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Аудиокнига, записанная на студии Ардис, увлекательно и доступно рассказывает о восьми интереснейших типологиях - соционике, психософии, МВТI, Теории уровней абстрактного интеллекта, типологии Лиз Бурбо и других. Простым и понятным языком изложена их суть и наиболее яркие и оригинальные особенности.

10 Ways to Pitch Your Script More Successfully describes how to best pitch your script, starting with having a good script, writing an effective query letter, creating a short treatment or synopsis, a taking steps to make your script stand out. The audiobook is part of a series of short books, in which each audiobook features tips and techniques for becoming more successful in the film industry.

Authored by a former story analyst-turned-development executive, this newly revised, expanded, and updated edition of The 1-3-5 Story Structure Made Simple System guides screenwriters, producers, and other entertainment industry professionals through the industry's best practices. This includes writing, developing, pitching, and selling a screenplay from the buyer's point of view.

What are the secrets for writing a great ending for your novel? How do you leave readers so satisfied that they'll want another book by you, right now? What tools and techniques can shape your last 50 pages into a powerful, unforgettable experience? Listen to this audiobook, and you will come away with a thorough knowledge of why great endings work and how to create them for every novel you write.

Screenwriting made simple. The Guide for Every Screenwriter is one of the most efficient instruction manuals on the craft. This audiobook cuts past the verbose film school expository, and gets straight to work, delivering sample-driven outlines and templates that anyone can follow. It is quick to apply to your work and serves as a side-by-side checklist for the writing process. This is the audiobook for anyone looking to write a screenplay and for any professional needing a refresher.

Gone are the days of Hollywood agents going home each night with a stack of unsolicited screenplays by unknown script writers in the hope of finding their next star screenwriting client. Unsolicited material (your script) just doesn’t get read. Script writing competitions are now the system that provides the reading and analysis formerly conducted by Hollywood agents, producers, and studio development executives. This audiobook won't teach you the finer points of writing or how to write a screenplay. It's only about one thing: How to win a screenplay competition.

If you're serious about your screenwriting, then you're serious about seeing your scripts produced. This book cuts to the chase with the point-by-point essentials behind every successful screenplay and shows you how to demonstrate the professional expertise that will get your scripts noticed. It's a quick, concise listen that gets to the bottom line with a no-nonsense approach to put your writing on a level with Hollywood's working professional screenwriters. Making movies is a complex matter so difficult that very few atempt it.

One question can unlock your entire story. Are you struggling to build a riveting plot? Layered characters? How about fortify that saggy middle? Create that powerful ending? You can build an entire book by asking one powerful question and then plugging it into an “equation” that makes your plot and characters come to life. You’ll learn how to build the external and internal journey of your characters, create a theme, build story and scene tension, create the character change journey, and even pitch and market your story.

Cari Beauchamp masterfully combines biography with social and cultural history to examine the lives of Frances Marion and her many female colleagues who shaped filmmaking from the early teens through the 1940s. Frances Marion was Hollywood's highest paid screenwriter - male or female - for almost three decades, wrote almost 200 produced films and remains the only woman to win two Academy Awards for original screenwriting (The Big House and The Champ).

Hollywood vs. The Author is a collection of non-fiction anecdotes by authors who’ve had the pleasure of experiencing the development room firsthand - some who have successfully managed to straddle the two worlds, seeing their works morph into the kinds of feature films and TV shows that make them proud, and others who stepped blindsided into that room after selling their first or second novels. All the stories in this collection illustrate the great divide between the world of literature and the big or small screen.

How do you become a television writer? What does it take to create your own show? Did the writers of Lost really have a plan, or were they making it all up as they went? In a career spanning far longer than he cares to admit, Javier Grillo-Marxuach has not only written for some of your favorite (and not-so-favorite) shows.

He spent his earliest years in post WWII–refugee camps. He came to America and grew up in Cleveland—stealing cars, rolling drunks, battling priests, nearly going to jail. He became the screenwriter of the worldwide hits Basic Instinct, Jagged Edge, and Flashdance. He also wrote the legendary...

Jean Renoir's career almost spans the history years of cinema - from the early silent movies, to the naturalism of the talkies, committed cinema, film noir, Hollywood studio productions, the Technicolor-period comedies and fast television techniques. His film The Grand Illusion remains one of the greatest movies about the effects of war.

When did documentaries get glamorous? Documentary Superstars looks at the history of documentaries and traces their transition from hands-off to in your face. Exclusive interviews with Michael Moore, Morgan Spurlock, Errol Morris, George Clooney, Sacha Baron Cohen, Morgan Freeman, Al Gore, and more of the biggest names in the field show the impact of the documentary style on mainstream movies and on our society.

Raymond Chandler was one of the most original and enduring crime novelists of the 20th century. Yet much of his pre-writing life, including his unconventional marriage, has remained shrouded in mystery. In this compelling, wholly original book, Judith Freeman sets out to solve the puzzle of who Chandler was and how he became the writer who would create in Philip Marlowe an icon of American culture.

An example of breaking down a screenplay into 12 beats.

Script Culture and the American Screenplay treats the screenplay as a literary work in its own right, presenting analyses of screenplays from a variety of frameworks, including feminism, Marxism, structuralism, philosophy, and psychology. Boon demonstrates that whether we are concerned with aesthetics and identifying rules for distinguishing the literary from the non-literary, or whether we align ourselves with more contemporary theories, which recognize texts as distinguishable in their inter-relationships.

Each eye-wateringly funny script in this book is based on real life events featuring Sting, Jim Berryman and related characters. It is set in 60s and 70s Newcastle before Sting rose to fame as the frontman of the band The Police.

In this sequel to Creative Writing Career: Becoming a Writer of Movies, Video Games, and Books, Stephan and Justin continue to bring you industry advice as well as interviews with screenwriters, video game writers, and authors of books and comics. These writers' credits include such amazing titles as: Big Fish; Batman; Game of Thrones; The Crow; Divergent; Brave; Yesterday's Gone; Sandman Slim; Jurassic World; and many more!

These are easily understood guidelines to make film writing accessible to novices and to help experienced writers improve their scripts. This audiobook pinpoints the structural and stylistic elements essential to a very well written screenplay. It entails step-by-step, comprehensive techniques for writing the script that will succeed.

This is an excerpt from the Military Veterans in Creative Careers book. It includes only the sections on writing books and screenwriting.

Have you ever wanted to improve your ability to write Horror Genre screenplays by 100%...200%…300% or more? If so, then here's how you can gut, slice, chainsaw, bite, hack, howl and chew your way to the top by writing Horror screenplays that slit throats, haunt houses, cook brains and tear souls apart. Believe it or not, it doesn't matter how much you already know about the Horror genre.

There are over 1,094 books on Amazon that show you "how to write a screenplay," but next-to-nothing on how to break into Hollywood, sell your script, and build a successful writing career. Until now.

Want to sell a screenplay, but figure there’s no chance it’ll ever happen? I mean, you don’t know a soul in Hollywood, right? You don’t have James Cameron on your speed dial. Christopher Nolan isn’t in your yoga class. Quentin Tarantino doesn’t shop at the same Whole Foods that you do. I mean, who’s going to take a chance on you? There’s no way you could ever sell a screenplay. Right? Well…

Writing successful screenplays that capture the public imagination requires more than simply following the formulas prescribed by the dozens of screenwriting manuals currently in print. Learning the "how-tos" is important, but understanding the dramatic elements that make up a good screenplay is equally crucial. In A Poetics for Screenwriters, veteran writer and teacher Lance Lee offers aspiring and professional screenwriters a thorough overview of all the dramatic elements of screenplays, unbiased toward any particular screenwriting method.

Have you ever dreamed of writing the screenplay for a Disaster movie? If so, then here is how some of the world's top Disaster genre screenwriters do it…and how you can succeed in this genre too. The ideas in this book have been used by real screenwriters of major blockbusters - whether they realize it or not. Disaster Genre Secrets for Screenwriters distills their mastery for you and is here to serve as your screenwriting guide. Don't worry! None of the ideas and techniques in this book are rocket science. Frankly, if you can watch a Disaster movie, you can write one.

Want to know how to write a script that people will remember, and can catch the attention of producers and other above-the-line talent? (Don't worry about agents; they don't want to talk to you). Nail your dialogue. Really. Now I know you've heard all the maxims: Film is a Visual Medium; You Can Either Write Dialogue or You Can't. And they both sound very logical. And esteemed writers, such as David Mamet, have been preaching them for years. But, in my not so humble opinion, they're both total bullcrap.

Short Film Structure Secrets - Short Films - There's no secret that structuring a short film can be a difficult process because of how condensed short films can be in relation to a feature film. Author Chike Camara has done it again. This book demystifies the process and gives you a breakdown of some of the most common short film types, how their structures work, why their structures work and how to take your own short film idea to the next level. In a way, it teaches you how to create a short film as well.

Automatic Pilot is the definitive guide on how to create and write an original pilot. It takes you through the step-by-step process of writing your own pilot script. It is adapted from Bill Taub's very successful UCLA Extension Writers' Program online workshop, Writing a Spec Pilot, which he has been teaching to students all over the world since 2006.

Antwone Quenton Fisher was raised in institutions from the moment his single mother gave birth to him in prison. As a foster child, he suffered more than a dozen years of emotional abandonment and physical abuse, until he escaped and forged a life on the streets. And just as his life was about...