検索キーワード： 著者 "G.K. Chesterton" すべてのカテゴリー

In 1910, when the industrialists and intelligentsia both promised only “progress,” G. K. Chesterton was among the few in the West who could see the brewing ideological storms that would soon make landfall, not just in the form of world wars and totalitarianism but in the pervasive modern dehumanization that consumes us to this day. More than a century ago, Chesterton perceived the beginnings of “woke capital” and how it aligns with and promotes social progressivism. There is an unspoken alliance between big business and progressives, he explains.

The Complete G.K. Chesterton Collection brings together all of Chesterton's major works, including all five volumes of the beloved Father Brown stories, ten other novels or short story collections, 7 works of non-fiction, including his famous writings on politics, religion, and philosophy, and a selection of his best poetry (including The Ballad of the White Horse).

Father Brown: The Essential Stories brings together the finest tales of the beloved amateur detective, Father Brown - a small, unassuming priest with a remarkable knack for solving the most baffling crimes. With his quiet wisdom, sharp intuition, and deep understanding of human nature, Father Brown solves cases that baffle even the most seasoned detectives.

The Sherlock Holmes & Father Brown Collection, read by Jonathan Keeble (as Sherlock) and Nicholas Boulton (as Father Brown), includes unabridged recordings of the complete short stories featuring two of the most iconic amateur detectives in literature - Father Brown and Sherlock Holmes.

The G.K. Chesterton Fiction Collection brings together thirteen of Chesterton's major novels and short story collections, including the complete compendium of his beloved Father Brown stories. This collection takes you from his first published novel, The Napoleon of Notting Hill (often cited as inspiration for 1984) to stories of his monocled amateur sleuth, Father Brown, and all the way through to his final novel, the high satire The Return of Don Quixote.

The G.K. Chesterton Faith Collection brings together six of Chesterton's major works on faith and religion, including his seminal early work on moral theology, Heretics, all the way to his late-life writings on Saint Thomas Aquinas. This collection takes you through the broad breadth of Chesterton's thinking—from his early full-throated philosophy on everything from war to morality, to his later focus on the Church and his conversion from high church Anglicanism to Catholicism.

Der berühmte Dichter Leonard Quinton hat sich das Leben genommen. Aber war es denn wirklich Selbstmord? Welche Rolle spielt der geheimnisvolle Fakir, der im Haus der Quintons wohnt? Pater Brown und Hercule Flambeau gehen der Sache nach. Und dabei stolpern sie über mehrere Dinge, die laut Aussage des Paters über die "falsche Form" verfügen.

Written in his signature style – full of paradox, wit and poetic insight – Chesterton outlines an intellectually rigorous defence of the Christian faith. Part autobiography, part theology, Orthodoxy traces Chesterton's personal journey from a crisis of doubt to belief, arguing that Christianity uniquely satisfies the long-established human need for truth, imagination and joy. Rather than religious doctrine being dry or dogmatic in any way, Chesterton relays it as adventurous and romantic – and the only worldview that allows enough room to make sense of the world's wonders and contradictions.

Lord Mounteagle verwahrt in seinem Privatmuseum zahlreiche asiatische Talismane und Glücksbringer. Als der Exzentriker das rote Juwel seinen Besuchern zeigt, ist die Gelegenheit zum Diebstahl günstig. Und prompt ist der Stein verschwunden. Genommen von einem zwielichtigen Wahrsager, dem "Meister vom Berge".

Immerse yourself in the intriguing realm of deduction and morality with "Wisdom of Father Brown," a podcast that celebrates the art of unraveling mysteries through the lens of faith and human nature. Each episode features a new complete audiobook, showcasing a rotating collection of short stories that highlight the unique detective work of Father Brown, a seemingly unassuming priest whose profound understanding of the human psyche guides him to solutions rooted in compassion and insight. As he navigates the complexities of crime and virtue, listeners are invited to ponder the delicate balance ...

Immerse yourself in the enchanting yet treacherous realm of "Trees of Pride," where folklore intertwines with the natural world, revealing the profound connections between humanity and the mysteries of nature. This podcast invites listeners to explore tales steeped in superstition and the enigmatic power of ancient trees, particularly the feared Peacock trees that loom large in local lore. Each episode features a new complete audiobook, offering a rotating collection that delves into the themes of belief, fear, and the unseen forces that shape our lives. As we traverse through these unique ...

Eine spannende Reise in die Ursprünge des Kriminalromans: Diese Sammlung von zehn klassischen Geschichten vereint die größten Meister der klassischen Spannungsliteratur. Von Edgar Allan Poes düsteren Visionen über Sherlock Holmes' messerscharfe Logik bis zu Chestertons moralphilosophischen Detektivrätseln – hier begegnen sich Wahnsinn, Mord, Mysterien und meisterhafte Erzählkunst.

"The Secret Garden" is a short story by G. K. Chesterton. It was originally published in The Story-Teller in October, 1910. It is the second story in the collection The Innocence of Father Brown. It is the second story about the French detective Valentin and completes his plot arch, begun in The Blue Cross.

The Queer Feet" deals with Flambeau wanting to steal the silverware of the members of the Twelve True Fishermen having their annual club dinner at Vernon Hotel. The Vernon Hotel is an exclusive hotel and a "topsy-turvy product" (Chesterton 1994, p. 51).

"The Blue Cross" is a short story by G. K. Chesterton. It was the first Father Brown short story and also introduces the characters Flambeau and Valentin. It is unique among the Father Brown mysteries in that it does not follow the actions of the Father himself, but rather those of Valentin. It was first published on 23 July 1910, under the title "Valentin Follows a Curious Trail", in the Saturday Evening Post, Philadelphia. Re-titled as "The Blue Cross", publication in London followed, in The Story-Teller magazine of September 1910.

A stormy evening of olive and silver was closing in, as Father Brown, wrapped in a grey Scotch plaid, came to the end of a grey Scotch valley and beheld the strange castle of Glengyle. It stopped one end of the glen or hollow like a blind alley; and it looked like the end of the world. Rising in steep roofs and spires of seagreen slate in the manner of the old French-Scotch chateaux, it reminded an Englishman of the sinister steeple-hats of witches in fairy tales; and the pine woods that rocked round the green turrets looked, by comparison, as black as numberless flocks of ravens.

The tenth story in The Innocence of Father Brown is entitled The Eye of Apollo. At the beginning of this short story, Flambeau has just opened his detective agency in a new building located near Westminster Abbey. The other tenants in the building are a religious charlatan named Kalon, who claims to be "the New Priest of Apollo," and two sisters, who are typists. Flambeau and Father Brown instinctively distrust Kalon, who has installed a huge eye of Apollo outside his office.

Both by calling and conviction Father Brown knew better than most of us, that every man is dignified when he is dead. But even he felt a pang of incongruity when he was knocked up at daybreak and told that Sir Aaron Armstrong had been murdered. There was something absurd and unseemly about secret violence in connection with so entirely entertaining and popular a figure. For Sir Aaron Armstrong was entertaining to the point of being comic; and popular in such a manner as to be almost legendary.

Certain of the great roads going north out of London continue far into the country a sort of attenuated and interrupted spectre of a street, with great gaps in the building, but preserving the line. Here will be a group of shops, followed by a fenced field or paddock, and then a famous public-house, and then perhaps a market garden or a nursery garden, and then one large private house, and then another field and another inn, and so on.

The Sign of the Broken Sword is a short story by G. K. Chesterton featuring his famous characters Father Brown and former criminal Flambeau. At the centre of the story is the mysterious death of General Sir Arthur St. Clare, who was hanged on a tree with his broken sword hung round his neck. It is a detective story and throughout it Father Brown reveals the mystery of General St. Clare.