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How does magic in J. K. Rowling’s universe work? Finally, the scientific secrets of the Harry Potter universe are revealed! The Science of Harry Potter examines the scientific principles behind some of the spells, scenes, and games that Harry, Hermione, Ron, and Dumbledore love best. Author Mark Brake, whose The Science of Star Wars was a knockout success, has found the answers to satisfy the curious spirits of muggles everywhere.

In a house designed for manipulation, paranoia, and power plays, sixteen strangers are cut off from the outside world—watched every second by cameras, judged by millions. Welcome to Big Brother. A show ahead of its time, it was once dismissed as fluff television. Now this voyeuristic reality show has quietly become a cultural juggernaut. But what are the costs of turning human lives into entertainment? What kind of psychological toll does it take to be put in isolation, under constant surveillance, in a perpetual state of suspicion?

With a new introduction, acclaimed director and screenwriter Paul Schrader revisits and updates his contemplation of slow cinema over the past fifty years. Unlike the style of psychological realism, which dominates film, the transcendental style expresses a spiritual state by means of austere camerawork, acting devoid of self-consciousness, and editing that avoids editorial comment.

Cinema is full of neurotic personalities, but few things are more transfixing than a woman losing her mind onscreen. Horror as a genre provides the most welcoming platform for these histrionics: crippling paranoia, desperate loneliness, masochistic death-wishes, dangerous obsessiveness, apocalyptic hysteria. Unlike her male counterpart—the eccentric'—the female neurotic lives a shamed existence, making these films those rare places where her destructive emotions get to play.

Bella and Edward, and their family and friends, have faced countless dangers and philosophical dilemmas in Stephenie Meyer's Twilight novels. This book is the first to explore them, drawing on the wisdom of philosophical heavyweights to answer essential questions such as: What do the struggles of "vegetarian" vampires who control their biological urge for human blood say about free will? Are vampires morally absolved if they kill only animals and not people? From a feminist perspective, is Edward a romantic hero or is he just a stalker? Is Jacob "better" for Bella than Edward?

Much has been written about the work of David Lynch and existential fear in relation to Americana and the American Dream-as-American Nightmare in terms that are circular and artistically self-referential—or Lynchian. With reference to the 1983 television phenomenon The Day After, Lynch's work is newly situated in a resurgence of works reassessing the legacy of Trinity. With David Lynch's Part 8, a cultural circuit is completed, from the idiosyncratic and personal—or Lynchian—to the shared space of what theorist Paul Virilio describes as "cosmic fear"—or an emergency of social media.

This comprehensive and creepy guide explores the dark and eerie landscapes of horror down the centuries and across the world – from prehistoric death rituals and early monster myths to modern manifestations of the subject in art, literature, and film. Delve into the folklore that gave birth to iconic creatures of the night – from vampires and werewolves to the Japanese Kappa water demon and the cannibalistic Wendigo of Indigenous American lore.

In the six lectures of A Psychologist Goes to the Movies, taught by Dr. Swan, you’ll see what films can tell us about the human mind, from the experience of amnesia to the ethics of psychological research and so much more. Featuring six movies from a variety of genres, styles, and periods, these lectures will give you the opportunity to explore the principles of psychology and consider fascinating neurological theories through the immersive magic of the silver screen.

In the fall of 2000, Gilmore Girls premiered on the WB, and viewers were introduced to the quirky world of Stars Hollow and the Gilmores who had made it their home, mother-daughter best friends Lorelai and Rory. Coffee at Luke's is the perfect look at what made the show such a clever, beloved part of the television landscape for so long.

Making Mary Poppins reveals the extraordinary true story behind the creation of one of the most beloved films of all time―and the two little-known songwriters who helped make it possible.

50 Years of Hammer Horror by John L. Flynn, Ph.D. is the follow-up book to his popular 75 Years of Universal Monsters. Hammer Film Productions was the most successful independent film company in the world. Between 1935 and 1983, the company produced more than 250 motion pictures and television shows, and their signature productions headlined theater marquees all around the globe. Those productions included thrillers, comedies, historical dramas, and science fiction. The company was best known for its series of gothic horror films.

Mention The Phantom of the Opera at a dinner party, and each guest will have his or her own vivid, almost visceral, recollection of the tale of a disfigured musical genius and his unrequited love for a beautiful, young singer. Someone will undoubtedly pantomime the famous scene from the silent era film in which Mary Philbin (as Christine Daae) sneaks up behind the Phantom, while he is playing the organ in his subterranean lair, and unmasks the great Lon Chaney, revealing his horribly disfigured face to the audience and her.

For almost seventy years, Hollywood has had a love affair with marauding aliens from beyond space bent on world domination and generally making our lives miserable. In 1951, the first real alien menace was thawed out at a remote arctic outpost, and reflected our Cold War fears as that thing from another world. The call to keep watching the skies was a prophetic warning that other alien terrors would soon be coming our way. Come, they did!

Filmmaker and author Mark Cousins shows how filmmakers are influenced both by the historical events of their times, and by each other. Films are discussed within chapters reflecting both the stylistic concerns of the film-makers and the political and social themes of the time. Film is an international medium, so as well as covering the great American films and film-makers, The Story of Film explores cinema in Europe, Africa, Asia, Australasia and South America, and shows how cinematic ideas and techniques cross national boundaries.

In How Star Wars Conquered the Universe, veteran journalist Chris Taylor traces the series from the difficult birth of the original film through its sequels, the franchise’s death and rebirth, the prequels, and the preparations for a new trilogy. Taylor provides portraits of the friends, writers, artists, producers, and marketers who labored behind the scenes to turn Lucas’s idea into a legend.

"Everything about me is in my films," Steven Spielberg has said. Taking this as a key to understanding the hugely successful moviemaker, Molly Haskell explores the full range of Spielberg's works for the light they shine upon the man himself. Through such powerhouse hits as E.T., Jurassic Park, and Indiana Jones, to less-appreciated movies like the haunting Schindler's List, Haskell shows how Spielberg's uniquely evocative filmmaking and story-telling reveal the many ways in which his life, work, and times are entwined.

Vincitore dell'Oscar nel 1990, Nuovo Cinema paradiso, è il film più conosciuto di Giuseppe Tornatore. Nel secondo dopoguerra, in un paesino siciliano, Giancaldo, il cinema è l'unico divertimento. Il piccolo Totò scopre l'amore per il cinema e per la vita proprio grazie al piccolo cinema "Paradiso" e al lavoro del proiezionista Alfredo.

Celebrate the greatest saga ever told: All of us who are deeply influenced by the epic saga of Star Wars have our favorite moments. Each time the screen goes black and you see those words - "a long time ago, in a galaxy far, far away" - the music blasts through you, and you're a kid again. Ken Napzok, expert appreciator of Star Wars, counts down each one of those special moments that makes this series not just the best movies of all time, but the greatest saga ever told.

The legendary Academy award-winning writer and director takes the listener on a unique joyride of personal memoir, cultural criticism and Hollywood history. For the first time, in his own words, explore the mind, the myth, and the movie magic of the one and only Quentin Tarantino.

A 13th-century toxic jungle, a bathhouse for tired gods, a red haired fish girl, and a furry woodland spirit - what do these have in common? They all spring from the mind of Hayao Miyazaki, one of the greatest living animators, known worldwide for films such as My Neighbor Totoro, Princess Mononoke, Spirited Away, Howl’s Moving Castle, and The Wind Rises. Japanese culture and animation scholar Susan Napier explores the life and art of this extraordinary Japanese filmmaker to provide a definitive account of his oeuvre.