on the gray prairie, under a gray sky. The dwelling-houses were set about haphazard on the tough prairie sod; some of them looked as if they had been moved in overnight, and others as if they were straying off by themselves, headed straight for the open plain. None of them had any appearance of permanence, and the howling wind blew under them as well as over them.

This century unfolds with a fast-changing world riven by immense wars and glutton hungry Empires. Women strive to win the most basic of rights, the right to vote. Their literary testament is now a vital part of our cultural world. They write on all manner of subjects with truth, with imagination and with undeniable talent. We are all the richer for their words.

"Death Comes for the Archbishop" is a masterful work of historical fiction by Willa Cather. Set in the American Southwest in the mid-19th century, the novel tells the story of a young French priest who is sent to establish a Catholic diocese in a rugged and unfamiliar land. Through his encounters with the indigenous people and his fellow settlers, the priest comes to understand the complexities and beauty of the human spirit.

The American literary tradition has, in a far shorter span of time than others throughout history, achieved a glowing and glittering reputation. From its transatlantic roots it has absorbed the sons and daughters of other cultures, other lands and made them part of her own. Within this melting pot of styles, genres and wordplay one fact stands out: In the American short story, literary tradition has a strong, vibrant and almost inclusive history, if you know where to look.

Mujeres que reclaman su derecho a trabajar en un mundo de hombres, valientes guerreras indias, forajidas del Oeste americano, inmigrantes sin pelos en la lengua, heroínas atrapadas en tenebrosos bosques… Estas son algunas de las protagonistas de La nueva mujer: relatos de escritoras...

In this volume our authors explore the terrors of the mind rather than the horrors of reality, although with their pens the difference makes little difference. We twist this way and that as their talents shape our path towards endings of the nerve-shredding kind.

Sadness can be about so many things from places to people, from thoughts to actions. Our classic authors including Arnold Bennett, James Joyce, Willa Cather, Joseph Conrad, Ivan Turgenev and many others use their pens and stories to demonstrate the many ways this feeling can take a hold of lives and its consequences.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. Some you may disagree with but they will get you thinking; about our choices and about those you would have made. If this volume takes you on a path to discover more of these miniature masterpieces then we have all gained something.

In this series we listen to short stories that are NOT by perhaps the most well-known author of this type. But the many other rich talents in the volume may have treated the subject matter a little differently, or were perhaps just overlooked in the stampede to applaud the winner, but these authors are of equal merit.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. In this Century of profound change for women our Atlantic neighbours produced authors of extraordinary ability that dazzled us all with a range of ideas, characters and stories of such magnificence that literature would never be the same again. Genius is written in their names.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. A new century dawns, one in which America would become pre-eminent as its industrial might and military power rose above all others. In literature too its authors tackled new forms and new ideas, they shied away from little, immersing themselves and their readers in the promise of a new Century.

Willa Cather weaves a poignant and evocative tale of pioneer life on the Nebraska plains. In My Antonia we follow Jim Burden, a young boy who moves to Nebraska to live with his grandparents, and his close bond with Ántonia Shimerda, the spirited and resilient daughter of Bohemian immigrants. As they grow up, Jim and Ántonia experience the challenges and triumphs of life on the frontier, marked by hardship, love, loss, and the indomitable strength of the human spirit.

Presented here is Volume IV of our Feminist Literary Classics series, featuring three of the most important feminist works ever written: A Room of One's Own by Virginia Woolf, Jane Eyre by Charlotte Brontë and The Song of the Lark by Willa Cather.

The most romantic literary lovers in history: Jane Eyre and Mr. Rochester. Oliver Mellors and Constance Chatterley. Marie Shabata and Emil Bergson. Now, all three of their classic stories are collected in one volume.