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Paradise (Paradiso) is the third canticle of Dante Alighieri's world-renowned narrative poem describing the poet's journey through the realms of the afterlife. Here Dante is guided by his beloved Beatrice through the nine celestial regions of Paradise, leading to the last, Empyrean Heaven, the dwelling place of God and the angels.

Paradiso gives our imagination a hint of the beauty to come, by uncovering the deepest reality of the life we are living now. God is the same, eternity past to eternity future; He is the same God today. The great crescendo that is His beauty, dance, song, joy, holiness, and glory we hear but dimly, as from a distance land; but it undergirds and gives meaning to everything we know and experience.

This story is presented with several poems. ''The Strange Prince'' by Yonggi Gray is presented in a weird format, and it is from a weird story. The Prince has been in love one true time, and try to talk to several ones, but time and times again the meaning of love is changing until he will find a better true Love from what God has planned for him.

Dante’s Purgatorio follows the pilgrim as he emerges from the grit and grime of Hell, and comes to the shores of sanctification, the mountain where souls are made holy and beautiful. Join Dante as he climbs the various terraces of the mountain; encounter with him the various trials and hardships that refine God’s redeemed, preparing them for glory; learn what it means to hunger for righteousness and to rest in mercy; join the communion of saints who rejoice in their light, momentary afflictions, and find solace in the trials, as they are conformed to the image of their Lord.

Paradise Lost is an epic poem in blank verse by the 17th-century English poet John Milton (1608–1674). The first version, published in 1667, consists of ten books with over ten thousand lines of verse. A second edition followed in 1674, arranged into twelve books (in the manner of Virgil's Aeneid) with minor revisions throughout. It is considered by critics to be Milton's major work, and it helped solidify his reputation as one of the greatest English poets of his time.

This is the newest version of 'The Shortest Day' which is bridged with new bridging verses to give it a different outlook and flavor to the poetry. It is not as compact and tight as the original but it has its own dynamics I actually prefer the bridged version, what do you think?

Set in an America populated by petty and often pathetic gods, American Howl relates the struggle of food-service workers on a fateful Super Bowl Sunday. During the rush, a gang of delivery drivers revolts to exact vengeance upon abusive customers. While the drivers fight for dignity, the surge of orders for chicken wings and pizzas turns a gluttonous evening into a chaotic nightmare.

"Goddesses Unchained" is a literary treasure trove that empowers and celebrates the myriad forms of feminine strength. Anderson's poetic mastery breathes life into these ancient deities, demons, and monsters, unveiling their timeless relevance and inspiring listeners to embrace their own strength and spirit. It is a captivating journey through the realms of myth and a testament to the enduring power of the feminine divine.

As an African American, have you hungered for stories about your ancestral home? Have you scoured the shelves for historical accounts depicting your ancestors as anything but enslaved people? Have you searched for literature that depicts women of African heritage as the powerful, complex, beautiful beings they are—but found only one-dimensional caricatures?

Aeneas ist eine Person sowohl der griechischen als auch der römischen Mythologie. Er entstammt einer Nebenlinie des trojanischen Herrschergeschlechts und ist Sohn des Anchises und der Göttin Aphrodite (röm. Venus). Aeneas gilt als Stammvater der Römer. Seine Geschichte wird erzählt vom römischen Dichter Vergil. Sie ist in lateinischen Versen abgefasst und schlägt eine Brücke zwischen der trojanischen der römischen Sagenwelt.

Sound interesting? The author thinks so too! Listen to The Seven and God and experience the compelling world of poetry.

Almost all my fiction is war fiction. Action adventure, invasions, countries on the brink of disaster, a man, men, and sometimes women, standing against a tide. Blades flashing, blast rifles set on auto. Lawmen, soldiers, and impossible odds. Characters whose minds ride the edges of insanity.

A fallen knight descends into the Underworld, defiantly challenging Death itself. He confronts nightmares and echoes of his life’s decisions and their consequences, constantly searching for his way back.

A powerful and poignant translation of Vergil’s epic poem, newly equipped with introduction and notes.

Maximilian I. (1459-1519) ist „Held Theuerdank“. Die Geschichte - in frühneuhochdeutscher Sprache - handelt von einer stark allegorisierten Form menschlichen Verhaltens. Theuerdank wird von „drei Erzlastern“ in allerlei Gefahren und Hinterhalte gelockt. Die Hauptmänner „Fürwittig (Übermut), Unfallo (Vermessenheit) und Neidelhart (Neid)“, schützen die „drei Pässe“, durch die Theuerdank reisen muss, um zu Königin Ehrenreich zu gelangen.

Великий шумерский эпос, появившийся на свет несколько тысячелетий назад, передаваемый из уст в уста, а затем выгравированный на камне, кажется настолько далеким от современного человека, насколько это возможно. Однако благодаря прозаическому переложению историка и писателя Анджея Иконникова-Галицкого "Гильгамеш, сын Лугальбанды" превращается из древней недостижимой легенды в близкую, понятную и невероятно увлекательную историю. Иконников-Галицкий подарил этому эпосу новую жизнь, а мы - голос, ведь аудиоверсию прозаического пересказа блестяще исполнил Александр Гаврилин.

«Песнь о Нибелунгах» – один из самых фундаментальных эпосов мировой культуры наряду с «Илиадой», «Одиссеей», «Беовульфом», «Калевалой». Эта знаменитая германская поэма была написана неизвестным средневековым автором более 800 лет назад, но ее великая трагедия и великая красота трогает сердца и сегодня. В центре насыщенного и драматичного сюжета – женитьба героя-драконоборца Зигфрида на бургундской принцессе Кримхильде.

You may think you know Vergil’s epic poem, The Aeneid - the story of Aeneas, a Trojan hero, prophesized to found Rome. Or maybe you’ve heard of the fearsome Cyclopes, the tragic queen Dido, the Trojan horse, the River Styx and the three headed dog who guards the underworld. But what of the man who wrote it and why? This is that story.

Ion is a very short Platonic dialogue between Socrates and a rhapsode by the name of Ion who specializes in reciting the poetry of Homer. The dialogue explores the nature of poetic and artistic inspiration in a most playful way.

Dante's Inferno by Dante Alighieri. The first part of Dante's Divine Comedy , the "Inferno" (or "Hell"), begins on the night before Good Friday in the year 1300, "halfway along our life's path". Dante is thirty-five years old, half of the biblical life expectancy of 70, lost in a dark wood, assailed by beasts he cannot evade, and unable to find the straight way to salvation. Conscious that he is ruining himself and that he is falling into a deep place where the sun is silent, Dante is at last rescued by Virgil, and the two of them begin their journey to the underworld.