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This book is the first anthology to explore the connection between race and the suburbs in American cinema from the end of World War II to the present. It builds upon the explosion of interest in the suburbs in film, television, and fiction in the last fifteen years, concentrating exclusively on the relationship of race to the built environment. Race and the Suburbs in American Film is a stimulating resource for considering the manner in which race is foundational to architecture and urban geography, which is reflected, promoted, and challenged in cinematic representations.

The world loves Sheriff Andy Taylor. Yet the actor who played him was intensely private. Here, for the first time, is the real Andy Griffith, his career and life defined by the island that made him in the years soon after World War II. He achieved his artistic breakthrough while acting in The Lost Colony drama on Roanoke Island, then spent the rest of his life repaying the island for giving him that start. Here, in unique closeup, is Andy of Manteo, reveling in wild, watery and loving ways with his fellow islanders.

The Bridgertons are by far the most prolific family in the upper echelons of society, both in deed and word, and now, for the first time, their most indelible quips and barbs have been gathered here for your pleasure. From Anthony’s arrogance to Hyacinth’s hijinks, the family has long been fodder for society gossips … and indeed even for This Author, who has come out of retirement to pen thirteen new columns, each more delicious than the last.

Myths are usually seen as stories from the depths of time—fun and fantastical, but no longer believed by anyone. Yet, as Philip Ball shows, we are still writing them—and still living them—today. From Robinson Crusoe and Frankenstein to Batman, many stories written in the past few centuries are commonly, perhaps glibly, called "modern myths." But Ball argues that we should take that idea seriously. Our stories of Dracula, Dr. Jekyll and Mr. Hyde, and Sherlock Holmes are doing the kind of cultural work that the ancient myths once did.  

The American World War II film depicted a united America, a mythic America in which the average guy, the girl next door, the 4-F patriot, and the grieving mother were suddenly transformed into heroes and heroines, warriors and goddesses. The Star-Spangled Screen examines the historical accuracy—or lack thereof—of films about the Third Reich, the Resistance, and major military campaigns.

Raconter une histoire ne s'improvise pas. La narration est un artisanat qui, avant de pouvoir prétendre à l'art, exige le respect de règles que John Truby a rassemblées dans cette Anatomie du scénario. Sa méthode unique nous fait entrer dans les secrets de fabrication de ce qui constitue la condition première de la réussite d'un film - une bonne histoire - et nous guide pas à pas dans la construction des personnages, de l'intrigue, de l'univers du récit, des dialogues, en détaillant les vingt-deux étapes incontournables dans l'écriture d'un scénario réussi.

"Anatomía del crimen: Guía de la novela y el cine negros" es una completa guía del escritor de novela negra y, al mismo tiempo, teórico del género Mariano Sánchez Soler, quien ha diseccionado la narrativa criminal, sus orígenes, el salto a la literatura española y su relación con el cine nacional e internacional. Subjetivo, apasionado y visceral, su visión compone una guía completa de este tipo de novelas y películas.

Black Panther is one of the most financially successful and culturally impactful films to emerge from the American film industry in recent years. When it was released in 2018 it broke numerous records and resonated with audiences all around the world. In Black Panther: Interrogating a Cultural Phenomenon, author Terence McSweeney explores the film from a diverse range of perspectives, seeing it as not only a comic book adaptation and a superhero film, but also a dynamic contribution to the discourse of both African and African American studies.

 What makes Buffy the Vampire Slayer a "brave dame" but Ally McBeal a "wimpette"? In this witty, incisive look at the role of women on screen and page, Susan Isaacs argues that assertive, ethical women characters are losing ground to wounded, shallow sisters who are driven by what she calls, "the articles of wimpette philosophy." 

Tan grandiosa es la gesta del cine que solo una bilogía freak pudo hacerle justicia. En el primer tomo encontrarán los orígenes de la técnica, además del asentamiento definitivo del sistema de estudio y la constelación de estrellas de la técnica, además del asentamiento definitivo del sistema de estudio y la constelación de estrellas de la época dorada de Hollywood.

An Esquire Best Book of 2022! Written with inside access, comprehensive research, and a down-to-earth perspective, Phasers on Stun! chronicles the entire history of Star Trek, revealing that its enduring place in pop culture is all thanks to innovative pivots and radical change. For over five...

Whether it is a director insisting on a final cut, a star demanding a bigger motor home, a producer holding the line on a budget, or a grip with a gripe, it seems that the world of moviemaking is nothing but Sturm und Drang. Shoot Out presents a raucous look at how movies get made and the players involved, from writers, producers, directors, and stars to agents and marketers. For film buffs, aspiring filmmakers, students, and anyone else intrigued by the inner workings of Hollywood, this is the quintessential take on the how, who, what, and why of the film business.

Rodando El padrino, ninguno de sus implicados pensó que se convertiría en el primer blockbusrer y en la película más taquillera de la historia en su estreno. Ni Mario Puzo pretendía escribir sobre la mafia, ni la mafia quería que se rodase, ni Francis Ford Coppola dirigirla, ni Paramount hacer otra película de mafiosos. Tampoco a Marlon Brando, ni a Al Pacino. Narrado como una trepidante película y basado en una rigurosa documentación histórica, este audiolibro nos muestra el poder empresarial en Hollywood, las luchas de poder en los pasillos de Paramount.

A history about the invention of the motion picture and the mysterious man behind it--detailing his life, work, disappearance, and legacy. The year is 1888 and Louis Le Prince is finally testing his "taker" or "receiver" device for his family on their front lawn. The device is meant to capture...

This is the first full-length biography of this mid-twentieth century multi-faceted star. One of the central tensions of Dale's life revolved around chasing the elusive work/family balance, making her story instantly relatable to women today. In addition to fame, Dale longed for a happy, stable, family life. Her roles of wife and mother became the foundation for her public persona: the smart, smiling, cheerful cowgirl. Unusual for the time were Dale Evans's attempts to control the trajectory of her career at a time when men dominated decision-making in the entertainment fields.

Academy Award-winning director Michael Curtiz—whose best-known films include Casablanca, Yankee Doodle Dandy, Mildred Pierce, and White Christmas—was in many ways the anti-auteur. During his 27-year tenure at Warner Bros., he directed swashbuckling adventures, Westerns, musicals, war epics, romances, historical dramas, horror films, tearjerkers, melodramas, comedies, and film noir masterpieces. In the first biography of this colorful, instinctual artist, Alan K. Rode illuminates the life and work of one of the film industry's most complex figures.

This laugh-out-loud memoir takes listeners backstage and inside the writers' room of one of America's best-loved shows. With more than 17 million viewers and more than seventy Emmy nominations — including two wins for best comedy — Everybody Loves Raymond reigned supreme in television comedy for almost a decade. Phil Rosenthal was there at the beginning. United by a shared lifetime of family dysfunction, he and Ray Romano found endless material to keep the show fresh and funny for its entire run.

Bloomsbury presents Square Peg, Round Ball written and read by Ned Boulting. SHORTLISTED FOR THE SUNDAY TIMES SPORTS BOOK AWARDS 2023 – SPORTS ENTERTAINMENT BOOK OF THE YEAR 'What Ned hasn’t seen on a sports TV channel isn’t worth knowing about.' – Gabby Logan 'From falling out with...

This is a collection of twenty-three original interviews with stars of the silent screen, with biographical information and a filmography included for each. Interviewed are Lew Ayres, William Bakewell, Lina Basquette, Madge Bellamy, Eleanor Boardman, Ethlyne Clair, Junior Coghlan, Joyce Compton, Douglas Fairbanks Jr., Dorothy Gulliver, Maxine Elliott Hicks, Dorothy Janis, George Lewis, Marion Mack, Patsy Ruth Miller, Lois Moran, Baby Marie Osborne, Muriel Ostriche, Eddie Quillan, Esther Ralston, Dorothy Revier, David Rollins, and Gladys Walton.

Эльдар Александрович Рязанов—советский и российский кинорежиссёр, сценарист, актёр, поэт, драматург, телеведущий, педагог, продюсер. На страницах книги раскрывается внутренний мир известного режиссера. Эльдар Рязанов рассказывает о сути комедийного жанра, поднимает важные проблемы современного кинематографа и ТВ.