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Rio Grande's Last Race and Other Verses was Paterson's second collection of poems and was published in 1902. Among the 46 poems are some of Paterson's best-known pieces of verse, including "Rio Grande's Last Race" and "Mulga Bill's Bicycle"

Caliban is a major character in The Tempest by Shakespeare. He is a deformed monster, the offspring of Sycrorax, a witch. Prospero, a magician who presides over the island where Caliban dwells, has made him a servant. This galls Caliban's spirit, as he believes himself to be the rightful ruler of the island. Setebos is the deity who was worshipped by Sycorax and is mentioned by Caliban in two scenes.

Amongst all the figures in the history of Western art forms, Beethoven is one of the most radical and influential. Not only did he produce some of the most celebrated and recognizable music of all time, but his influence dramatically accelerated the development of musical composition. He was instrumental in raising the status of the composer from that of a court servant to one of an independent artist.

William Wordsworth belonged to a chosen band of poets for whom poetry was a priesthood, displayed in his unerring devotion to his art. He nourished his unique poetic gift by daily intimacy with Nature. It is Wordworth’s peculiar achievement to reveal the impulses at work behind the outward beauty of Nature, and to manifest its sustaining influence upon the spirit of man.

First published in the Bulletin in the nineties, Paterson's verse has enjoyed enduring success throughout Australian literary history. Paterson had an intimate knowledge of life in the outback: he knew bushmen and he knew horses. His boundary riders and shearers, his buckjumpers and station hands, are real characters—the first realistic portraits of Australians in the bush at work and play to appear in verse. Many of the characters he created have so imprinted themselves on the public imagination that they have become part of Australian folklore.

This collection contains several of Tennyson’s best-known poems and shows his mastery of both lyricism and epic narrative.

Andrea Del Sarto (1836 - 1530) was a Florentine painter whose career flourished during the High Renaissance. In this dramatic monologue, "the faultless painter" (Andrea Senza Errori, as he was surnamed by the Italians) is the speaker. He addresses his unsympathetic wife, Lucrezia, upon whom he dotes, and for whom he has broken faith with his royal patron, Francis I of France so that he can meet the expenses of her indulgent lifestyle. He laments that he has not realized the possibilities of his genius, partly blaming and partly excusing the woman who has failed to support his high ideals.

This poem, rich in its palette of human emotions, is couched in simple narrative language. Some critics have sought to interpret the poem as an allegory and find a specific meaning for every phrase and picture, but the richness of its symbolism is not favorable to this kind of treatment. In some ways, it resembles a piece of music. Each mind can draw from it a personal, and, to the individual, satisfactory interpretation.

Epithalamion is an ode included in an anthology, Amoretti, first published in 1595. Spenser's purpose was to celebrate his courtship of Elizabeth Boyle whose marriage with him is glorified in the Epithalamion.

This enigmatic poem is attributed to Seng-t'san, the third Chinese patriarch of Zen, who died in 606 CE. The tone of the work is revealed in the opening stanza in which the patriarch recommends dynamic introspection as the ideal attitude in solving the apparent problems of life. He urges the seeker neither to become trapped in the "outer entanglements of life" nor to isolate himself in solitude, but to remain calm in the procession of personal vicissitudes, seeing the essential oneness of all things.

In the early twentieth century, it was often said that “Australia rides on the sheep’s back”—a reflection of the nation’s dependence on the wool trade. Accordingly, a vast itinerant army of labourers was required to shear the sheep and prepare fleeces for market. In this essay, Rolf Boldrewood provides a vivid picture of the shearing season on a large property.

Thomas Troward was a divisional Judge in British-administered India, who had a particular interest in the study of comparative religion. The major influence on his thinking, as well as on his writing, was the Bible, although he also considered the elements of ancient Mesopotamian religions, Islam, Hinduism, and Buddhism in his deliberations. After his retirement from the judiciary in 1896, Troward applied himself to the study of cause and effect in the spiritual realms using the principles of judicial investigation.

Sense and Sensibility follows the fortunes of sensible Elinor and her volatile younger sister, Marianne, as each searches for a spouse—a quest made urgent by the family’s financial embarrassment. While Elinor pursues the heart of clergyman, Edward Ferrars, Marianne impulsively falls in love...

This collection of sixteen poems features several notable examples of his early work, including “Oenone” and “The May Queen”, as well as two of his most iconic works, “The Lady of Shalott” and “The Lotus Eaters."

E. Clerihew Bentley is credited with the invention of the ‘clerihew’, or humorous verse aphorism, on biographical subjects. This collection, which was illustrated by G. K Chesterton, contains thirty-nine irregular quatrains on historical and contemporary celebrities, starting with Sir Christopher Wren and concluding with the publisher, T. Werner Laurie.

Thomas Troward (1847 - 1916) was a divisional Judge in the British administration of India. In his later years, he developed a distinctive discipline of personal development which he called Mental Science. He had a particular reverence for Jesus. In the introduction, the author asserts that "we possess latent powers which a better knowledge of the truth regarding ourselves will enable us to develop, and that the purpose of the Bible is to lead us into this knowledge in a perfectly natural manner while guarding us against the dangers arising from misuse of it."

This collection contains miscellaneous notes and fragments found after the death of Baudelaire. They reveal in miniature the many and varied aspects of the moral and intellectual life of the author. Included are reflections not only on poetry, but also on painting and music, displaying Baudelaire’s finely honed critical instincts.

Emma was written after the publication of Pride and Prejudice and was the last novel of Jane Austen to be published in her lifetime. Of the title character, Austen wrote: “I am going to take a heroine whom no one but myself will much like.” Emma is a vivacious twenty-year-old, who has spent...

Baudelaire’s most famous collection of poems is The Flowers of Evil, which was published in 1857 and which was widely condemned as being unwholesome and decadent. The publication actually led to Baudelaire being prosecuted on a charge of offending public morals. There have been numerous translations of Baudelaire’s work into English, but many of them have been judged as not being particularly successful. Strum’s version of The Flowers of Evil is unusual and notable for its accuracy in capturing the elusive appeal of the originals.

Although he refused to ally himself with a specific denomination, religious scholar Paul Carus had a particular reverence for Buddhism, and in 1896, published this succinct guide to the basic doctrines of the religion.