検索キーワード： ナレーター "Chris Parker" すべてのカテゴリー

Booger: He's shipping me off to Vegas in the hopes that it will squash whatever fire is starting to ignite between Camila and I. Fist is a smart bastard, I'll give him that. What he doesn't realize is that I'm not the type to give up easily. He's warned me to stay away, but the heart wants what it wants, and I want Camila. I may be going to Vegas, but she'll be on the back of my bike the whole way whether he likes it or not.

Five friends travel back to the 1990s to solve the brutal murder and disappearance of two of their high school peers in this thrilling debut novel from a promising new voice in horror—a murderous, nightmarish romp that is nostalgic, terrifying, and impossible to put down. Shop ’til you drop...

Being the single guardian for my fifteen-year-old cousin isn’t as easy as you’d think, especially when she runs away to find the dad, who has no idea she exists. Lysander Spearman is broody, protective, and not at all who I should be falling for. We’re nothing alike. He’s got money in the bank, and I’m trying to make ends meet. He’s much too old for me, and I hate his guts. He’s quiet, and I can’t keep my mouth shut. But when he shows up for his daughter.

Multicast Narration Five friends travel back to the 1990s to solve the brutal murder and disappearance of two of their high school peers in this thrilling debut novel from a promising new voice in horror—a murderous, nightmarish romp that is nostalgic, terrifying, and impossible to put down...

Following the murderous events of Serpent of Heaven, Lizbeth Rose is awaiting the arrival of her sister Felicia and her husband’s younger brother Eli in Texoma. Both needed to leave the seat of the Holy Russian Empire in San Diego after Felicia’s burgeoning wizardly power in death magic became the reason for kidnapping and assassination attempts from her mother’s family of high-powered wizards in Mexico.

France's master comic playwright has a field day with the subjects of hypochondria and our blind obedience to doctors. Molière’s witty attack on the medical profession has more than a little resonance today. Translated by John Wood, adapted by Beth Milles.