検索キーワード： 女性学

Un retrato perspicaz y atrevido de la masculinidad contemporánea. Cualquier feminista que haya dialogado ante el público sobre las frustraciones y los lastres innatos a la aventura de ser mujer habrá tenido que enfrentarse alguna vez a la pregunta: «¿Y los hombres qué?». Y si la feminista en cuestión lleva años intentando convencer a ese público de que las preocupaciones de ambos sexos son cosas muy distintas, su respuesta automática, muy probablemente, habrá sido algo como: «¿Por qué me sacan este tema? ¡Yo soy feminista! ¡Mi especialidad son las mujeres! No me ocupo de… los otros».

Meet queer, BIPOC, and women artists around the world as they discuss the gifts, costs, and redemptive power of pursuing a creative life Is the all-encompassing quest to become a self-sustaining artist worth the sacrifices it often requires? Throughout her 20s and 30s, Stephanie Elizondo Griest...

The spring of 1903 proved disastrous for the Murphy family. On April 22, the infant Ruth Murphy died in her crib. Within an hour, her mother, Gertrude, experienced a violent spasm before she, too, died. Ten days later, John Murphy followed his wife and child to the grave after suffering from a crippling convulsion. While neighbors whispered about a curse and physicians feared a contagious disease, Kalkaska County sheriff John W. Creighton and prosecuting attorney Ernest C. Smith searched for answers. As they probed deeper into the suspicious deaths, they uncovered a wicked web of intrigue.

In 2008, academic and scholar Susan Gubar was told by a trusted oncologist that she had only a few years left to live. Though she outlived that dire prognosis, this brush with mortality refocused her attention on the boons of a longevity she did not expect to experience. She began to think: In the last years of our lives, can we shape and change our creative capabilities? The resulting volume, Grand Finales, answers this question with a resounding yes.

By day, Gary Heidnik was a man of God with money, charisma, and a growing congregation. But behind closed doors, he was building a torture chamber by hand and filling it with women.

Through insightful narrative and meticulous research, listeners will unravel the intricacies of Ruth's early life, her pivotal role in the invention and evolution of Barbie, and the profound impact her creation had on generations of children worldwide.

Siamo donne, ma una volta siamo state bambine. E da bambine avevamo sogni, grandi sogni. Sognavamo di essere amate, di avere un ruolo insostituibile in una grande avventura, di portare vita e bellezza nel mondo. Quei desideri sono molto più che "cose da bambine". In essi respira il segreto del nostro cuore di donna. Eppure, con il passare degli anni, il cuore di una donna generalmente viene messo da parte, ferito, sepolto.

La parola « femminista » non conosce mezze misure: la ami o la odi, la dici o la bruci. E ancora dopo anni da quando è stata usata per la prima volta continua a evocare una grande varietà di significati, immagini e letture. Sembra arduo pensare a una definizione che ne comprenda le diverse sfumature e ne mostri l'evolversi nel tempo e nello spazio. Eppure, in questo saggio, Vanessa Roghi riesce a farlo in modo brillante.

A hilarious, ambitious work of trenchant cultural criticism that traces the origins of today’s crisis of masculinity through . . . Michael Douglas’s oeuvre from the eighties and nineties How to be a Man? That question—and all the anxiety, anger, and resentment it stirs up—is the starting...

En esta nueva aventura, que busca ser diversa y universal, pero que no deja de lado la vivencia personal, Diana Uribe nos lleva con su voz por un relato apasionante que nos permitirá descubrir las múltiples experiencias de lo femenino a lo largo de la historia.

"Beyond Limits is moving, personal, insightful, and powerfully written. This book helps us to see people who seek abortions with clarity and compassion, as people in the real world, rather than as the objects of an abstract moral or political debate."—Diana Greene Foster, author of The...

Kaum etwas wird mehr romantisiert als romantische Liebe … Dabei ist ihre Realität alles andere als romantisch–und das vor allem für Frauen. … kaum etwas hat diese Romantisierung weniger verdient!

A Trilogy Honoring the Strength, Clarity, and Influence of Women Over Time. This Trilogy invites the female listener to explore and hone their personal truths, innate wisdom, intuition, and power which can grow over time. It includes the following books for your personal growth: A Woman’s Worth Defining and Claiming Your Worth! Permission is not required! In a world that often undervalues the feminine wisdom of age, "A Woman's Worth" boldly challenges societal norms, offering a refreshing narrative for women in the second half of life.

The ultimate guide to female friendship, mutual empowerment, and reclaiming “gossip” from the patriarchy, with humorous anecdotes and 30 practical exercises from social media star Tova Leigh. When women talk together, amazing things happen ... Offering practical tools as well as stories from Tova’s own personal experience and from the many women she has met along the way, Good Girls Gossip gives all women permission to be themselves, and highlights the key role other women play in female empowerment.

Why do radical movements and spaces sometimes feel laden with fear, anxiety, suspicion, self-righteousness, and competition? Montgomery and bergman call this phenomenon rigid radicalism: congealed and toxic ways of relating that have seeped into social movements, posing as the “correct” way of being radical. In conversation with organizers and intellectuals from a wide variety of political currents, the authors explore how rigid radicalism smuggles itself into radical spaces, and how it is being undone.

Thelma & Louise, the 1991 film directed by Ridley Scott and starring Susan Sarandon and Geena Davis, has been described as a road movie, a buddy movie, a feminist parable, and only incidentally as a Western. An Oscar winner for first-time screenwriter Callie Khouri, Thelma & Louise catalyzed a national conversation about women, violence, and self-determination in a Hollywood still shrugging off the West of John Wayne and in an America that still viewed women as accessories to the national mythology.

Between the 1870s and 1930s, American social reformers, working closely with the US government, transformed sexual vice into an international political and humanitarian concern. As these activists worked to eradicate prostitution and trafficking, they promoted sexual self-control for both men and women as a cornerstone of civilization and a basis of American exceptionalism. Empire of Purity traces the history of these efforts, showing how the policing and penalization of sexuality was used to justify American interventions around the world.

How do you cheer up a woman who has spent hours cleaning prison toilets with a broken mop? The secret is in a tres leches cake. In Iran’s prisons, women endure horrors: they are beaten, interrogated, and humiliated in a thousand ways. Even a whisper to a fellow inmate can be punished. Yet—in spite of anything and everything—they resist: they bake. They console each other, cry together, dance together. The Evin Prison Bakers’ Club is a call to stand up for women, life, and freedom by a woman still fighting for a free Iran.

Was erzählen uns Handabdrücke auf frühen Höhlenmalereien über die Rolle der Frau bei der Jagd? Und die parfümierten Handschuhe der Katharina von Medici über Prostitution im 16. Jahrhundert? Was hat ein Mobiltelefon mit Femiziden zu tun? Oder Kim Kardashians Brillantring mit Elena Ferrante? Eine Kulturgeschichte der Frau erzählt entlang an 100 Objekten, gelesen von berühmten weiblichen Stimmen unserer Zeit. 100 bemerkenswerte Frauen aus dem öffentlichen Leben haben die Texte eingelesen, darunter Schriftstellerinnen und Künstlerinnen, Unternehmerinnen und Politikerinnen, Wissenschaftlerinnen und Aktivistinnen.

No Such Thing as Normal is a deeply researched, timely, essential book that will shine a light on the psychiatric industry: its genesis, its obsession with often ineffective, over-medicalised treatments, and its relationship with a pharmaceutical industry driven by profitability rather than meaningful social welfare and change.