検索キーワード： 教則・技術

120 Famous Easy Piano Songs for Beginners is more than a songbook, it's a step-by-step piano course with lessons and music theory, based on famous tunes and simplified classical pieces. It's perfect for ages 11 and up, and for adults of any age, even without prior musical experience.

Practicing is an essential part of every musician's life, but we are rarely taught how to practice in the most effective and efficient way.

In this valuable resource guide for both beginners and professionals, veteran songwriter, producer, arranger, vocalist, music director, and educator Larry D. Batiste shares practical advice and tips from his decades of experience in ways that are bound to help all listeners improve their songwriting skills. Through this book, listeners will learn the craft of professional songwriting, including the ins-and-outs of song structure, lyric and melody writing, and the essential elements of a hit song.

In this lesson you will learn a late intermediate level arrangement of one of Chopin’s most enjoyed pieces. The arrangement is played completely and then taught in two- to four-measure sections using no print or music. Learning this song “by ear” makes it fast to learn and easy to memorize.

From Old England to Charlie Brown, there is a little bit of everything in this Piano by Ear Christmas box set. This set includes hours of professional piano instruction teaching late beginner to intermediate level solos of some of the most-performed Christmas carols of our time. There are also three Vince Guaraldi arrangements in this box set to add a little jazz to your holiday playing!

Music exists, first and foremost, in the soul, mind and body. It is something we feel before we understand it. Your introduction to the wonderful world of music theory, this audiobook will help you to decipher the language used to describe the intoxicating combination of art and science that is music.

Ear training is one of the most rewarding skills you can develop, and it’s one that you can work on every day. Which makes total sense: Music is an aural experience, after all. Ear training helps you turn the music you hear into music you make on your guitar. This works for your own musical ideas, too: When you dream up a great riff or chord progression, you naturally want to sit down and play it right away. Ear training helps you do just that.

A literary welcome mat to the beautiful world of classical music, this memoir is accessible and engaging for all. It brings listeners into rehearsals and concert halls, revealing the choices musicians must consider, and what conductors, players, and composers really do. A heartwarming story about passion, determination, and survival, I Knew a Man Who Knew Brahms explores music at its core. You will never listen to music the same way again, after hearing Nancy Shear's story.

In this lesson you learn both the rhythm and lead guitar parts to this Blues standard including the slide-guitar lead at the end. A full demonstration is provided at the beginning and then the lesson is taught “by ear” in short phrases. Once you have mastered the lesson, three different versions of the backing tracks are given for you (and a friend) to practice and perform with.

There are few creative acts more mysterious and magical than writing a song. But what if the goal wasn't so mysterious and was actually achievable for anyone who wants to experience more magic and creativity in their life? That's something that anyone will be inspired to do after listening to Jeff Tweedy's How to Write One Song. Why one song? The idea of becoming a capital-S songwriter can seem daunting, but approached as a focused, self-contained event, the mystery and fear subsides, and songwriting becomes an exciting pursuit.

The Inner Game of music is that which takes place in the mind, played against such elusive opponents as nervousness, self doubt, and fear of failure. Using the same principles of "natural learning" W. Timothy Gallwey developed so successfully for tennis, golf, and skiing and applying them to his own field, noted musician Barry Green shows how to acknowledge and overcome these internal obstacles in order to bring a new quality to the experience and learning of music.

Every time we open our mouths, we have an effect on ourselves and the way others perceive us. The ability to speak clearly and confidently can make or break a presentation, an important meeting, or even a first date. Now, with the advent of Skype, YouTube, podcasting, Vine, and any number of reality talent competitions, your vocal presence has never been more necessary for success or more central to achieving your dreams.

In How to Listen to Jazz, award-winning music scholar Ted Gioia presents a lively introduction to one of America's premier art forms. He tells us what to listen for in a performance and includes a guide to today's leading jazz musicians. From Louis Armstrong's innovative sounds to the jazz-rock fusion of Miles Davis, Gioia covers the music's history and reveals the building blocks of improvisation. A true love letter to jazz by a foremost expert.

For Bass Guitar: In this “by ear” lesson, you will learn the bass riffs for the entire song without music, tab, or video. The lesson is based on the studio version of the song, and you learn the basic patterns and all of their variations used in the song. The lesson includes a full demonstration of the bass part with drums and vocal cues, as well as backing tracks to play along with once you have learned the bass part.

Despite the ups and downs of his personal life and professional career—even in the face of deafness—Beethoven remained remarkably consistent in his most basic convictions about his art. This inner consistency, writes the music historian Mark Evan Bonds, provides the key to understanding the composer's life and works. Discarding tired myths about the composer, Bonds proposes a new way of listening to Beethoven by hearing his music as an expression of his entire self, not just his scowling self.

In a world where your voice totally matters, what do you do if you don't have the sexiest voice, the most commanding voice, the most articulate voice...or are simply not happy with the voice you have?

Imagine confidently playing your favorite songs, performing at church, or expanding your musical skills—all without frustration. 58 percent of people regret not learning an instrument, often citing lack of time and difficulty reading music. Don’t be one of them!

There are few artistic acts more mysterious than writing a song. But what if a shift in perspective - and some practical guidance - could overcome that mystery? Anyone wanting to experience more creativity and mindfulness will be inspired to do just that after listening to How to Write One Song. Why one song? The difference between one song and many songs isn't a charming semantic trick - it's an important distinction that can simplify a notoriously confusing art form.

In her first collection of poetry, Jewel deals with such uniquely human themes as first love, the fading of passion, the giving of trust, the lessons of betrayal, and the healing of intimacy. The Alaska native writes with frankness and honesty. She is serious and suddenly playful, but always compelling.

Larry S. Sherman, a neuroscientist and lifelong musician, and Dennis Plies, a professional musician and teacher, collaborate to show how our brains and music work in harmony. They consider music in all the ways we encounter it—teaching, learning, practicing, listening, composing, improvising, and performing—in terms of neuroscience as well as music pedagogy, showing how the brain functions and even changes in the process. Every Brain Needs Music draws on leading behavioral, cellular, and molecular neuroscience research as well as surveys of more than a hundred musical people.