検索キーワード： ナレーター "A. A. Ron" すべてのカテゴリー

Just After Sunset - call it dusk, call it twilight, it's a time when human intercourse takes on an unnatural cast, when nothing is quite as it appears, when the imagination begins to reach for shadows as they dissipate to darkness and living daylight can be scared right out of you. It's the perfect time for Stephen King.

A real-life story of love and betrayal set in America's favorite playground, Casino is a Mafia tragedy of Shakespearean dimensions, as well as the inside account of just how the mob lost control of the neon money-making machine it created.

In the middle of the night, a controversial US senator is found murdered in bed in his Georgetown pied-à-terre. The police turn up only one clue: a mysterious rhyme signed "Jack and Jill" promising that this is just the beginning. Jack and Jill are out to get the rich and famous, and they will stop at nothing until their fiendish plan is carried out. No one in Washington is safe - not children, not politicians, not even the president of the United States. Only Alex Cross has the skills and the courage to crack the case.

Lautstark schwingen sich selbsternannte Tribunen des Volkes, esoterische "Querdenker" und autoritäre Demagogen zu Verteidigern der demokratischen Ordnung auf, deren Werte sie eigentlich ablehnen. Um Gefolgschaft zu organisieren, schüren sie Ängste vor drohendem Chaos und spinnen Verschwörungstheorien über anonyme Mächte, die das Schicksal der Nation bestimmen. Vorschläge zur Lösung komplexer gesellschaftlicher Probleme sind ihre Sache nicht.

Operation Treadstone made Jason Bourne, but he's not the only agent they trained. After the revival of Operation Treadstone, former operative Adam Hayes has retreated to Africa, determined to escape the black-ops CIA program for good. Hayes knows just how destructive the program can be, as it turns government agents into nearly superhuman assassins. But his quiet life in Africa changes irrevocably when Hayes is attacked by extremists while flying a charitable mission in Burkina Faso.

RAN AWAY. So began a score of advertisements every week in the New Orleans newspapers, advertising for slaves who’d fled their masters. But the Turk, Hüseyin Pasha, posted no such advertisement when his two lovely concubines disappeared. And when a witness proclaimed he’d seen the “devilish infidel” hurl their dead bodies out of a window, everyone was willing to believe him the murderer. Only Benjamin January, who knows the Turk of old, is willing to seek for the true culprit, endangering his own life in the process.

Abishag Shaw is seeking vengeance for his brother’s murder - and Benjamin January is seeking money after his bank crashes. Far beyond the frontier, in the depths of the Rocky Mountains, both men are to be found at the great Rendezvous of the Mountain Men, a month-long orgy of cheap booze, shooting matches, tall tales, and cutthroat trading. But at the rendezvous, the discovery of a corpse opens the door to hints of a greater plot - of madness and wholesale murder.

New Orleans, 1836. When free Black musician and surgeon Benjamin January attends the funeral of a friend, an accident tips the dead man out of his coffin - only to reveal an unexpected inhabitant. Just one person recognizes the corpse of the White man: Hannibal Sefton, fiddle-player and one of January’s closest friends. But he seems unwilling to talk about his connection to the dead man....

Nineteenth-century New Orleans is a blazing hotbed of scorching politics and personal vendettas. And it’s into this fire that Benjamin January falls when he is hired to follow Oliver Weems, a bank official who has absconded with $100,000 in gold and securities. But it’s more than just a job for January. The missing money is vital to the survival of the school for freed slaves that he and his wife, Rose, have founded.

Mexico City in the autumn of 1835 is a lawless place, teeming with bandits and beggars. But an urgent letter from a desperate friend draws Benjamin January and his new bride, Rose, from New Orleans to this newly free province. Here they pray they’ll find Hannibal Sefton alive - and not hanging from the end of a rope.

It’s 1835, and the relentless glare of the late July sun has slowed New Orleans to a standstill. When Hesione LeGros - once a corsair’s jeweled mistress, now a raddled hag - is found slashed to death in a shanty on the fringe of New Orleans’ most lawless quarter, there are few to care. But one of them is Benjamin January, musician and teacher. He well recalls her blazing ebony beauty when she appeared, exquisitely gowned and handy with a stiletto, at a demimonde banquet years ago.

In February 1835, the cold New Orleans streets are alight with masked Mardi Gras revelers as the American Theater’s impresario, Lorenzo Belaggio, brings a magnificent yet controversial operatic version of Othello to town. But it’s pitch-black in the alley where free man of color Benjamin January hears a slurred whisper, spies the flash of a knife, and is himself wounded as he rescues Belaggio from a vicious attack. Could competition for audiences - or for Belagio’s affections - provoke such violent skulduggery?

When slave owner Simon Fourchet asks Benjamin January to investigate sabotage, arson, and murder on his plantation, January is reluctant to do any favors for the savage man who owned him until he was seven. But he knows too well that plantation justice means that if the true culprit is not found, every slave on Mon Triomphe will suffer. Abandoning his Parisian French for the African patois of a field hand, cutting cane until his bones ache and his musician’s hands bleed, Benjamin must use all his intelligence and cunning to find the killer - or find himself sold down the river.

It is St. John’s Eve in the summer of 1834 when Benjamin January - Creole physician and music teacher - is shattered by the news that his sister has been arrested for murder. The Guards have only a shadow of a case against her. But Olympe - mystical and rebellious - is a woman of color, whose chance for justice is slim. As Benjamin probes the allegation, he is targeted by a new threat: graveyard dust sprinkled at his door, whispering of a voodoo death curse. Now, to save Olympe’s life - and his own - Benjamin knows he must glean information wherever he can find it.

No one can talk to the dead...can they? Free man of color Benjamin January gets caught up in a strange, spiritual world that might lead to his own demise, as he hunts for a missing teenager in this gripping, atmospheric historical mystery. New Orleans, 1840. Freshly home from a dangerous journey, the last thing Benjamin January wants to do is leave his wife and young sons again. But when old friends Henri and Chloë Viellard ask for his help tracking down a missing girl in distant New York, he can’t say no.

Defiant, eloquent, and thoroughly modern, Claude McKay’s early collection of celebrated poems is widely recognized as having helped to spark the Harlem Renaissance. In Harlem Shadows, McKay gives precise and poignant expression to the injustices of white oppression in many forms. He also paints a vivid picture of Harlem at the dawn of its rebirth and shows the tremendous vitality of the neighborhood as well as the many threats it faced.

In his short life, the Guyanese intellectual Walter Rodney emerged as one of the leading thinkers and activists of the anticolonial revolution, leading movements in North America, South America, the African continent, and the Caribbean. In each locale, Rodney found himself a lightning rod for working class Black Power. His deportation catalyzed 20th century Jamaica's most significant rebellion, the 1968 Rodney riots, and his scholarship trained a generation how to think politics at an international scale.

Albert Poland, legendary Broadway and Off-Broadway producer and general manager, presents Stages: A Theater Memoir.

Over the last 20 years, New York City has been convulsed by enormous challenges: terrorist attack, blackout, hurricane, recession, pandemic. New Yorkers is a grand portrait of the irrepressible city and a hymn to the vitality and resilience of its people. Craig Taylor spent years meeting New Yorkers - rich and poor, old and young, native and immigrant - and getting them to share indelible true tales.

This moving courtroom drama is based on a true incident that exposed the shocking conditions at Alcatraz. The tale begins when 18-year-old Willie Moore makes the biggest mistake of his life. Now, all he wants is a chance to talk baseball before he dies.