検索キーワード： 著者 "G. K. Chesterton" すべてのカテゴリー

From London to Cornwall, then to Italy and France, a short, shabby priest takes on bandits, traitors and killers. Why is he so successful? The reason is that after years spent in the priesthood, Father Brown knows human nature and is not afraid of its dark side. Thus he understands criminal motivation and how to deal with it.

With his black hat, huge umbrella, unworldly simplicity and 'beaming but breathless geniality', Father Brown is one of fiction's best-loved amateur detectives. Short and tatty, but with the wisdom and insight to unravel the most wayward of criminal minds, he has entertained generations. In this collection of 13 full-cast dramatisations, the high priest of detection becomes involved in seven intriguing cases that will tax even his mental powers to the limit.

"And the young woman of the house," asked Dr. Hood, with huge and silent amusement, "what does she want?" "Why, she wants to marry him," cried Father Brown, sitting up eagerly. "That is just the awful complication." "It is indeed a hideous enigma," said Dr. Hood. "This young James Todhunter," continued the cleric, "is a very decent man so far as I know; but then nobody knows very much. He is a bright, brownish little fellow, agile like a monkey, clean-shaven like an actor, and obliging like a born courtier. He seems to have quite a pocketful of money, but nobody knows what his trade is. Mrs.

This podcast delves into the intriguing friendship and intellectual sparring between George Bernard Shaw and G.K. Chesterton. Despite their contrasting beliefs, the two maintained a mutual respect and fascination for each others ideas. The podcast explores how Shaw, a prominent figure in the emerging school of thought known as humanism, championed progress for its own sake, even if it meant redefining the nature of humanity. Chesterton, in contrast, was more inclined towards religious thought, with his views leaning more and more towards the Church. This podcast offers a fascinating insight ...

Esteemed writer G. K. Chesterton offers a compelling critique of the works of Charles Dickens, sharing his profound admiration and unique insights into Dickens literary genius in his distinct and engaging style. (Summary by Karen Merline)

In this galloping collection of twenty pointed essays, G. K. Chesterton (1874-1936) nimbly punctures the philosophical pretensions of modern non-Christian thinkers and artists—heretics, as he calls them. Chesterton good-naturedly takes on contemporaries Rudyard Kipling, H. G. Wells, James McNeill Whistler, and even his good friend George Bernard Shaw, exposing the muddled logic of their popular ideas with his characteristic wisdom and razor-sharp wit. He also begins to lay the groundwork for Orthodoxy, his subsequent account of a rational and coherent Christian faith.

In this classic of Christian apologetics, Chesterton lays out a sort of “spiritual autobiography”—how he personally came to believe. Chesterton considered it a companion book to his earlier work Heretics. Where Heretics was a collection of essays defending the Christian faith, Orthodoxy is Chesterton’s own story of how he came to believe that faith.

This audiobook is wonderfully narrated by British actor Nigel Peever, who brings the story to life. Published by Chesterton Books.

After the success of Heretics, G. K. Chesterton was challenged and compelled to share the story of his pilgrimage to faith. The result is this bracing, watershed religious autobiography in which he follows the doctrines determined in the Apostle’s Creed to deliver a personal, yet universal, defense of Christianity. Ultimately, the literary giant answers the question - not of whether divinity can be believed - but rather, how he himself came to believe it.

Written in his signature style – full of paradox, wit and poetic insight – Chesterton outlines an intellectually rigorous defence of the Christian faith. Part autobiography, part theology, Orthodoxy traces Chesterton's personal journey from a crisis of doubt to belief, arguing that Christianity uniquely satisfies the long-established human need for truth, imagination and joy. Rather than religious doctrine being dry or dogmatic in any way, Chesterton relays it as adventurous and romantic – and the only worldview that allows enough room to make sense of the world's wonders and contradictions.

Lord Mounteagle verwahrt in seinem Privatmuseum zahlreiche asiatische Talismane und Glücksbringer. Als der Exzentriker das rote Juwel seinen Besuchern zeigt, ist die Gelegenheit zum Diebstahl günstig. Und prompt ist der Stein verschwunden. Genommen von einem zwielichtigen Wahrsager, dem "Meister vom Berge".

Dive into the captivating world of G. K. Chesterton’s fictional detective, Father Brown, in this second of five collections of short stories. Father Brown may appear to be an ordinary Catholic Priest with his loose clothing and ever-present umbrella, but his extraordinary insight into the depths of human wickedness sets him apart. His detective methods, though rooted in careful observation, lean more towards intuition than deduction. A devout and educated clergyman, Father Brown never lets his faith compromise his rationality. His deductions always lead to a logical, earthbound solution ...

Delve into the mystery of the Peacock trees, feared by peasants as the source of a deadly fever. Squire Vane, a non-believer of this folklore, dares to challenge the superstition by spending a night amongst the trees. When dawn breaks, he is nowhere to be found. Has he fallen victim to the curse or is there a more sinister play at work? Could the poet, the lawyer, the woodsman or even the trees themselves be responsible for his disappearance? Join us as we unravel this enigma.

Eine spannende Reise in die Ursprünge des Kriminalromans: Diese Sammlung von zehn klassischen Geschichten vereint die größten Meister der klassischen Spannungsliteratur. Von Edgar Allan Poes düsteren Visionen über Sherlock Holmes' messerscharfe Logik bis zu Chestertons moralphilosophischen Detektivrätseln – hier begegnen sich Wahnsinn, Mord, Mysterien und meisterhafte Erzählkunst.

Der berühmte Dichter Leonard Quinton hat sich das Leben genommen. Aber war es denn wirklich Selbstmord? Welche Rolle spielt der geheimnisvolle Fakir, der im Haus der Quintons wohnt? Pater Brown und Hercule Flambeau gehen der Sache nach. Und dabei stolpern sie über mehrere Dinge, die laut Aussage des Paters über die "falsche Form" verfügen.

"The Secret Garden" is a short story by G. K. Chesterton. It was originally published in The Story-Teller in October, 1910. It is the second story in the collection The Innocence of Father Brown. It is the second story about the French detective Valentin and completes his plot arch, begun in The Blue Cross.

The Queer Feet" deals with Flambeau wanting to steal the silverware of the members of the Twelve True Fishermen having their annual club dinner at Vernon Hotel. The Vernon Hotel is an exclusive hotel and a "topsy-turvy product" (Chesterton 1994, p. 51).

"The Blue Cross" is a short story by G. K. Chesterton. It was the first Father Brown short story and also introduces the characters Flambeau and Valentin. It is unique among the Father Brown mysteries in that it does not follow the actions of the Father himself, but rather those of Valentin. It was first published on 23 July 1910, under the title "Valentin Follows a Curious Trail", in the Saturday Evening Post, Philadelphia. Re-titled as "The Blue Cross", publication in London followed, in The Story-Teller magazine of September 1910.

A stormy evening of olive and silver was closing in, as Father Brown, wrapped in a grey Scotch plaid, came to the end of a grey Scotch valley and beheld the strange castle of Glengyle. It stopped one end of the glen or hollow like a blind alley; and it looked like the end of the world. Rising in steep roofs and spires of seagreen slate in the manner of the old French-Scotch chateaux, it reminded an Englishman of the sinister steeple-hats of witches in fairy tales; and the pine woods that rocked round the green turrets looked, by comparison, as black as numberless flocks of ravens.

The tenth story in The Innocence of Father Brown is entitled The Eye of Apollo. At the beginning of this short story, Flambeau has just opened his detective agency in a new building located near Westminster Abbey. The other tenants in the building are a religious charlatan named Kalon, who claims to be "the New Priest of Apollo," and two sisters, who are typists. Flambeau and Father Brown instinctively distrust Kalon, who has installed a huge eye of Apollo outside his office.