検索キーワード： 著者 "Katherine Mansfield" すべてのカテゴリー

The Wind Blows is a short story by Katherine Mansfield. It was first published in the magazine Signature (4 October 1915) as Autumns: II under the pseudonym Matilda Berry. It was published in revised form in the Athenaeum on 27 August 1920, and subsequently reprinted in Bliss and Other Stories. Matilda is woken up by the wind; she looks out the window; her neighbour, Marie, is fetching flowers from the garden and then Matilda’s mother is called for the telephone by Bogey, Matilda’s brother.

Bliss is a modernist short story by Katherine Mansfield first published in 1918. It was published in the English Review in August 1918 and later reprinted in Bliss and Other Stories. The story follows a dinner party given by Bertha Young and her husband Harry.

Feuille d'Album is a 1917 short story by Katherine Mansfield. It was first published in the New Age on 20 September 1917, under the title of An Album Leaf. A revised version later appeared in Bliss and Other Stories. Ian French is a young artist who lives alone in Paris. He is very reserved and rarely talks to anyone. He is particularly shy around women and rejects their advances. One day he sees a girl his own age on the balcony of the building opposite his and becomes infatuated with her.

Prelude is a short story by Katherine Mansfield. It was first published by the Hogarth Press in July 1918, after Virginia Woolf encouraged her to finish the story. Mansfield had begun writing Prelude in the midst of a love affair she had in Paris in 1915. It was reprinted in Bliss and Other Stories (1920). The story was a compressed and subtler version of a longer work The Aloe, which was later published posthumously in full. The story is based on the Beauchamps' move to Karori, a country suburb of Wellington, in 1893.

Psychology is a 1920 short story by Katherine Mansfield. It was first published in Bliss and Other Stories. A man visits a woman for tea. He tells her this is the only place he pays attention to in terms of its furniture and so on. He also loves her 'little boy'. They then talk about the state of the novel as a literary genre - coming to the conclusion that the psycho-novel is shoddy. She feels anguished about possibly having failed in not following suit with that genre however, and he leaves...

The Man Without a Temperament is a 1920 short story by Katherine Mansfield. It was first published in Arts and Letters in Spring 1920, and later reprinted in Bliss and Other Stories. Mrs Jinnie Salesby has tea with her husband, Robert. She receives a letter from Lottie, who is suffering from neuritis. In her letter, she explains it is snowing in London. Then The Honeymoon Couple come back from fishing. The Salesbys go for a turn; she stops and sits while he goes on for a longer walk.

Pictures is a 1917 short story by Katherine Mansfield. It was first published under the title of The Common Round in the New Age on 31 May 1917 and later as The Pictures in Art and Letters in Autumn 1919. It was then reprinted as Pictures in Bliss and Other Stories. Miss Moss wakes up in the morning and she is hungry because she didn't have dinner the night before, nor is she going to have breakfast: she cannot afford it. Then her landlady turns up and gives her a letter hoping that it would be the rent, but it is note from an employment agency, saying they will get back to her.

"In a German Pension" is a collection of short stories by Katherine Mansfield, a New Zealand writer and critic who was an important figure in the modernist movement and widely considered one of the greatest short story writers of all time. Focusing on the lives and interactions of a diverse group of guests staying at a German spa-town pension, where the narrative explores themes of social norms, cultural differences, and the complexities of human relationships.

Diplomacy by other means may, at times, sound heroic. A fight for principles and ideals carried out by young men armed to the teeth and directed by older men in pursuit of their own version of glory for themselves and their Nations. Right will triumph over wrong. But war can be an illusion, stirred up by schemers and opportunists to take something from other nations that may or may not be right. As blood and limb are sacrificed the true cost is seen but often set to one side as the dispute becomes embedded in emotions and reason falls away.

Katherine Mansfield verlässt mit zwanzig Jahren ihre neuseeländische Heimat, um in London Schriftstellerin zu werden. Doch erst einmal landet sie schwanger in der Pension eines bayerischen Kurorts. Dort kann sie ihre Beobachtungsgabe literarisch ausleben, vor allem wenn sie auf Menschen trifft, die während der Kur das enge Korsett gesellschaftlicher Zwänge ablegen. Entstanden sind messerscharfe und sehr amüsante Erzählungen. Über scheinbare Banalitäten verdeutlichen sie tief verankerte Verhaltensmuster, Vorurteile und Klischees im beginnenden 20. Jahrhunderts. Nina Hoss leiht der Pionierin der modernen Short Story ihre Stimme.

The Garden Party and Other Stories was published in 1922. A collection of fifteen short stories, it explores themes including life and death, gender and family roles, relationships and duty.

Skyboat Media presents The Best of Katherine Mansfield, an original compilation of stories from one of the defining writers of modernist fiction. Katherine Mansfield’s stories shine a light on the duality and the overpowering nature of psychology through her delicate, nuanced, and often stream-of-consciousness narration style. None of her stories seem to settle on just one theme; like life they encompass the intersectional nature of all moments, from the most minute and mundane to the most terrific and tragic.

Todas las niñas del colegio están invitadas a conocer la nueva casa de muñecas de las Burnell, menos las hermanas Kelvey. Su pobreza no es bien vista por sus compañeras. Una tarde, sin embargo, Lil y Else Kelvey, se llevan una gran sorpresa.

"La mosca" de Katherine Mansfield es un relato breve que explora la brevedad de la vida y el contraste entre la vida y la muerte. La historia sigue a un hombre de negocios, el Sr. Woodifield, que visita a su amigo, el Sr. Bentley, después de un largo tiempo. Durante la visita, el Sr. Bentley está absorto en su trabajo y apenas presta atención a su amigo. Sin embargo, al final de la visita, el Sr. Woodifield menciona la muerte de su hijo en la guerra, lo que despierta una profunda emoción en el Sr. Bentley.

Jo, Jim y el narrador montan a caballo, luego se detienen en una tienda, donde Jim fue hace cuatro años, bromeando que una rubia de ojos azules vive allí. Allí son recibidos por una mujer que parece ser mentalmente inestable y despeinada con dientes perdidos. Reciben una ayuda de la tienda para tratar una herida en el caballo, le preguntan si pueden quedarse en el campo cercano. Al principio ella se niega y luego les sugiere cenar y en la parte que finalmente les permite quedarse por la noche en la tienda.

"Vida de Ma Parker" es un relato corto de Katherine Mansfield que sigue un día en la vida de una mujer llamada Ma Parker, quien trabaja como criada para una señora adinerada. A través de una serie de encuentros y situaciones cotidianas, Mansfield revela las luchas internas y los desafíos que enfrenta Ma Parker mientras intenta sobrevivir en la dura realidad de la vida urbana. La historia ofrece una mirada conmovedora a la soledad, la pobreza y la falta de oportunidades que caracterizan la existencia de Ma Parker.

Katherine was born on the 14th October 1888 into a prominent family in Wellington, New Zealand, the middle child of five. At 19 Katherine left for England, where she met and befriended the modernist writers D.H. Lawrence and Virginia Woolf, amongst others. She then travelled to Europe before returning to New Zealand. There she began to write the short stories that she would later become so famous for. But there was another less-heralded side to Katherine’s writings; that of poetry. Her verse certainly reflects much of the themes of her life and interests.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

In these selections, an animal plays an important role in the action or plot of the story. The animals in these stories are real or are stand-ins for humans: Sredni Vashtar by Saki (H. H. Munro) Kholstomer, The Story of a Horse by Leo Tolstoy A Dark-Brown Dog by Stephen Crane Kashtanka by Anton Chekhov The Cat That Walked By Himself by Rudyard Kipling The Black Cat by Edgar Allan Poe The Fly by Katherine Mansfield The Boar-Pig by Saki (H. H. Munro) The Tiger Guest by Pu Songlbying Jackals and Arabs by Franz Kafka

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.