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From the New York Times bestselling author of World of Wonders and Bite by Bite, Aimee Nezhukumatathil’s fifth collection of poetry explores love, nature, and the transformative powers of the night. In her latest poetry collection, Aimee Nezhukumatathil plumbs the depths of nighttime, crafting a series of nocturnes that explore the magic, sensuality, and life that emerge as the rest of the world goes to bed.

No Sweet Without Brine is both a soulful and celebratory collection that summons sticky sweet memories with an acrid aftertaste of deep thought. Satisfying moments are captured in odes to Idris Elba’s dulcet tones on a meditation app and the satisfaction of half-priced Entenmann’s poundcake; in childlike observations of parental Black love, the coveted female form on Jet Magazine covers, and the desire for Zamunda to be a real place full of Black joy.

Side Notes from the Archivist is a preservation of Black culture viewed through a feminist lens. The Archivist leads listeners through poems that epitomize youthful renditions of a Black girl coming of age in Philadelphia’s pre-funk ’80s; episodic adventures of “the Black Girl” whose life is depicted through the white gaze; and selections of verse evincing affection for self and testimony to the magnificence within Black femme culture at-large.

Kate Baer shot into the literary stratosphere with the publication of her debut poetry collection, What Kind of Woman, which became an instant #1 New York Times bestseller. Kate’s second full-length book of traditional poetry, And Yet, dives deeper into the themes that are the hallmarks of her writing: motherhood, friendship, love, and loss. Taken together, these poems demonstrate the remarkable evolution of a writer working at the height of her craft, pushing herself and her poetry in a beautiful and impressive way.

Linda Gregerson’s long-awaited new collection is a tour de force, a compendium of lives touched by the radical fragility of the planet and, ultimately, the endless astonishment and paradox of being human within the larger ecosystem, “in a world where every breath I take is luck.”

From “Portrait of the artist, gaslit” to “Portrait of the artist’s ancestors” to “Portrait of the artist reading a newspaper,” the poems in Harbinger reflect the many facets of the artistic self as well as the myriad influences and experiences that contribute to that identity.

The author of the number one New York Times best seller What Kind of Woman returns with a collection of erasure poems created from notes she received from followers, supporters, and detractors — an artform that reclaims the vitriol from online trolls and inspires listeners to transform what is ugly or painful in their own lives into something beautiful.

Renowned for his inventive mind, ambitious play with language, and dexterity with a wide range of tones and styles, John Ashbery has been a major artistic figure in the cultural life of our time. Parallel Movement of the Hands gathers unpublished, book-length projects and long poems written between 1993 and 2007, along with one (as yet) undated work, to showcase Ashbery’s diverse and multifaceted artistic obsessions and sources, such as children’s literature, cliff-hanger cinema reels, silent films, and classical music variations by Beethoven’s pupil Carl Czerny.

“When life throws you a bag of sorrow, hold out your hands/Little by little, mountains are climbed.” So ends Kate Baer’s remarkable poem “Things My Girlfriends Teach Me”. In “Nothing Tastes as Good as Skinny Feels” she challenges her listener to consider their grandmother’s cake, the taste of the sea, the cool swill of freedom. In her poem “Deliverance” about her son's birth she writes, “What is the word for when the light leaves the body/What is the word for when it/ at last, returns”.

Renowned poet Kate Baer returns with a bold and compassionate collection that confronts the march of time in a shifting world. How About Now is a striking declaration of ongoing transformation and self-discovery. From the poet who has captured the heartbeat of the modern woman, this collection reaffirms Kate Baer’s place among the most vital voices of our era.

A gorgeous collection of poems exploring womanhood, sisterhood, love, loss, and longing, for people who find catharsis in poems, or people who have always wanted to read or listen to poetry, but don’t know where to start.

Rebirth, renewal, and healing are the heart of Joy in the Belly of a Riot. Barbara Fant’s monumental collection is a continuation of her lifelong project of using poetry as prayer; this is healing-informed poetry to restore herself, her community, and the world. Exquisitely lyrical and boldly resonant, Fant’s poems excavate the nightmares of a childhood marked by poverty, violence, racism, and the loss of countless loved ones. Suffering seemed endemic to neighborhoods like hers, and yet, in Fant’s own words, “I keep trying to write about the trauma, but the joy won’t let me.”

Nikki Giovanni’s extraordinary new collection—a landmark of American literature—speaks to the fury of our current political moment while reflecting on the tragedies and triumphs of her early life.

With breathtaking lyricism and a vulnerability that pierces the heart, April Gibson journeys through the emotional abysses, the daily pleasures, the frustrations, and the joys of being a Black woman living with chronic illness. Gibson offers a unique perspective on “the body,” viewing disability and healthcare through both feminist and socio-economic lenses filtered by race and faith. Through gorgeous sensory language that migrates memories, from carefree innocence to the ravages formed in its absence, Gibson bears witness to grief, courage, and resistance to redefine herself on her own terms.

A diaspora of memories runs through this poetry collection—a multiplicity of voices, bodies, and houses hold archival material for one another, tracing paths between Brooklyn, Beirut, and Jerusalem. Boundaries and borders blur between space and time and poetic form—small banal moments of daily life live within geopolitical brutalities and, vice versa, the desire for stability lives in familiarity with displacement.

Temp jobs, conspiracy theories, squatters, talk therapy, urban gardening, the robot revolution: this collection fixes its eye on the strangeness of labor, through poems that are searching, keen, and wry. The virtuosic central sequence explores the untimely death of the poet’s estranged father, a handyman and addict, and the brothers left to sort through the detritus of a life long lost to them. Through lyrical, darkly humorous vignettes, Kunz asks what it costs to build a home and a love that not only lasts but sustains.

Steph Catudal is beloved for her poignant meditations on loss, uncertainty, and illness, and the raw, wise reflections of her “brilliant, unflinching, lyrical” (Matt Haig) New York Times bestselling memoir Everything All At Once. Now, Catudal brings her trademark wisdom and strong lyrical voice to bear in her first collection of verse, delving into the challenging yet often rich parts of life people often lack the courage to face.

Modern parenthood can feel indescribable. This poignant collection of poetry and art chronicles the ups and downs of a rollercoaster ride that every parent will recognize. Capturing the joys and frustrations that come with each fleetingly precious (or interminable) stage of development, Poems of Parenting will be a balm to the soul of weary parents. From fresh baby snuggles to terrible tantrums, and everything in-between, artist Loryn Brantz has touched on something unique and universal in her debut poetry collection based on her popular Instagram series