検索キーワード： 教則・技術

"'Boy, do I have a lot to learn!'" Anyone who's ever picked up a musical instrument of any kind - from the first caveman banging rocks to that little kid at the guitar shop - has thought that. I know I did. I'd been trying for years to break in to the music scene, to show everyone my chops, to make my mark. And I was good. But I wasn't great. I knew that there was something wrong. Then the teacher showed up...."

Have you ever been put off by music theory or thought that is too hard to learn? If the answer is yes, then this book is the answer for you. It covers everything that anyone who plays (or wants to play) music, and wishes to become better as a musician, should know. This is the most comprehensive book on music theory that you can find today. Not only that, but this book is written in a way that is really easy to follow, understand and internalize all the concepts explained.

Music exists, first and foremost, in the soul, mind and body. It is something we feel before we understand it. Your introduction to the wonderful world of music theory, this audiobook will help you to decipher the language used to describe the intoxicating combination of art and science that is music.

In 1968, Vashti Bunyan gave up everything and everybody she knew in London to take to the road with a horse, wagon, dog, guitar and her then partner. They made the long journey up to the Outer Hebrides in an odyssey of discovery and heartbreak, full of the joy of freedom and the trudge of everyday reality, sleeping in the woods, fighting freezing winters and homelessness. Along the way, Vashti wrote the songs that would lead to the recording of her 1970s album Just Another Diamond Day.

There are few creative acts more mysterious and magical than writing a song. But what if the goal wasn't so mysterious and was actually achievable for anyone who wants to experience more magic and creativity in their life? That's something that anyone will be inspired to do after listening to Jeff Tweedy's How to Write One Song. Why one song? The idea of becoming a capital-S songwriter can seem daunting, but approached as a focused, self-contained event, the mystery and fear subsides, and songwriting becomes an exciting pursuit.

There are few artistic acts more mysterious than writing a song. But what if a shift in perspective - and some practical guidance - could overcome that mystery? Anyone wanting to experience more creativity and mindfulness will be inspired to do just that after listening to How to Write One Song. Why one song? The difference between one song and many songs isn't a charming semantic trick - it's an important distinction that can simplify a notoriously confusing art form.

Have you ever wondered how off-key you are while singing in the shower? Or if your Bob Dylan albums really sound better on vinyl? Or why certain songs make you cry? Now, scientist and musician John Powell invites you on an entertaining journey through the world of music. Discover what distinguishes music from plain old noise, how scales help you memorize songs, what the humble recorder teaches you about timbre (assuming your suffering listeners don’t break it first), and more.

Ear training is one of the most rewarding skills you can develop, and it’s one that you can work on every day. Which makes total sense: music is an aural experience, after all. Ear training helps you turn the music you hear into music you make on your piano. This works for your own musical ideas, too: when you dream up a great riff or chord progression, you naturally want to sit down and play it right away. Ear training helps you do just that.

This is an extract and arrangement from “Sonata for Flute and Harpsichord” by Johann Sebastian Bach. The lesson begins with a full demonstration of the arrangement followed by a detailed lesson of the piece in two to four measure sections. The song is taught completely by ear, using no print or video.

In this “by ear” lesson, you will learn a neo-classical arrangement of “The Sound of Silence”. This solo is based upon the '60s pop hit by Simon and Garfunkel. This lesson begins with a full demonstration of the song to listen to and play along with. Then, each phrase of the song is taught “by ear” in detail so you learn it quickly and memorize it as you go.

In this level one “by ear” lesson, you will learn all three guitar parts to this iconic Beatles hit. A full demonstration of the guitar parts with drums and bass is included, as well as backing tracks to practice with in several configurations.

This beautiful and well-known prelude by Bach has not only been played as it is but also eventually became the musical setting for Charles Gounod’s “Ave Maria”, which he composed in 1853. This piece is taught completely by ear in two to four measure sections using no print, music, or video. This allows the student to memorize the song while learning it and to bypass any difficulty or challenge in music reading. A full demonstration of the piece is included at the beginning of the lesson.

Learn a fingerstyle solo of this Beatles hit without using music or tab. This all-audio lesson includes a full demonstration and detailed “by ear” instruction teaching every phrase slowly and without music, tab, or video. This is a level two difficulty.

This is the original version and not an arrangement. Next to “The Entertainer”, this song is one of the most recognizable ragtime pieces by Scott Joplin. This “by ear” lesson starts with a full demonstration of the piece and then works you through the entire song note-by-note with a full description of fingering, pedaling, and technique. This song is rated as an early advanced level piece.

Struggling to play the piano even after spending countless hours doing research online? Piano Lessons for Beginners: The Complete Beginners Guide to Learn Piano Keys & Notes is the guide that not only tours you through the basics but walks you through in playing a couple of iconic songs! Getting engaged in the world of music through the piano is excellent for beginners as it helps reduce stress for yourself and your surrounding listeners. Comfortably listen your way through 20 chapters at your own pace and finish your time with an additional chapter to review what you learned.

Opera is the fastest growing of all the performing arts, attracting audiences of all ages who are enthralled by the gorgeous music, vivid drama, and magnificent production values. If you've decided that the time has finally come to learn about opera and discover for yourself what it is about opera that sends your normally reserved friends into states of ecstatic abandon, this is the book for you.

This lesson is based upon the original version of the song in the key of D flat. This is not a simplified arrangement. This song is considered an early advanced level piece, so it is suitable for most third or fourth year adult students who have played consistently. The lesson includes a full demonstration at the beginning, and then sections of the song are played and taught in two to four measure sections. There is more detailed instruction on unusual or more difficult passages.

The Inner Game of music is that which takes place in the mind, played against such elusive opponents as nervousness, self doubt, and fear of failure. Using the same principles of "natural learning" W. Timothy Gallwey developed so successfully for tennis, golf, and skiing and applying them to his own field, noted musician Barry Green shows how to acknowledge and overcome these internal obstacles in order to bring a new quality to the experience and learning of music. 

This beautiful song is easy to learn when you learn it “by ear". The lesson starts with a complete demonstration with backing tracks followed by a detailed lesson using no print, tab, or video. At the end of the lesson, you get the backing tracks again with no guitar on them to use for your own performance. This song uses a capo and fingerpicking patterns and is rated as a level one.

Learn a fingerstyle solo of this Beatle’s hit without using music, tab, or video. The lesson includes a full demonstration of the solo and then a detailed “by ear” lesson teaching every phrase slowly, including fingering and any helpful technique and performance tips.