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Eine feministische Ikone für die Generation Instagram - über 400.000 verkaufte Exemplare weltweit. Florence Given ist eine der international bekanntesten jungen Stimmen des Feminismus. Ihre charakteristischen Zeichnungen lieben über 600.000 Follower:innen auf Instagram. "Frauen schulden dir gar nichts" war ein großer Bestseller in UK. Die zweiundzwanzigjährige Florence Given ermutigt ihre Leser:innen, sich von gesellschaftlichen Erwartungen freizumachen.

Global inequality is growing. Financial markets disenfranchise women, the 99 percent, and the planet itself. But what if we found the source of power and turned it inside out? What if we made the tools of the system available to all? From growing up with constrained life chances, to working as the first Bangladeshi woman on Wall Street, to becoming a global leader in impact investing, Shahnaz takes us on a mesmerizing trek of innovation, compassion, and enterprise. 

The concept of intersectionality has become a central topic in academic and activist circles alike. But what exactly does it mean, and why has it emerged as such a vital lens through which to explore how social inequalities of race, class, gender, sexuality, age, ability, and ethnicity shape one another? In this fully revised and expanded second edition of their popular text, Patricia Hill Collins and Sirma Bilge provide a much-needed introduction to the field of intersectional knowledge and praxis.

Beginning with a brief overview of the various goals and phases of feminism from the early 19th century onward, writer and feminist theorist Jennifer Baumgardner takes you on a tour of a tumultuous decade full of complex issues and contradictions through the lens of the feminist movement and the ways it shaped - and was shaped by - the closing years of the 20th century. From abortion rights to ‘zines, Feminism in the 1990s explores the ways third-wave feminism reacted to popular culture while simultaneously being co-opted by it.

In a heartbreaking yet hopeful collection of personal essays and prose poems, blending the confessional, political, and literary, Kai Cheng Thom dives deep into the questions that haunt social movements today. With the author's characteristic eloquence and honesty, I Hope We Choose Love proposes heartfelt solutions on the topics of violence, complicity, family, vengeance, and forgiveness.

Sound interesting? The author thinks so too! Listen to Transgender Rights vs. Women’s Rights from Conflicts to Co-Existence and learn about basic human rights.

Bloomsbury presents Woman at Point Zero by Nawal El Saadawi, read by Amira Ghazalla. 'An unforgettable, unmissable book for the new global feminist.' The Times 'I think her life has been one long death threat. At a time when nobody else was talking, she spoke the unspeakable' – Margaret Atwood...

**One of AudioFile Magazine's Best Audiobooks of 2019** NEW YORK TIMES BESTSELLER Now with a new afterword! How can we summon a moment of lift for human beings—and especially for women? Because when you lift up women, you lift up humanity. For the last twenty years, Melinda Gates has been on a...

You know the songs by heart. You’ve traded the friendship bracelets. You’ve worn the cowboy boots and the bejewelled bodysuits. Now, get the inside track on this generation’s biggest super star – Taylor Swift. An intimate look at the life and music of modern pop's most legendary figure...

Partant de l'analyse des interdits misogynes, solides remparts d'une supériorité masculine dont la réalité paraît sérieusement ébranlée, Virginia Woolf définit les conditions d'existence et la spécificité de la création pour les femmes. Il faut d'abord "une chambre à soi", dont la portée va bien au-delà du matériel. Il suffit d'entrer dans n'importe quelle chambre de n'importe quelle rue pour que se jette à votre face toute cette force extrêmement complexe de la féminité.

At its core, an economy is about providing goods and services for human well-being. But many economists and critics preach that an economy is something far different: a cold and heartless system that operates outside of human control. In this impassioned and perceptive work, Julie A. Nelson asks...

From the author of Enemy Feminisms and Abolish the Family , an original diagnosis of femmephobia in our culture, and a vision of a life-giving femme feminism for all. To be femme is to embody a dispossessed femininity, to be freighted with freedom, to refuse to be made proper or institutionalized. To love it is to embrace love for women (be they butch or not) in the broadest sense.

A fully revised and updated edition to a classic bestseller, The Macho Paradox is the first book to show how violence against women is a men's issue—and how all genders can come together to stop it. From the #MeToo movement to current discussions about gender norms in schools, sports, politics...

Por que o estupro é um crime ainda tão comum no Brasil? Por que a vítima muitas vezes é tão – ou mais – julgada pela sociedade do que o próprio criminoso? Por que é tão difícil fazer uma denúncia? Após quatro anos de pesquisas, viagens pelo país e mais de 100 entrevistas com vítimas e familiares, criminosos, psiquiatras e diversos especialistas no assunto, a jornalista Ana Paula Araújo escreve Abuso - a cultura do estupro no Brasil com coragem e sem meias-verdades.

The expectation used to be that men would be masculine and women would be feminine, and this was assumed to come naturally to them in virtue of their biology. On this view, sex is gender and gender is sex. A new view of gender has emerged in recent years, a view on which gender is an "identity," a way that people feel about themselves in terms of masculinity or femininity, regardless of their sex. On this view, sex is dismissed as unimportant, and gender is made paramount.

How many women artists do you know? Who makes art history? Did women even work as artists before the twentieth century? And what is the Baroque anyway? Guided by Katy Hessel, art historian and founder of @thegreatwomenartists, discover the glittering paintings by Sofonisba Anguissola of the Renaissance, the radical work of Harriet Powers in the nineteenth-century United States, and the artist who really invented the "readymade." Explore the Dutch Golden Age, the astonishing work of postwar artists in Latin America, and the women defining art in the 2020s.

¿Quién dijo que convertirse en una mujer de mediana edad iba a ser una tarea fácil? Caitlin Moran, que arrasó con aquel tronchante y lúcido manifiesto de feminismo asilvestrado titulado Cómo ser mujer, regresa con una secuela que desmonta la teoría de que segundas partes nunca fueron buenas, dada la espectacularidad de esta. Si en la anterior entrega hablaba la joven Caitlin, aquí es la cuarentona la que vuelve a la carga. Ahora las experiencias vitales son otras y han cambiado algunas prioridades y puntos de vista, pero la pluma con la que escribe sigue afiladísima.

Ellie y Rebecca son dos estudiantes de la universidad de Florida que tratan de mantenerse al día con sus estudios, divertirse con sus amigas y soportar el ambiente machista que prevalece en su escuela. Todo cambia cuando los restos de un estudiante son encontrados en aguas cercanas al campus...

The Me Too movement, started by Black feminist Tarana Burke in 2006, went viral as a hashtag 11 years later after a tweet by White actor Alyssa Milano. Mainstream movements like #MeToo have often built on and coopted the work of women of color, while refusing to learn from them or center their concerns. Far too often, the message is not "Me, Too" but "Me, Not You". Me, Not You argues that the mainstream movement against sexual violence expresses a political whiteness that both reflects its demographics and limits its revolutionary potential.

THE SUNDAY TIMES BESTSELLER Angry, opinionated, mouthy, aggressive, hysterical, mad, disordered, crazy, psycho, delusional, borderline, hormonal . . . Women have long been pathologized, locked up and medicated for not conforming to whichever norms or stereotypes are expected of them in that time...