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The First 60 Years: The History of Afro-American Musical Theater and Entertainment chronicles the contributions made by Black Americans to the entertainment industry in America from 1871 through 1930. This book describes, among other subjects, the types of traveling circuses performers worked on and the types of material performed there. This book also chronicles the history and the beginnings of Black Vaudeville in America, the creation of the blues, and the beginnings of Black theatrical entrepreneurship that took place in America during its most racist times.

Few people in recent memory have dedicated themselves as devotedly to the story of twentieth-century American music as Rob Kapilow, the composer, conductor, and host of the hit NPR music radio program, What Makes It Great? Now, in Listening for America, he turns his keen ear to the Great American Songbook, bringing many of our favorite classics to life.

Inarguably one of the greatest dramas in the history of the American theater” (Chicago Tribune), Eugene O'Neill’s LONG DAY’S JOURNEY INTO NIGHT receives a vibrant and timely update….

The fiercely talented and versatile stage and screen performer Solea Pfeiffer (Hamilton, Almost Famous, The Light in the Piazza, and Evita) brings her powerhouse vocals and gift of storytelling to create a deeply personal musical narrative. Armed with her immense versatility as a vocalist, the Zimbabwe-born performer explores what it means to be a mixed-race person in America today and takes us on her journey toward self-discovery, self-love, and ultimately self-celebration.

There’s been a murder in studio one, and everyone’s a suspect. Recorded live at the Minetta Lane Theatre, a dozen Today and NBC News anchors take center stage in this hilarious radio play. First released in 1941, Murder in Studio One is a whodunit following a female private eye and her fast-talking sidekick as they reluctantly take the case of a murder in a New York radio station. Savannah Guthrie and Hoda Kotb lead an all-star NBC News cast in the comedic mystery produced in partnership with Audible.

The American theater was not ignorant of the developments brought on by World War II, and actively addressed and debated timely, controversial topics for the duration of the war, including neutrality and isolationism, racism and genocide, and heroism and battle fatigue. McLaughlin and Parry's work fills a significant gap in the history of theater and popular culture, showing that American society was more divided and less idealistic than the received histories of the WWII home front and the entertainment industry recognize.

The true story of a theatrical dream—or nightmare—come true…the making of the Spider-Man musical.

In 2017, New Yorker staff writer D.T. Max began working on a major profile of Stephen Sondheim that would be timed to the eventual premiere of a new musical Sondheim was writing. Sadly , that process – and the years of conversation – was cut short by Sondheim’s own hesitations, then the global pandemic, and finally by the great artist’s death in November 2021.

When the Atlanta-born Paul Ford first fell in love with the American musical theater at the age of five, he never imagined that his future skills as a "piano thumper" would lead him to a career on Broadway playing rehearsals or in the "pit" for classic Stephen Sondheim musicals and numerous concerts, birthday tributes, and television spectaculars. Now retired, the candid (and admittedly opinionated) author looks back on the performances and personalities that defined the American musical theater in the waning years of the 20th century.

After a betrayal at work costs Song Kuan her job, she retreats to her friend Lucy’s idyllic family cabin on a lake in Minnesota to lick her wounds. She devotes herself to recording Ice Cold Cases, a true-crime podcast that she and Lucy cohost with the gleeful energy of obsessed fans—until an anonymous tip about a missing-person case disrupts their equilibrium. Then Lucy disappears, leaving Song alone in an unfriendly and unfamiliar town where locals don’t take kindly to strangers asking questions.

Broadway, film, and TV actress Meredith Patterson takes you through intimate, personal, joyous, and often painful stories of her rise to Broadway, doing everything from cleaning toilets to impersonating Marilyn Monroe - whatever it took to support herself while battling self-doubt and cutthroat competition and trying to stay as human as possible in an often vicious industry. This is not only the story of her rise to Broadway, but also how tragedy made her come back down to Earth and place her life’s work, her driving force, into proper perspective.

And So We Walked is a frank, heartwarming, and inspiring story about a contemporary Cherokee woman and her father who embark on an incredible 900-mile journey along the Trail of Tears to truly understand her own identity and the conflicts of her nation. The play recounts the six-week journey, which retraced the path her great-great-grandparents took in the 1830s during the forced relocation of 17,000 Cherokee from their homelands.

While there are plenty of books about the mechanics of writing, this is the first time an insider has detailed the invaluable TV executive perspective. As key pieces of the entertainment puzzle, executives hold institutional wisdom that seldom gets disseminated outside network walls. The Executive Chair breaks down the business from the gatekeeper’s point of view, illuminating the creative process used by those who ultimately make the decisions.

Who controls our stories? Christopher Chen’s expectation-defying new play takes an unpredictable trip into the ways storytelling can reshape what we believe about ourselves and others. The play starts with a series of intriguing and seemingly unconnected creative conversations. It then takes a sharp turn when Sylvia - host of the popular interview program, Art Beat - goes missing and her listeners are left to wonder, is this also an art piece? The journey continues and the mysteries multiply in this mind-bending audio play that investigates the very nature of reality.

When Mia mysteriously disappears from her college campus, her mother Joyce fears the worst — and a warning from Mia’s ex-boyfriend reveals she may have left the country to join a cult. Joyce impulsively launches a cross-continental trip to rescue her, gradually learning more about the seductive cult leader via audio tapes her daughter left behind.

In How You Get Famous, journalist Nicole Pasulka raucously documents the rebirth of the New York drag scene, following a group of iconoclastic performers with undeniable charisma, talent, and a hell of a lot to prove. In the past decade, drag has become a place where edgy, competitive showoffs can find security in a callous and over priced city, a shot at real money, and a level of recognition queer people rarely achieve. But can drag keep its edge as it travels from the backroom to the main stage?

In 1978 Andy Warhol and Truman Capote decided to write a Broadway play. Andy suggested that he record their private conversations over the period of a few months, and that these tapes would be the source material for the play. The tapes were then filed away and forgotten. Their play was never completed. Now, award-winning director Rob Roth brings their vision to life after a years’ long search to unearth the 80 hours of tapes between two of the most daring artists of postwar America.

No Harm Done contains three ensemble performances of plays by Eugene Stickland about medical conditions ­- Closer and Closer Apart, Alzheimer's disease; Fade to Light, Stargardt, a form of blindness; and The Last Dance, Parkinson's disease. The first section of the audiobook contains the plays themselves and Stickland’s introductions to them, supplemented by commentaries by medical experts and spokespersons.

It’s Christmas Eve, and Lara anxiously anticipates the arrival of her sister, Cleo, so she can reveal a shocking family secret that has been haunting Lara since their mother’s death. By confronting revelations about their grandfather’s shameful past, Lara is hopeful that she and Cleo can make reparations and exorcise this ghost from their lives. The ghost, however, won’t be appeased so easily....

In 2010, the Upper Big Branch mine explosion in West Virginia killed 29 men and tore a hole in the lives of countless others. Now you can hear the first-person accounts from survivors and family members. In this riveting, emotionally stunning new work, Jessica Blank and Erik Jensen, award-winning writers of The Exonerated, and three-time Grammy Award-winning country/folk legend Steve Earle dig deep into the repercussions of the most deadly mining disaster in recent US history.