検索キーワード： ナレーター "Mitchley Richard" すべてのカテゴリー

In this volume we bring together men of the cloth, those people of faith who spent most of their lives in devotional duties in the service of one so they could, in their spare time, serve another.

In the English language ‘bittersweet’ is that most pivotal of words. The mixture of sadness and happiness that suggest both but often bringing us smartly to earth, smack dab in-between them both, with little of either.

For centuries England has always had a leading and admired reputation for its poets and poetry. In this volume we explore those born in the East Midlands who created such revered, enduring and respected verse.

In this volume we listen to the world through the eyes and words of the English Romantics. This very special poetical period is filled with the loving and tender verse of poets who still beguile us all with their beauty.

In this volume we gather together those 17th Century poets and their poems which took poetry in a different but very revealing direction, with their artistry and verse.

The dreaming spires of Oxford may be one of the great educational establishments of the Centuries. But it is also a place where the Nation’s young learn much more. Within its walls, courtyards and cloisters these 10 Poets mused and illuminated on the beauty of poetry with eager yet tender words.

Is it really true that working longer hours makes you more successful? Do you really need to hide your emotions in order to gain respect as a manager? Does higher pay really always lead to higher performance? The world of management is blighted by fads, fiction and falsehoods. In Myths of Management, Cary Cooper and Stefan Stern take you on an entertaining journey through the most famous myths surrounding the much-written about topic of management. They debunk false assumptions, inject truth into over-simplifications and tackle damaging habits head-on.

Life has the capacity of great moments and attainment, of lives well lived, fulfilling for ourselves and for those we touch. But for others life is arduous. There is no spark to ignite the curiosity, to explore and achieve a stability and a growth to their lives. Indeed their lives, in their own eyes, become almost meaningless, their sense of themselves subsumed under a myriad of problems, whether real or imagined. Seismic events in a life might crush them; the loss of a loved one for instance. Coping is difficult, support hard to find and isolation abounds.

Mental illness though can still carry a stigma. A case of ‘you’re not trying hard enough’, ‘or knuckling down and getting on with it’. But in more recent decades mental issues have come to be recognised as an illness, a disease rather than an affliction. We all remember horror stories of lobotomy’s and electric shock being used to ‘cure’ what society viewed as anti-social behaviour but illness, mental or physical is very real. Depression, schizophrenia, breakdown, psychosis are alarming events to have or to witness.

The ninth month of the Gregorian calendar strides onto stage with the autumn equinox and the first glimpses of a new season. Nature may adorn the coming days with a blaze of Indian summer, or the early showers and storms of autumn may begin their symphony. Regardless of Nature’s elemental whims the landscape is a riot of colours, hues and swathes, the harvest of crops continues, the orchards heave with bounty.

During the Victorian era the publishing of magazines and periodicals accelerated at a phenomenal rate. This really was mass market publishing to a hungry audience eager for literary sustenance. Many of our greatest authors contributed and expanded their reach whilst many fledging authors also found a ready source for their nascent works and careers. Amongst the very many was ‘The Yellow Book’.

Mary Anne Evans was born on 22nd November 1819, at Nuneaton in Warwickshire, England. Her first major literary work was completing an English translation of Strauss's ‘The Life of Jesus’ in 1846. Under the pseudonym of George Eliot that we know so well, ‘Adam Bede’ was published in 1859, followed by her other great novels: ‘Mill on the Floss’, ‘Silas Marner’ and ‘Middlemarch’. ‘The Lifted Veil’ is a both a beautiful story and typical of Eliot’s formidable powers of writing.

Poetry has over the centuries grouped poets or poems into many different themes and movements. Amongst its most unusual movements are the English wordsmiths, The Silver Poets. This select band lived during the sixteenth century reign of Queen Elizabeth 1st. Amongst their storied ranks were Sir Thomas Wyatt, Sir Philip Sidney, Henry Howard, the Earl of Surrey, Sir Walter Raleigh, John Davies, Michael Drayton and Mary Sidney (Herbert), the Countess of Pembroke.

In 1890 W. B. Yeats and Ernest Rhys founded a poetry club. Based mainly at Fleet Street’s immortal ‘Ye Olde Cheshire Cheese’ pub, with occasional appearances at the Domino room in the Café Royal, poets gathered together to dine and drink. Whilst it was based on a core of poets, many others attended on an ad hoc basis including Oscar Wilde, Francis Thompson & Lord Alfred Douglas. The camaraderie, banter and poetry that played out in their dreams, ambitions and for many, their difficult lives led Yeats to call them ‘the tragic generation’.

Fyodor Mikhailovich Dostoyevsky was born in Moscow on 11th November, 1821, to distinguished multi-ethnic parents from a Lithuanian background. In 1846 he published his first novel ‘Poor Cow’ to great literary acclaim. His next was unable to emulate that success but his short stories helped provide an income. ‘The Dream of a Ridiculous Man’ is one of his many classic short stories that turn a splinter of the ordinary into the spiralling descent of chaos.

Gustave Flaubert was born on 12th December 1821 in Rouen, in Normandy, France. In September 1849, Flaubert completed ‘The Temptation of Saint Anthony’. A long journey to the Middle East brought encounters with both female and male prostitutes and a case of syphilis caught in Beirut. On his return he began ‘Madame Bovary’, a work he would take 5 years to complete. He toiled on his unfinished ‘Bouvard et Pécuchet’ but did complete ‘Three Tales’ in 1877, from which ‘The Legend of Saint Julian the Hospitaller’ is taken.

Anton Chekhov, Guy de Maupassant, Kate Chopin. These three names thrill the literary world as well as our own. They have gravitas, they have knowledge, experience and they have the literary style and panache to seduce our imagined world. Each has written a short story on pleasured lips placed on another’s flesh. For Chekhov it was a kiss in a darkened room that happened by mistake. Who was she? For Chopin it was a kiss that almost derailed a hoped-for marriage proposal. Why did he do that? For de Maupassant it was a niece seeking advice from her Aunt on when to kiss and whom. And did she?

Montague Rhodes James is cited as perhaps the greatest English writer of ghost stories, an opinion few would disagree with. Many of his elegant yet terrifying tales were created by discarding the prevailing gothic clichés and placing his characters and narrative in a realistic setting. Thereby the stories gained atmosphere and menace on a grand scale and he was famed as the originator of the antiquarian ghost story. Although story-telling and writing these 30 or so tales was a hobby, when published their effect transformed the genre and still chill the bones in our more modern times.

Henri René Albert Guy de Maupassant was born on August 5th, 1850, near Dieppe in France. In 1880 he published what is considered his first great work, ‘Boule de Suif’, (translated as as ‘Dumpling’, ‘Butterball’, ‘Ball of Fat’, or ‘Ball of Lard’), which met with a success that was both instant and overwhelming. Flaubert at once acknowledged that it was ‘a masterpiece that will endure.’ Maupassant had used his talents and experiences in the war to create something unique.

Franz Kafka was born on 3rd July 1883, in Prague, then in Bohemia, the eldest of 6, into a middle-class Jewish family. His literary works are few in number but towering in influence. His masterpieces include ‘The Trial’, ‘The Metamorphosis’ as well as a number of short stories which reveal facets of humankind that truthfully could only be born from Kafka’s brain and pen. His classic short story ‘In the Penal Colony’ begins with the innocuous words “It’s a peculiar apparatus,” as the Officer explains to the Traveller, what this grisly machine will do to the prisoners who serve their time here.