検索キーワード： ナレーター "Michael A. Scott" すべてのカテゴリー

Gideon Sable specializes in stealing the kind of things that can't usually be stolen. But these days the legendary master thief is officially retired from the caper game. Now, instead of pulling off elaborate heists with his crew of supernatural specialists, he runs a magical shop in the heart of London with his partner Annie Anybody. Still, he can't resist occasionally going out in the night to steal things when Annie's not looking. For old times' sake—and for the joy of the con.

Avery Fisher has joined the cast of hit TV survival competition Scavenger Hunters. While on set, he hopes to find a direction in life off the back of a failed art career. He also hopes to reconnect with an old friend from art school, one Kyle Zimmerman. He is Avery’s last connection to art, and the only other person who knows Avery’s darkest secret.

Months after the war that ripped the territories apart, Faldoa still heals. Now King Nonk rules the countryside with a merciless grip, rebuilding the decimated army. But soon foreign invaders tear through his realm. Meanwhile, in the Territories, the troublesome necklace finds new life with Chele as its host. As it comes back to power, it senses another, stronger, deep in the human claimed land, forcing Chele to seek it out.

When trouble lands her at my feet, I take the opportunity to have what I truly want. I offer her a deal. I’ll help her, but the cost will be one night in my bed. One night of submission.

In the early 1990’s, Hellboy, Liz Sherman, and Abe Sapien are drawn into a bizarre case in New York, linked both to Hellboy’s 1980 adventure with Anastasia in Brazil and to The Lobster’s encounter with the Proteus Club in 1933. A strange community of bizarre humans has been living in secret beneath Manhattan for more than sixty years. Now, though, someone is stalking them, murdering them one by one—someone who claims to be the ancient goddess Sem-Karul. With aid from the now elderly Cynthia Tynan, Hellboy and the BPRD must face the Goddess of Manhattan, and the monsters who serve her.

The great gene mapping project of the late 20th and early 21st centuries had located every trait on the double helix. Splicing, and then cloning, had made it possible to determine the inclusion of any desired characteristics or the exclusion of any fault. Humans could be designed like an automobile, created for specific purposes, and then reproduced exactly and endlessly by cloning. And they had, by the thousands, when trust in ordinary biology had become too risky. And to ensure that biology would mind its own business, genes for sexual preference had been controlled.