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Keats commenced writing his epic poem, Hyperion, in 1818 and ceased working on it in the spring of 1819. He said that he gave the project up for having "too many Miltonic inversions." The unfinished poem, which ceases in the middle of the third canto, was published in 1820. The narrative is based on the Titanomachia, or War of the Titans, and describes the aftermath of their fall to the Olympian Gods.

Many of the short poems for which Keats has become famous were written in a burst of inspiration early in 1819, including these four odes: Ode to a Nightingale, Ode on a Grecian Urn, Ode to Psyche, and Ode on Melancholy. The generally melancholy and sometimes elegiac quality of these poems is reflective of Keats' inevitable preoccupation with his declining health. Another significant factor was his infatuation with Fanny Brawne, who returned his affection in an unfortunately non-exclusive manner.

Francesco Petrarca (1304-1374), known in the English-speaking world simply as Petrarch, was a 14th-century Italian scholar and poet who was one of the first to use Italian as a literary language. One of his close friends was Boccaccio, who was also a pioneer in literary composition in Italian. Although Petrarch was a notable Latin scholar, and most of his works were written in that language, today he is most famous for his many sonnets in Italian, which frequently feature the superior charms of his innamorata, Laura.

Asoka, who reigned from 268 to 232 BC, was the most famous emperor of the Maurya Dynasty, which was the ruling clan of the Indian subcontinent from 321 BC to 185 BC. He was one of the most famous early converts to Buddhism and became one of its greatest evangelists. Today Asoka has a twofold interest for us: political and religious. The illustrious member of the great dynasty, of which he was the most celebrated representative, has left indelible traces of its achievements in Indian history. Moreover, he was the leader of a spiritual movement that spread rapidly throughout the East.

This self-help treatise by prominent New Thought author Christian D. Larson explores the accumulation and preservation of personal power, an essential ingredient in success. Larson defines this management of power as poise, an attitude that prevents the unnecessary loss of vital force. The title page bears the following epigraph: "A genius is slumbering in the subconscious of every mind. This genius can be awakened."

Today Thomas Gray is remembered almost solely for this melancholy meditation on the inevitability of death and the insignificance of fame. The poem was originally thought to have been inspired by the death of Gray's close friend, Richard West, but modern critics think this to be unlikely. Retiring by nature, Gray did not want the elegy to be published, but his hand was forced by an unscrupulous editor who planned to publish the poem without permission. The polished elegance of the versification has ensured that the poem has retained its appeal over the centuries.

On 16 August 1819, a crowd of about 60,000 people gather at Manchester in a peaceful demonstration to demand reform of the parliamentary electoral system. The government of the day interpreted the gathering as an act of rebellion and ordered the militia to disperse the crowd. In the resulting fracas, fifteen demonstrators were killed and several hundred injured. Shelly was living at Leghorn at the time of the massacre, and the news of the massacre roused his fiery republican sentiments. The result was The Mask Of Anarchy, a rousing call to action on behalf of the oppressed.

This brief and lively pamphlet on the history of the medieval church is a concise and entertaining introduction to an extremely complex subject. Covering the period between the seventh century and 1500, the author provides succinct summaries of major developments like the Crusades, the growth of scholastic and mystical theology, the removal of the Papacy to Avignon, and the great councils convened to resolve the papal schism.

This pacifist manifesto was published in 1917, as the First World War was dragging to a close. The resolution of this catastrophic conflict resulted in a reconstruction of Europe, the fallout from which led to an even more cataclysmic war. Russell delineates the problem as being due to the institutionalizing of national hostilities and the consequent apportioning of blame among the warring parties. In his exposition Russell considers the roles played by a number of institutions, social and political, reserving some his sharpest criticism for organized religion.

The Witch of Atlas is a poetic narrative, written in 1820 and published posthumously in 1824. The witch is the daughter of the Pleiades, the seven daughters of Atlas and Pleione. The plot is built around her adventures, during which she creates an androgynous creature, Hermaphroditus, who is both the companion of and the servant to the witch. She plays a series of pranks upon mankind, with the ultimate aim of revealing the essential foolishness of oppression and conflict and enabling the realization of a final Utopia.

Calidore is a fragment of an unfinished romance and may be considered unique among Peacock's work. Composition probably commenced after the publication of Peacock's largest novel, Melincourt, in 1817. The action concerns the adventures of a young man, Calidore, who finds himself in Wales, en route to London in search of "a wife and a philosopher".

Thomas Love Peacock is today remembered as the author of seven satirical novels which many regard merely as literary curiosities. However, he was also a man of considerable learning, a skilled poet, and an astute literary critic. This collection includes Recollections of Thomas Love Peacock, an affectionate reminiscence by Sir Edward Strachey; Some Recollections of Childhood, a window into Peacock's early youth; "Four Ages of Poetry", in which he pokes fun at his contemporaries; and "The Last Day of Windsor Forest", an old man's recollection of a memorable episode.

The Bridge of Fire, which appeared in 1907, was Flecker's first published collection of poetry. It contains 35 poems, a number of which were revised and republished in later collections. As with Flecker's other collections, two persistent themes emerge: the poet's fascination with the glories of Grecian antiquity and his premonitions of an early demise. Flecker seemed to be acutely aware that not only would he pass away himself, but also the fading world of British imperialism of which he was a characteristic representative.

Between 1915 and 1921, C. J. Dennis published seven verse novels and two collections of poetry. The first of these was The Songs of a Sentimental Bloke, which features Dennis' characteristic use of a distinctive Australian argot and which became an immediate bestseller.

James Elroy Flecker, linguist, scholar, critic, poet, and diplomat, like his illustrious poetic peers, Wilfred Owen and Rupert Brooke, did not survive the First World War. All three died young: Owen and Brooke in the line of battle, and Flecker, who never fought due to a long-standing respiratory illness, in a sanatorium in Switzerland in 1915. Flecker's poems are generally short: none of his original verse works exceeds 1200 words in length. Flecker revised his poems regularly, refining their spare but telling verbiage and achieving simplicity and directness.

A prominent focus of the works of New Thought author Christian Larson (1874-1954) was the cultivation of positive mental states for the attainment of success and happiness. In this short treatise, he analyzes some common mental maladies and gives suggestions for their treatment.

Among his many other attributes, James Elroy Flecker was a skilled linguist and an expert translator of Latin poetry. In 1913, he planned to write a book to be entitled An interpretation in blank verse of Virgil, Aeneid VI, based on the poetic value of the sounds, together with Latin text and ten prefaces. The surviving translation consists of lines 1-19 and 264-547 from book six, which describe Aeneas' encounter with Sibyl and his visit to the underworld.

Much of Tennyson's poetry is elegiac in nature, featuring characters who have been disempowered by isolation, age, or lack of opportunity. One of the most famous examples of this is the dramatic soliloquy, "Ulysses". "Columbus", written many years later, is also a dramatic narrative. In both cases, the narrators are elderly mariners, who have a long history of daring forays into remote regions, and who are eager to venture forth again but are hampered by lack of opportunity and the effects of aging.

A resourceful miner devises an ingenious scheme to expedite his fishing, but it does not quite go as planned.

Queen Marguerite de Navarre was one of the most powerful women of her age. Her masterpiece, The Heptameron, is a collection of some 72 stories told by five gentlemen and five ladies who find themselves stranded in an abbey. Proposed as an edifying way of passing the time while a bridge is being repaired, the tale-telling - as well as the conversations that follow each story - quickly becomes a battle of wits between the sexes, with tales concerning illicit lovers, romantic conquests, lecherous monks, manly honor, and women's virtue.