検索キーワード： ナレーター "David Shih" すべてのカテゴリー

Soseki Natsume's comic masterpiece, I Am a Cat, satirizes the foolishness of upper-middle class Japanese society during the Meiji era. With acerbic wit and sardonic perspective, it follows the whimsical adventures of a world-weary stray kitten who comments on the follies and foibles of the people around him. A classic of Japanese literature, I Am a Cat is one of Soseki's best-known novels. Considered by many as the greatest writer in modern Japanese history, Soseki's I Am a Cat is a classic novel sure to be enjoyed for years to come.

In this gloriously over-the-top tale, Aoyama, a widower who has lived alone with his son ever since his wife died seven years before, finally decides it is time to remarry. Since Aoyama is a bit rusty when it comes to dating, a filmmaker friend proposes that, in order to attract the perfect wife, they do a casting call for a movie they don't intend to produce. As the resumes pile up, only one of the applicants catches Aoyama's attention - Yamasaki Asami - a striking young former ballerina with a mysterious past. But she is a far cry from the innocent young woman he imagines her to be.

Shusaku Endo (1923-1996), widely considered one of the greatest writers of the twentieth century, is known for his historical novels, which masterfully probe the encounters between the cultures and religions of East and West from a Japanese Catholic perspective. A salient and curious theme in his work is the unique image of a maternal God, and a concomitant sense of loss and longing for maternal love.

Call it "Zen and the Art of Farming" or a "Little Green Book", Masanobu Fukuoka's manifesto about farming, eating, and the limits of human knowledge presents a radical challenge to the global systems we rely on for our food. At the same time, it is a spiritual memoir of a man whose innovative system of cultivating the earth reflects a deep faith in the wholeness and balance of the natural world. As Wendell Berry writes in his preface, the book "is valuable to us because it is at once practical and philosophical."

Portraying himself as a failure, the protagonist of Osamu Dazai’s NO LONGER HUMAN narrates a seemingly normal life even while he feels himself incapable of understanding human beings. His attempts to reconcile himself to the world around him begin in early childhood, continue through high school, where he becomes a “clown” to mask his alienation, and eventually lead to a failed suicide attempt as an adult. Without sentimentality, he records the casual cruelties of life and its fleeting moments of human connection and tenderness.

Nothing in this world is more dangerous than a witch. The epitome of fear and terror, they can summon floods on a whim, conjure balls of fire out of the air, or even destroy entire countries overnight. Incur their wrath, and no one is safe. At least, that's what everyone thinks, and it's the very reason they all want Siasha dead. After yet another violent battle for her life, she teams up with Zig, a mercenary, and they depart for unknown lands to find somewhere she can live in peace. But is the pair any match for the lost magic and vicious monstrosities that lie ahead?

First published in 1956, No-No Boy was virtually ignored by a public eager to put World War II and the Japanese internment behind them. No-No Boy tells the story of Ichiro Yamada, a fictional version of the real-life "no-no boys". Yamada answered "no" twice in a compulsory government questionnaire as to whether he would serve in the armed forces and swear loyalty to the United States. Unwilling to pledge himself to the country that interned him and his family, Ichiro earns two years in prison and the hostility of his family and community when he returns home to Seattle.

As they do every year, a small group of acquaintances pay a visit to the remote castle-like Water Mill House, home to the reclusive Fujinuma Kiichi, son of a famous artist, who has lived his life behind a rubber mask ever since a disfiguring car accident. This year, however, the visit is disrupted by an impossible disappearance, the theft of a painting, and a series of baffling murders. The brilliant Kiyoshi Shimada arrives to investigate.

Xuan Juliana Wang's remarkable debut introduces us to the new and changing face of Chinese youth. From fuerdai (second-generation rich kids) to a glass-swallowing qigong grandmaster, her dazzling, formally inventive stories upend the immigrant narrative to reveal a new experience of belonging: of young people testing the limits of who they are, in a world as vast and varied as their ambitions. In stories of love, family, and friendship, here are the voices, faces, and stories of a new generation never before captured in fiction.

When a monstrosity above her rank shows up, Siasha is seated with some undesired downtime. Making the best of a boring situation, she and Zig head to the morning market, only to bear witness to a scuffle between humans and demi-humans. But to the inhuman witch Siasha and mercenary Zig, these interspecies tensions are none of their concern—or so they think. They soon learn that these conflicts are far more deep-rooted than they could've ever imagined.

Zero is just one of 20,000 people aboard a spaceship bound for a new planet set to be colonized. The journey is over a century long but luckily, everyone is in stasis, so they’ll be safe and sound asleep during the trip. Everyone that is, except for Zero, whose pod has malfunctioned, waking him up a hundred years early. His initial excitement in roaming the ship alone quickly turns to a heart-stopping interstellar adventure when a family of space pirates show up, trying to hijack the ship and take the colonizers hostage.

A popular young girl disappears without a trace, her skeletal remains discovered three years later in the ashes of a burned-out house. There's a suspect and compelling circumstantial evidence of his guilt, but no concrete proof. When he isn't indicted, he returns to mock the girl's family. And this isn't the first time he's been suspected of the murder of a young girl; nearly 20 years ago, he was tried and released due to lack of evidence. Chief Inspector Kusanagi of the Homicide Division of the Tokyo Police worked both cases.

It was no walk in the park, but Zig and Siasha have finally gotten accustomed to their new surroundings and are enjoying their tranquil lives funded by their bloody battles with monstrosities. One day, Siasha decides to join a short-term adventuring party, and Zig, temporarily relieved of his bodyguard duties, finds himself with a bit of free time. But he's not idle for long. Isana—a second-class adventurer and acquaintance of Zig's—asks for his help investigating the recent kidnappings of children from her tribe.

Money Games is a riveting tale of one of the most successful buyout deals ever: the acquisition and turnaround of what used to be Korea's largest bank by the American firm Newbridge Capital. Full of intrigue and suspense, this insider's account is told by the chief architect of the deal itself, the celebrated author and private equity investor Weijian Shan. With billions of dollars at stake, and the nation's economic future on the line, Newbridge Capital sought to become the first foreign firm in history to take control of one of Korea's most beloved financial institutions.

Resolved is Ban Ki-moon's personal account of his decade at the helm of the organization during a period of historic turmoil and promise. Meeting challenges and resistance with a belief in the UN's mission of peace, development, and human rights, he steered the United Nations through a volatile period that included the Arab Spring, nuclear pursuits in Iran and North Korea, the Ebola epidemic, and brutal new conflicts in Central Africa.

In his widely anticipated memoir, Ai Weiwei - one of the world's most famous artists and activists - tells a century-long epic tale of China through the story of his own extraordinary life and the legacy of his father, Ai Qing, the nation's most celebrated poet. Hailed as 'the most important artist working today' by the Financial Times and as 'an eloquent and unsilenceable voice of freedom' by the New York Times, Ai Weiwei has written a sweeping memoir that presents a remarkable history of China over the last 100 years while illuminating his artistic process.

Weijian Shan's Out of the Gobi is a powerful memoir and commentary that will be one of the most important books on China of our time, one with the potential to re-shape how Americans view China, and how the Chinese view life in America. Shan, a former hard laborer who is now one of Asia's best-known financiers, is thoughtful, observant, eloquent, and brutally honest, making him well-positioned to tell the story of a life that is a microcosm of modern China, and of how, improbably, that life became intertwined with America.

In his 1992 best-selling book The End of History and the Last Man, American political scientist Francis Fukuyama argued that the dominance of liberal democracy marked the end of humanity's political and ideological development. Thirty years later, with populism on the rise and the number of liberal democracies decreasing worldwide, Fukuyama revisits his classic thesis. A series of in-depth interviews between Fukuyama and editor Mathilde Fasting, After the End of History offers a wide-ranging analysis of liberal democracy today.

Conceived over 30 years of painting and creating in his studio, this book is Makoto Fujimura's broad and deep exploration of creativity and the spiritual aspects of "making". What he does in the studio is theological work as much as it is aesthetic work. In between pouring precious, pulverized minerals onto handmade paper to create the prismatic, refractive surfaces of his art, he comes into the quiet space in the studio, in a discipline of awareness, waiting, prayer, and praise.

One of the most acclaimed essayists of his generation, Wesley Yang writes about race and sex without the jargon, formulas, and polite lies that bore us all. His powerful debut, The Souls of Yellow Folk, does more than collect a decade's worth of cult-reputation essays - it corrals new American herds of pickup artists, school shooters, mandarin zombies, and immigrant strivers, and exposes them to scrutiny, empathy, and polemical force.