検索キーワード： 著者 "Le Fanu" すべてのカテゴリー

Love has many forms, many needs. Some fall into the dark, into the shadows. Forbidden love has connotations of desire, of possession but also of matters far more unsavoury. It’s a delicate facet of love that our classic authors explain with careful words and superbly crafted narratives.

En este relato encontraremos la historia de un ensalmador a quien la gente consideraba el mejor en este campo, era buscado por hombres, mujeres, niños y ancianos, lo que él no sabía es que desde el mas allá también iban a requerir tales servicios.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

Predating Bram Stoker's "Dracula" by twenty-five years, Sheridan Le Fanu's "Carmilla" is one of the earliest examples of vampire fiction; a Gothic novella narrated by a young girl who becomes a victim of the title character, a female vampire with whom she also kindles a romance.

Vor dem Schloss eines pensionierten Generals verunglückt eine Kutsche. Wirklich nur ein Unfall ...? Die mysteriöse Insassin ist gezwungen, ihre junge Tochter in der Obhut der Schlossbewohner zurückzulassen.Die ätherisch schöne Carmilla übt auf alle, aber besonders auf Laura, die gleichaltrige Tochter des Generals eine starke Faszination aus. Ein undefinierbarer Zauber umgibt das Mädchen. Noch ahnt niemand, dass Carmilla ein dunkles Geheimnis hütet.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that are difficult to achieve elsewhere. The Gothic short story is one of the most enduring of genres. In this volume we explore works by classic authors from all corners of Europe as they explore and exploit narratives with their undeniable talents.

Three Gothic Novels is a compelling collection that brings together three quintessential works of Gothic literature: Mary Shelley's Frankenstein, Joseph Sheridan Le Fanu's Carmilla, and Bram Stoker's Dracula. Each novel delves into the macabre and the supernatural, exploring themes of fear, horror, and the unknown, while also probing deeper questions about humanity, morality, and the boundaries of science and nature. In Frankenstein, Mary Shelley tells the haunting tale of Victor Frankenstein, a young scientist who defies natural laws to create life, only to be horrified by the monstrous being he brings into existence.

Almost always when we think of Ghost Stories, we first think of those written by the Victorians. If you want a really good ghost story to bring that edge of chill, that foreboding of dread, that feeling that in an empty house we are not quite alone and that sometimes the sharp, sheer shock of what just happened is upon us then look no further than ‘The Victorian Ghost Story’ for your reading and listening pleasure.

Almost always when we think of Ghost Stories, we first think of those written by the Victorians. When you consider the depth of literary talent available over the extraordinary length of Queen Victoria’s reign, allied to the fascination with their all things spiritual on ‘the other side’, then perhaps it’s simply right place, right time. Whatever the reasons given or proffered the reality and known facts are that if you want a really good ghost story to bring that edge of chill, that foreboding of dread, then look no further than ‘The Victorian Ghost Story’ for your listening pleasure.

The Irish Short Story tradition is packed with literary leviathans who take the raw ingredients of the land, it’s people and their own talents to create quite dazzling narratives in these perfectly pitched short stories. Genius has many names.

Un hombre atormentado por una figura que lo sigue y observa, un mono. Un ser perturbador que sólo el ve y después de un tiempo escucha. Le habla blasfemias incitándolo a dañar a otros o a él mismo. La manera en que el reverendo le relata su historia al doctor Hesselius llega hacer inquietante.

El convenio de Sir Dominick relata la travesía de un noble a través de un antiguo bosque, y su encuentro con una vieja casa nobiliaria en ruinas. En estas ruinas, el hombre se encuentra con un peculiar sujeto, que le desvelará los secretos del dueño de la casa,

Una misteriosa e affascinante fanciulla viene affidata dalla madre alle cure di Laura e del ricco padre, nel loro antico castello in Stiria, isolato e immerso in un paesaggio incantato. Tutti nel castello rimangono affascinati dalla straordinaria bellezza della giovane, ma le sue abitudini insolite e il comportamento enigmatico cominceranno presto a suscitare curiosità e inquietudine. I classici dell’orrore, riediti in chiave moderna e raccontati con musiche e suoni.