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In today’s music landscape, originality is no longer about creating from nothing—it’s about transforming what already exists into something unmistakably your own. The Sampling Playbook is a practical, creator-focused guide designed to help producers, beatmakers, and music enthusiasts master the art of sampling with confidence and creativity. This book goes beyond surface-level techniques and dives into the mindset, workflow, and technical execution behind powerful sample-based production.

In this lesson you learn both the rhythm and lead guitar parts to this Blues standard including the slide-guitar lead at the end. A full demonstration is provided at the beginning and then the lesson is taught “by ear” in short phrases. Once you have mastered the lesson, three different versions of the backing tracks are given for you (and a friend) to practice and perform with.

Finally! Now you can learn all the licks to Stevie Ray Vaughan’s rendition of "Voodoo Child" completely “by ear”. The lesson includes a full demonstration of the song followed by a detailed lesson of every lick. At the end of the lesson, you are given the backing tracks to practice and perform with. There are so many really great SRV licks in this lesson so don’t pass this one up!

This Eric Clapton hit is taught totally by ear and you learn every lick and phase on both the rhythm and lead guitars. The extended slide solo played by Duane Allman at the end of the recording is taught as well. This lesson also includes a full demonstration and backing tracks in different configurations for you to practice with and, ultimately, perform with!

For Bass Guitar: In this “by ear” lesson, you will learn the bass riffs for the entire song without music, tab, or video. The lesson is based on the studio version of the song, and you learn the basic patterns and all of their variations used in the song. The lesson includes a full demonstration of the bass part with drums and vocal cues, as well as backing tracks to play along with once you have learned the bass part.

In clear and entertaining prose, Plotkin explores a thousand years of music, introduces listeners to more than 100 great works, and profiles in depth many significant composers, including Bach, Mozart, Beethoven, Berlioz, Tchaikovsky, Dvoxak, and Mahler. He describes all the musical instruments in the orchestra, defines major musical terms, and makes music theory comprehensible for the uninitiated. There are also conversations with important musicians who offer fascinating insights about their art.

Jazz 101 is a fascinating entry into the world of jazz, for the beginner, novice, or jazz enthusiast. Szwed takes listeners on a tour of the varied and nonlinear history of jazz, exploring how it developed from an ethnic music to become America's most popular music and then part of the avant-garde in less than 50 years.

This Matt Redman worship song makes a wonderful fingerstyle guitar solo! This arrangement starts off simply with plenty of add-2 chords to give it an open feeling. Then verse two brings in the complexity and movement of arpeggios with a syncopated melody to really take this song up a notch. Bill Brown plays through the entire arrangement for you and then breaks it down into two- to four-measure sections completely “by ear”.

The Inner Game of music is that which takes place in the mind, played against such elusive opponents as nervousness, self doubt, and fear of failure. Using the same principles of "natural learning" W. Timothy Gallwey developed so successfully for tennis, golf, and skiing and applying them to his own field, noted musician Barry Green shows how to acknowledge and overcome these internal obstacles in order to bring a new quality to the experience and learning of music. 

A "radiantly accomplished" (Wall Street Journal) music scholar presents an accessible introduction to the art of listening to jazz In How to Listen to Jazz, award-winning music scholar Ted Gioia presents a lively introduction to one of America's premier art forms. He tells us what to listen for...

When you listen to music, do you prefer lyrics or melody? Intricate harmonies or driving rhythm? The “real” sounds of acoustic instruments or those of computerized synthesizers? Drawing from her successful career as a music producer (engineering hits like Prince’s “Purple Rain”), professor of cognitive neuroscience Susan Rogers reveals why your favorite songs move you. She explains that we each possess a unique “listener profile” based on our brain’s reaction to seven key dimensions of any record: authenticity, realism, novelty, melody, lyrics, rhythm, and timbre.

For Bass Guitar: This lesson begins with a full demonstration of the song and has backing tracks to practice and perform with once you have learned the bass part. The song is taught completely “by ear” using no tab, music, or video.

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In this “by ear” lesson you will learn a beginner level piano solo of “Happy Birthday.” The lesson begins with a full demonstration of the arrangement followed by a detailed audiobook style lesson teaching the song in two- to four-measure sections. When you learn “by ear” you learn quickly and more permanently by utilizing the spoken language centers of your brain. Learn by ear, play by ear. It really is that easy.

Brought to you by Penguin. Using musical examples from Bach to the Beatles, Levitin reveals the role of music in human evolution, shows how our musical preferences begin to form even before we are born and explains why music can offer such an emotional experience. Music is an obsession at the...

It's Not Just A Song by GRAMMY and BRIT nominated Irish singer-songwriter RuthAnne Cunningham is the must-have guide to writing hit songs. RuthAnne explores the psychology of the writing room, building relationships, production, what makes a good (or bad) deal, royalties and revenue, and the art of staying inspired. Her experience navigating the traditional music industry "Boy's Club" offers young female artists, in particular, some invaluable tools to get a step ahead in their early career and be wary of the hidden pitfalls.

This unforgettable and in-depth exploration of The Beach Boys’ incredible output during their early to peak years, from 1961 to 1967, interweaves recollections by group members, family, friends, and musical colleagues. David Beard compiles a wide range of fascinating and eye-opening conversations and original interviews with the group and integral figures in the band’s history, including Brian Wilson, Mike Love, Al Jardine, David Marks, Bruce Johnston, Jan Berry, Dean Torrence, Marilyn Wilson-Rutherford, Ginger Blake, and many others.

In this lesson, the student will learn both the rhythm and lead guitar parts to this Latin jazz hit without using music, tab, or video. At the beginning of the lesson, there is a full demonstration of the song with backing tracks to listen to and practice with. Next, the student is talked through every lick and phrase of the song for both guitars completely “by ear”. At the end of the lesson, there are backing tracks in three different configurations to perform with.

This box set has almost nine hours of high-quality, all-audio instruction teaching the bass lines to some of the most iconic songs in Rock history. This set is loaded with songs by The Beatles, but there are also some standards from Rock n Roll and a touch of Country.

Yiruma has quickly become a household name in the realm of solo piano playing. In this Piano by Ear lesson you will learn his signature hit completely “by ear,” using no music, print, or video. The lesson starts with a full demonstration of the song which is followed by a detailed “phrase-by-phrase, note-by-note” lesson of the entire song.