検索キーワード： ナレーター "William Roberts" すべてのカテゴリー

An American heiress newly arrived in Europe, Isabel Archer does not look to a man to furnish her with her destiny; instead she desires, with grace and courage, to find it herself. Two eligible suitors approach her and are refused. She then becomes utterly captivated by the languid charms of Gilbert Osmond. To him, she represents a superior prize worth at least seventy thousand pounds; through him, she faces a tragic choice.

At the Mountains of Madness first appeared in 1936, in the February, March and April editions of the American magazine Astounding Stories. One of H.P. Lovecraft’s most chilling works, it draws on Edgar Allan Poe’s Narrative of Arthur Gordon Pym, as well as Lovecraft’s deep fascination with the Antarctic. The sinister discoveries made by a group of explorers in At the Mountains of Madness are testament to the author’s enormous powers of imagination.

In Neither Here nor There Bill Bryson brings his unique brand of humour to bear on Europe as he shoulders his backpack, keeps a tight hold on his wallet, and journeys from Hammerfest, the northernmost town on the continent, to Istanbul on the cusp of Asia.

This is a story from the Fall of the House of Usher collection. The horrors of the Spanish Inquisition, with its dungeon of death, and the overhanging gloom on the House of Usher demonstrate unforgettably the unique imagination of Edgar Allan Poe. Unerringly, he touches upon some of our greatest nightmares: Premature burial, ghostly transformation, words from beyond the grave. Written in the 1840s, they have retained their power to shock and frighten even now.

Five seminal science fiction classics are brought vividly to life in these gripping BBC Radio dramatisations, with casts including Robert Glenister, William Gaunt, Carleton Hobbs and Joanne Froggatt. Titles include Frankenstein (1994), The Time Machine (2009), The Lost World (1975), R.U.R. (1989) and Solaris (2007). Accompanying this collection is a bonus PDF file featuring extensive sleeve notes by Andrew Pixley.

This collection of classic horror stories is sure to give you goose bumps, raise the hair on the back of your neck, and put some fright in your night. Includes Yours Truly, Jack the Ripper by Robert Bloch, Coin of the Realm by Charles L. Grant, Something Had to be Done by David Drake, The Graveyard Rats by Henry Kuttner, The Small Assassin by Ray Bradbury, Calling Card by Ramsey Campbell, The Words of Guru by C.M. Kornbluth, and Passengers by Robert Silverberg.

Postmodernism claims that "modernity", which grew from the Enlightenment to the Industrial Revolution and Marxism, has collapsed. We now live in an endlessly "contemporary" culture, a virtual world of "hyperreality" containing such strange phenomena as post-Holocaust amnesia, Disneyland, cyberspace, and Fukuyama's proclaimed "end of history".

In Made in America, Bryson de-mythologizes his native land, explaining how a dusty hamlet with neither woods nor holly became Hollywood, how the Wild West wasn't won, why Americans say 'lootenant' and 'Toosday', how Americans were eating junk food long before the word itself was cooked up, as well as exposing the true origins of the G-string, the original $64,000 question, and Dr Kellogg of cornflakes fame.

Written some 40 years after Moby Dick, Melville's Billy Budd is a moving tale of good versus evil. Set aboard a British navy ship at the end of the eighteenth century, a young, innocent sailor's charm and good nature put the men around him at ease. Ship life agreed with Billy. He made friends quickly and was well liked, which infuriated John Claggart, the ship's cold-blooded superior officer.

This is a story from the Fall of the House of Usher collection. The horrors of the Spanish Inquisition, with its dungeon of death, and the overhanging gloom on the House of Usher demonstrate unforgettably the unique imagination of Edgar Allan Poe. Unerringly, he touches upon some of our greatest nightmares: Premature burial, ghostly transformation, words from beyond the grave. Written in the 1840s, they have retained their power to shock and frighten even now.

This is a story from the Fall of the House of Usher collection. The horrors of the Spanish Inquisition, with its dungeon of death, and the overhanging gloom on the House of Usher demonstrate unforgettably the unique imagination of Edgar Allan Poe. Unerringly, he touches upon some of our greatest nightmares: Premature burial, ghostly transformation, words from beyond the grave. Written in the 1840s, they have retained their power to shock and frighten even now.

This is a story from the Fall of the House of Usher collection. The horrors of the Spanish Inquisition, with its dungeon of death, and the overhanging gloom on the House of Usher demonstrate unforgettably the unique imagination of Edgar Allan Poe. Unerringly, he touches upon some of our greatest nightmares: Premature burial, ghostly transformation, words from beyond the grave. Written in the 1840s, they have retained their power to shock and frighten even now.

This is a story from the Fall of the House of Usher collection. The horrors of the Spanish Inquisition, with its dungeon of death, and the overhanging gloom on the House of Usher demonstrate unforgettably the unique imagination of Edgar Allan Poe. Unerringly, he touches upon some of our greatest nightmares - premature burial, ghostly transformation, words from beyond the grave. Written in the 1840s, they have retained their power to shock and frighten even now.

Released to coincide with the 200th anniversary of the author’s birth in January 1809, this selection of well-loved, chilling tales from the master of the supernatural is a perfect Christmas gift. The short stories include "The Murders in the Rue Morgue", "The Pit and the Pendulum", "The Tell-Tale Heart", "The Masque of the Red Death", and "The Fall of the House of Usher". This release also features additional poetry by Poe and a new biography especially written for Naxos AudioBooks by Roy McMillan.

The horrors of the Spanish Inquisition, with its dungeon of death, and the overhanging gloom on the House of Usher demonstrate unforgettably the unique imagination of Edgar Allan Poe. Unerringly, he touches upon some of our greatest nightmares - premature burial, ghostly transformation, words from beyond the grave. Written in the 1840s, they have retained their power to shock and frighten even now.

Herman Melville is now seen as one of the great figures in American literature, a man who expanded the role of the novel and gave new and complex depths to the meaning of a story. His best work uses the form of the novel or the story as a means of carrying and discussing concerns about the nature of humanity, the role of God, and a sometimes satiric, sometimes bitter, examination of colonialism and capitalism.

This is a story from the Fall of the House of Usher collection. The horrors of the Spanish Inquisition, with its dungeon of death, and the overhanging gloom on the House of Usher demonstrate unforgettably the unique imagination of Edgar Allan Poe. Unerringly, he touches upon some of our greatest nightmares: Premature burial, ghostly transformation, words from beyond the grave. Written in the 1840s, they have retained their power to shock and frighten even now.

This is a story from the Fall of the House of Usher collection. The horrors of the Spanish Inquisition, with its dungeon of death, and the overhanging gloom on the House of Usher demonstrate unforgettably the unique imagination of Edgar Allan Poe. Unerringly, he touches upon some of our greatest nightmares: Premature burial, ghostly transformation, words from beyond the grave. Written in the 1840s, they have retained their power to shock and frighten even now.

This is a story from the Fall of the House of Usher collection. The horrors of the Spanish Inquisition, with its dungeon of death, and the overhanging gloom on the House of Usher demonstrate unforgettably the unique imagination of Edgar Allan Poe. Unerringly, he touches upon some of our greatest nightmares: Premature burial, ghostly transformation, words from beyond the grave. Written in the 1840s, they have retained their power to shock and frighten even now.

This is a story from the Classic American Short Stories collection.