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Sam has been hired by Miss Elizabeth Collie to investigate a number of thefts that have occurred at the Miss Wigginson School for Girls. Herself and Ursula Cavanagh, one of the board directors, have decided that they know who the culprit is, they just have to prove it. They have no evidence, but they just want Sam to prove that their suspicions are correct.

Sam is hired to find a drunken engineer, who is promptly found scalped. A valuable wampum belt is stolen. Indian Chief Black Cloud wants to employ Sam Spade to find someone. Chief Black Cloud owns 130 oil wells and had come to San Francisco to talk to Clarence Hobart from a big engineering company, then after four days Hobart has disappeared.

At a construction site, Bill Woods, the foreman, is shot dead while he's on the 20th floor. For the second week, Richard Kollmar is not heard during the program. Blackie does manage to croak a few words while sick in bed (possibly voiced by Jackson Beck).

There's a fender missing on the family car, and Molly's afraid to tell Fibber.

Frank takes another merciless ribbing about his physique. Frank, Bud, Lou, and Connie are back in school in Hasbrouck Heights, New Jersey. Who invented the steam engine? Not Watt! Frank and Lou sing a duet to "One Meatball". Frankie sings "If You Were But a Dream".

In The Six-Shooter, James Stewart starred as Britt Ponset, a drifting cowboy in the sunset years of the Wild West. Episodes ranged from straight Western drama to light and sentimental comedy. Stewart, being one of the reigning stars of Hollywood at the time, also brought his own touches to bear. His use of whispered narration during tense scenes created a heightened sense of drama and then relief when the situation was resolved.

In The Six-Shooter, James Stewart starred as Britt Ponset, a drifting cowboy in the sunset years of the Wild West. Episodes ranged from straight Western drama to light and sentimental comedy. Stewart, being one of the reigning stars of Hollywood at the time, also brought his own touches to bear. His use of whispered narration during tense scenes created a heightened sense of drama and then relief when the situation was resolved.

In The Six-Shooter, James Stewart starred as Britt Ponset, a drifting cowboy in the sunset years of the Wild West. Episodes ranged from straight Western drama to light and sentimental comedy. Stewart, being one of the reigning stars of Hollywood at the time, also brought his own touches to bear. His use of whispered narration during tense scenes created a heightened sense of drama and then relief when the situation was resolved.

In The Six-Shooter James Stewart starred as Britt Ponset, a drifting cowboy in the sunset years of the Wild West. Episodes ranged from straight Western drama to light and sentimental comedy. Stewart, being one of the reigning stars of Hollywood at the time, also brought his own touches to bear. His use of whispered narration during tense scenes created a heightened sense of drama and then relief when the situation was resolved.

Sir John Woodstock (James Fleet) is the Lord of the Castle and basically in charge of keeping order in the ramshackle medieval village. Although he hates all that torturing and usually lets the peasants off with a bit of community service. He lives in his huge but slightly falling down castle (but then it was built by the French, so what can one expect) with his daughter Anne (Martha Howe-Douglas) and very teenage son Henry (Steven Kynman). Anne’s best friend Charlotte (Ingrid Oliver) nearly always joins Anne on her constant quest to find fit men in the village.

A current affairs parody and stupidly feasible visit to the 24-hour Hall Of Opinion Mirrors. Because there are two stories to every story. In the first episode - 'Stalemate' - a new trend in children’s parties and an international humanitarian disaster come under the Agendascope™. Plus - should Britain seek the expert advice of wheelwrights and hubmen? In episode two, 'Timebomb', some exciting new old repeats on your TV, a new use for cardboard and shepherds pie quite literally sweeps the nation. Plus an extraordinary revelation about Kate Bush...

Miranda is an unconventional woman. She’s six feet tall, self-conscious and posh. And is frequently mistaken for a man. She’s also invested her inheritance in a joke shop that she runs with her friend Stevie while trying to deal with her outrageously embarrassing mother. Though surrounded by chocolate willies, Miranda is determined to suss out what it takes to be a girly girl and to not look a complete idiot every time she meets the gorgeous Gary.

Like its predecessor Dragnet, Tales of the Texas Rangers adapted actual police case files for its broadcasts. Leading each week’s investigation of an actual Texas Ranger case was the same Texas Ranger, Jayce Pearson, portrayed by movie star Joel McCrea. Because the stories were set in the present day, Pearson used the latest scientific techniques to identify criminals. Unlike Joe Friday, Pearson didn’t have a regular partner, typically working with the local sheriff instead (who was usually portrayed by Parley Baer).

Sir Arthur Conan Doyle’s detective genius, Sherlock Holmes, came to NBC radio in 1930 starring Richard Gordon. By 1939, Basil Rathbone was heard as Holmes with Nigel Bruce as Doctor Watson. The duo were simultaneously starring in a popular series of Sherlock Holmes features for Fox, and later for Universal. By the end of the feature run in the mid 1940s, Rathbone was eager to separate himself from the radio show to avoid being typecast. Tom Conway took over with Nigel Bruce continuing as Watson (in this pairing Nigel Bruce received top billing).

In 1952, radio program creator Lawrence Klee brought The Chase to NBC radio. Developed as a psychological drama, the premise was that many life situations place their subjects in a chase of one type or another. A chase for fame. A chase from peril. A chase to beat the clock. A chase to escape death. The added twist was the question of, who is the hunter or the hunted in these situations? The scripts were fast-paced, starring top New York talent. The plots focused primarily on fear-inducing pursuits of one form or another.

Humphrey Bogart began his screen career mostly playing gangsters due to his resemblance to John Dillinger. Bogart’s breakthrough from supporting roles to A-list stardom came with his performances in High Sierra and The Maltese Falcon. In between film work, he enjoyed appearing on radio, often with his wife, Lauren Bacall. Here are 14 examples of his radio work spanning 1943 until 1952.

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready….

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready....

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready....

Director, actor, genius. Orson Welles was all these things and more. But talent can sometimes make people afraid. And Hollywood was very afraid of Orson Welles. So Welles went indie, making his own works on the proceeds of various jobs that required a big name and that very distinguished voice - perfect for radio. Here, in The Black Museum, he sets the scene as true life crime is retold. Mr Welles, we’re ready....