検索キーワード： ナレーター "Elena" すべてのカテゴリー

Considerada la obra más madura de Lorca, La casa de Bernarda Alba cierra la llamada trilogía de la tragedia -formada también por Bodas de sangre y Yerma-. Su carácter realista y la opresión en el pecho que se siente ante la represión de unas mujeres atrapadas en un frío infierno de luto, celos, silencio y sueños truncados se ha interpretado como un presagio de los oscuros tiempos que se avecinaban y en los que el propio Lorca se convertiría en una víctima prematura.

«M?len'kij princ» (fr. Le Petit Prince) - allegoricheskaja skazka, naibolee izvestnoe proizvedenie Antuana de Sent-Jekzjuperi. Vpervye opublikovana 6 aprelja 1943 goda v N'ju-Jorke. «Ved' vse vzroslye snachala byli det'mi, tol'ko malo kto iz nih ob jetom pomnit» - Antuan de Sent-Jekzjuperi, iz posvjashhenija k knige.

Running. Putting distance between himself and the relentless Night Brigade has been Nomad’s strategy for years. Staying one or two steps ahead of his pursuers by skipping through the Cosmere from one world to the next. But now, his powers too depleted to escape, Nomad finds himself trapped on Canticle, a planet that will kill anyone who doesn’t keep moving. Fleeing the fires of a sunrise that melts the very stones, he is instantly caught up in the struggle between a heartless tyrant and the brave rebels who defy him.

He was gorgeous, older and guarded. I knew he was trouble from the moment we locked eyes. We met at work, on my first day as a barista. He smiled, I melted...then he tasted my coffee and threw it away. Again, the next day, and the next. He hated the coffee, yet still came back. I knew his game. He called my coffee death in a cup. I called him god’s gift to women. I wasn’t lying.

They say that all men are created equal. Well, that’s a blatant lie! I know, because I met God's gift to women in Vegas; I pretended he was my husband to get rid of another man. He took our fake marriage seriously, and it became his personal goal to consummate. He spoke to me in French, and I lied to him in German. His laughter was addictive. But I thought what happens in Vegas would stay in Vegas. Until it didn't.

Fiaba musicale e bilingue (italiano/inglese) del Signor Coccinella che arriva in una città piena di smog a regalare i semi della fortuna, i pois neri che saltano via dal suo cappello scuotendolo. In città sono tutti molto indaffarati e nessuno sembra notare i preziosi semi che si perdono lungo le strade. Ma l'ultimo dei pois arriva davanti a una vecchina che li raccoglie e ne fa una torta che non finisce mai, per quanto ne regali o ne venda, aumenta sempre. Apre così un chiosco di "torta al mirtillo" fuori dal quale c'è sempre una lunghissima coda.

Luc Riveaux has closed his heart. Some wounds run too deep. But when the gorgeous model from New Orleans starts sharing his bed, something shifts. She's the one person who has managed to break past his barriers. Now he has a choice to make: chase after her and claim her as his, or let her go forever.

Evangeline's life is dark and lonely. She'll do anything to change that. Anything. Even play a game with a stranger she's never met. What starts out as "therapy" soon turns into a passionate anonymous love affair. Her blindfold is like a security blanket and his touch is what lights a fire inside her.

Books talk about sparks flying. F--k that shit. With her, it was like emergency flares mixed with jet fuel. Or maybe just straight up napalm. Only one problem: She wouldn't tell me her name or her number when she disappeared from the hotel room after the hottest f--king night of my life. Now I've had a taste of unicorn pussy - the sweetest, rarest of all pussy - and I need it again. So what's an asshole to do? I took this problem to the street, a missed connection gone viral. And when I find her? I'm keeping her.

Una rom-com che è molto più di una rom-com: Emily Henry torna a deliziare le lettrici con un romanzo destinato a diventare un classico del romance. Da quando si sono conosciuti, al college, Harriet e Wyn sono sempre stati “la coppia perfetta”: stavano bene insieme come il sale e il pepe, il tè e il miele, il pane e il salame. Poi, chissà perché, le cose sono cambiate. Eppure, nonostante siano passati già cinque mesi dalla rottura, ancora non l’hanno detto ai loro migliori amici. Ed è così che si ritrovano a condividere la stessa stanza (e lo stesso letto!) in un cottage nel Maine.

Lily isn’t exactly thrilled with her arrival in the Afterlife, but what awaits her there is more fantastical than she ever could have imagined: Deities wait in line at the coffee shop. Fae flit between realms. Souls find ways to make death a beginning. As she explores the many corners of the Afterlife, Lily finds herself surprisingly drawn to a place most people would avoid at all costs: Hell. Armed with years of customer service experience and pent-up sarcasm, Lily carves a job out for herself amongst Hell’s demons, sending souls to their rightful circles with more than a hint of sass.

In the future, the leaders of Hive nations–nations without fixed location–clandestinely committed nefarious deeds in order to maintain an outward semblance of utopian stability. But the facade could only last so long. The comforts of effortless global travel and worldwide abundance may have tempered humanity's darkest inclinations, but conflict remains deeply rooted in the human psyche. All it needed was a catalyst, in form of special little boy to ignite half a millennium of repressed chaos.

In the future, the leaders of Hive nations–nations without fixed location–clandestinely committed nefarious deeds in order to maintain an outward semblance of utopian stability. But the facade could only last so long. The comforts of effortless global travel and worldwide abundance may have tempered humanity's darkest inclinations, but conflict remains deeply rooted in the human psyche. All it needed was a catalyst, in form of special little boy to ignite half a millennium of repressed chaos.

Life is busier than ever for Innkeeper, Dina DeMille and Sean Evans. But it’s about to get even more chaotic when Sean's werewolf mentor is kidnapped. To find him, they must host an intergalactic spouse-search for one of the most powerful rulers in the Galaxy. Dina is never one to back down from a challenge. That is, if she can manage her temperamental Red Cleaver chef; the consequences of her favorite Galactic ex-tyrant's dark history; the tangled politics of an interstellar nation, and oh, yes, keep the wedding candidates from a dozen alien species from killing each other.

Dr. Cypress Boone recently ended a relationship after a two-year engagement. He’d given his all to Emery, but she played him for a fool. Although disappointed, he hasn’t given up on love and is ready for a fresh start. Emery, however, isn’t ready to let go and refuses to accept that they are over. In an effort to make a clean break, he accepts a job at the prestigious Black Elm University, over two thousand miles away from his current residence. With a new job in a new city, Cypress has high hopes that a new woman will soon be added to the equation.

They call him father, liberator, warlord, Slave King, Reaper. But he feels a boy as he falls toward the war-torn planet, his armor red, his army vast, his heart heavy. It is the tenth year of war and the thirty-third of his life. A decade ago Darrow was the hero of the revolution he believed would break the chains of the Society. But the Rising has shattered everything: Instead of peace and freedom, it has brought endless war. Now he must risk all he has fought for on one last desperate mission. Darrow still believes he can save everyone, but can he save himself?

This is Under Milk Wood as you've never heard it before. The last completely original audio-only production of Thomas' masterpiece, Under Milk Wood, was in 1954 (two months after Thomas's death). It has been reprised countless times since then for stage, TV, and in book form, but this wholly new version, headed by Iwan Rheon as First Voice, keeps Thomas' original script but brings a bold, modern soundscape and authentic Welsh voices to his vivid storytelling.

They call him father, liberator, warlord, Slave King, Reaper. But he feels a boy as he falls toward the war-torn planet, his armor red, his army vast, his heart heavy. It is the tenth year of war and the thirty-third of his life. A decade ago Darrow was the hero of the revolution he believed would break the chains of the Society. But the Rising has shattered everything: Instead of peace and freedom, it has brought endless war. Now he must risk all he has fought for on one last desperate mission. Darrow still believes he can save everyone, but can he save himself?

Der Fährmann von Palinghuus ist seit Wochen wie vom Erdboden verschluckt. Da bekommt Sarah eine SMS von ihm, dass er sie in einem verlassenen Lagerhaus treffen will. Im Kühlraum des Lagerhauses findet sie den Fährmann - erschossen! Schnell stellt sich heraus, dass er schon eine Weile tot ist und eingefroren wurde, um diese Tatsache zu vertuschen. Und da die nächste Polizeistation weit weg ist, ist doch klar, dass Sarah selbst nachforscht, wenn etwas nicht mit rechten Dingen zugeht.

Structured as a series of one-sided phone calls from our spunky, sarcastic narrator, Luciana, to her older sister, Mari, this wildly inventive debut “jump-starts your heart in the same way it piques your ear” (Xochitl Gonzalez). As the baby of her large Colombian American family, Luciana is usually relegated to the sidelines. But now she finds herself as the only voice of reason in the face of an unexpected crisis: A hurricane is heading straight for Miami, and her eccentric grandmother, Abue, is refusing to evacuate.