検索キーワード： 著者 "Katherine Mansfield" すべてのカテゴリー

What if a moment of perfect happiness was only a heartbeat away from shattering? In Bliss by Katherine Mansfield, you follow Bertha Young, a vibrant woman overflowing with excitement she can hardly explain—a feeling so bright it seems to spill into every corner of her world. As she prepares for an evening dinner party, every detail feels alive and full of promise.

What if the brightest charm hid the darkest truths beneath it? In Je ne Parle pas Français by Katherine Mansfield, you step into the mind of Raoul Duquette, a cynical Parisian narrator whose sharp observations, moral contradictions, and unsettling humor reveal far more about himself than about the people he judges.

Rich in atmosphere and delicately observed detail, Prelude invites reflection on love, relationships, and the beauty hidden in ordinary moments. Press play and immerse yourself in Mansfield’s luminous prose—a captivating journey where every thought, gesture, and moment resonates with timeless insight and emotional depth.

Thought-provoking, lyrical, and timeless, this collection lingers in the imagination long after the final word. Press play now and let Bliss and Other Stories transport you into a world where every glance, gesture, and thought brims with meaning, subtle revelation, and unforgettable beauty.

The Swing of the Pendulum is a short story by Katherine Mansfield: The landlady knocked at the door. - “Come in,” said Viola. - “There is a letter for you,” said the landlady, “a special letter” - she held the green envelope in a corner of her dingy apron. - “Thanks.” Viola, kneeling on the floor, poking at the little dusty stove, stretched out her hand. “Any answer?”

"In a German Pension" is a 1911 collection of short stories by the writer Katherine Mansfield; her first published collection. All but three of the stories were originally published in "The New Age" edited by A. R. Orage; the first to appear was "The Child-Who-Was-Tired". The last three were first published in this collection, and her biographer Anthony Alpers thinks that two (The Swing of the Pendulum and The Blaze) were probably rejected by Orage for "The New Age".

The Advanced Lady is a short story by Katherine Mansfield: “Do you think we might ask her to come with us,” said Fräulein Elsa, retying her pink sash ribbon before my mirror. “You know, although she is so intellectual, I cannot help feeling convinced that she has some secret sorrow. And Lisa told me this morning, as she was turning out my room, that she remains hours and hours by herself, writing; in fact Lisa says she is writing a book! I suppose that is why she never cares to mingle with us, and has so little time for her husband and the child.”

Germans at Meat is a short story by Katherine Mansfield: Bread soup was placed upon the table. – “Ah,” said the Herr Rat, leaning upon the table as he peered into the tureen, “that is what I need. My ‘magen’ has not been in order for several days. Bread soup, and just the right consistency. I am a good cook myself”—he turned to me. – “How interesting,” I said, attempting to infuse just the right amount of enthusiasm into my voice...

The Child-Who-Was-Tired is a short story by Katherine Mansfield: She was just beginning to walk along a little white road with tall black trees on either side, a little road that led to nowhere, and where nobody walked at all, when a hand gripped her shoulder, shook her, slapped her ear. - “Oh, oh, don’t stop me,” cried the Child-Who-Was-Tired. “Let me go.”

The Baron is a short story by Katherine Mansfield: "Who is he?" I said. "And why does he sit always alone, with his back to us, too?" - "Ah!" whispered the Frau Oberregierungsrat, "he is a Baron." - She looked at me very solemnly, and yet with the slightest possible contempt - a "fancy-not-recognising-that-at-the-first-glance" expression.

The Luft Bad is a short story by Katherine Mansfield: I think it must be the umbrellas which make us look ridiculous. – When I was admitted into the enclosure for the first time, and saw my fellow-bathers walking about very nearly “in their nakeds,” it struck me that the umbrellas gave a distinctly “Little Black Sambo” touch...

In Frau Fischer by Katherine Mansfield we have the theme of independence, letting go, acceptance change, trust, control, gender roles and conflict. Taken from her In a German Pension collection the story is narrated in the first person by an unnamed British woman and after reading the story the reader realises that Mansfield may be exploring the theme of independence.

In The Sister of the Baroness by Katherine Mansfield we have the theme of appearance, identity, self-importance, class and escape. Taken from her In a German Pension collection the story is narrated in the first person by an unnamed English woman and after reading the story the reader realises that Mansfield may be exploring the theme of appearance. With the exception of the narrator all the visitors at the Pension are in awe of the Baroness’ sister.

In A Birthday by Katherine Mansfield we have the theme of responsibility, selfishness, gender roles, appearance, suffering and paralysis. Taken from her In a German Pension collection the story is narrated in the third person by an unnamed narrator and after reading the story the reader realises that Mansfield may be exploring the theme of responsibility. Andreas if anything thinks only of himself. True he goes to fetch Doctor Erb but apart from this Andreas takes no responsibility for the condition that Anna may be in.

A Blaze is a short story by Katherine Mansfield: “Max, you silly devil, you’ll break your neck if you go careering down the slide that way. Drop it, and come to the Club House with me and get some coffee.” - “I’ve had enough for to-day. I’m damp all through. There, give us a cigarette, Victor, old man. When are you going home?”

In At Lehmann’s by Katherine Mansfield we have the theme of innocence, vulnerability, appearance, confusion and desire. Taken from her In a German Pension collection the story is narrated in the third person by an unnamed narrator and from the beginning of the story the reader realises that Mansfield may be exploring the theme of innocence. Sabina believes Hans’ story about why his hands are so dirty even though the story is exceptionally far-fetched and borders on the impossible.

The Modern Soul is more about characters than action. The story begins with the stereotype of the pompous German music professor explaining to the young English narrator why he incessantly eats cherries: “There is nothing like cherries for producing free saliva after trombone playing, especially after Grieg’s ‘Ich Liebe Dich’” He’s cherry eating is connected with a consuming desire for women. The two older Germans, the Professor and the German actress’ mother, talk incessantly of food and soul. They agree that the English are “fish blooded,” cold and without soul.

אוסף סיפורים קצרים מאת קתרין מנספילד, סופרת ומשוררת, שנודעה בסגנונה הייחודי, בפרוזה פואטית, וביכולתה לשקף קיום חברתי והמיות נפש עמוקות במילים ספורות. היא נחשבת...

Exploring themes such as class, identity and the human experience, The Garden Party and Other Stories captures several moments of emotional revelation and self-discovery. From unveiling the horrors of the disparity of wealth in the title story, 'The Garden Party', to the devastating effects of loneliness and misogyny in 'Miss Brill', Mansfield's narratives never fail to leave their emotional stamp on their reader.

Set in colonial New Zealand, The Aloe captures a moment of transition for the Burnell family as they move into a new home. At the heart of it all is Kezia, a perceptive young girl whose sharp eyes and quiet curiosity offer a child's view of adult tension, familial love, and the quiet dramas of everyday life. Through lush, lyrical prose, Mansfield explores the unspoken complexities of women's roles, family expectations, and inner longing—all from the inside out.