検索キーワード： 教則・技術

Based on decades of work as a professor of literature and as a musician, Jesse Kavadlo analyzes the ways in which 1980s heavy metal aligns with and develops many of the themes prevalent in the canon of literature. In doing so, the book examines some of the contexts of 1980s heavy metal, including Cold War, the rise of MTV, and the formation of the Parents Music Resource Center (PMRC) and subsequent congressional hearings.

Practicing is an essential part of every musician's life, but we are rarely taught how to practice in the most effective and efficient way.

In this box set you will find a little bit of everything from artists like Mary Chapin Carpenter, George Strait, Lou Gramm, and Peter, Paul and Mary. These songs all contain essential patterns and chords you will want to know as a modern guitarist. This set also includes three well-taught lessons on chord triads which will make any lead or fill-in guitarists a great asset to any band.

Jazz 101 is a fascinating entry into the world of jazz, for the beginner, novice, or jazz enthusiast. Szwed takes listeners on a tour of the varied and nonlinear history of jazz, exploring how it developed from an ethnic music to become America's most popular music and then part of the avant-garde in less than 50 years.

Music, Lyrics, and Life is the songwriting class you always wish you'd taken, taught by the professor you always wish you'd had. It's a deep dive into the heart of questions asked by songwriters of all levels, from how to begin journaling to when you know that a song is finished. With humor and empathy, acclaimed singer-songwriter Mike Errico unravels both the mystery of songwriting and the logistics of life as a songwriter.

Now you can feel the coolness of playing this awesome song! In this lesson, you will learn both the rhythm and lead guitar parts to this hit TV theme without reading music or tab. A full demonstration of the song is given at the beginning followed by a detailed “by ear” lesson taught in two to four measure sections. At the end of the lesson, three different versions of the backing track are supplied for live performance! This is a level two lesson.

"'Boy, do I have a lot to learn!'" Anyone who's ever picked up a musical instrument of any kind - from the first caveman banging rocks to that little kid at the guitar shop - has thought that. I know I did. I'd been trying for years to break in to the music scene, to show everyone my chops, to make my mark. And I was good. But I wasn't great. I knew that there was something wrong. Then the teacher showed up...."

Learn a fingerstyle solo of this Beatle’s hit without using music, tab, or video. The lesson includes a full demonstration of the solo and then a detailed “by ear” lesson teaching every phrase slowly, including fingering and any helpful technique and performance tips.

In this lesson on the song by The Rolling Stones you will learn the 12-string guitar part and a lead guitar part that was assembled from the string orchestra solo in the middle of the song. This way, if you are the second guitarist in the band, you can fill in for the missing orchestra solo. There is a full demonstration of the song given before a detailed “by ear” lesson of each part. At the end of the lesson, you are given backing tracks to practice the lead guitar part with!

In this lesson you will learn a late intermediate level arrangement of one of Chopin’s most enjoyed pieces. The arrangement is played completely and then taught in two- to four-measure sections using no print or music. Learning this song “by ear” makes it fast to learn and easy to memorize.

In this lesson you learn the 12-string, six-string, and slide-guitar parts to one of the most recognizable Pink Floyd songs. Each guitar part is taught in two- to four-measure sections completely “by ear” so there is no print, tab, or video to struggle with. There is a full demonstration track and three different performance tracks to listen to and play along with. The 12-string part is a level one while the lead guitar and slide parts are level two.

For Bass Guitar: In this “by ear” lesson, you will learn the bass riffs for the entire song without music, tab, or video. The lesson is based on the studio version of the song, and you learn the basic patterns and all of their variations used in the song. The lesson includes a full demonstration of the bass part with drums and vocal cues, as well as backing tracks to play along with once you have learned the bass part.

In this lesson you learn both the rhythm and lead guitar parts to this Blues standard including the slide-guitar lead at the end. A full demonstration is provided at the beginning and then the lesson is taught “by ear” in short phrases. Once you have mastered the lesson, three different versions of the backing tracks are given for you (and a friend) to practice and perform with.

Every time we open our mouths, we have an effect on ourselves and the way others perceive us. The ability to speak clearly and confidently can make or break a presentation, an important meeting, or even a first date. Now, with the advent of Skype, YouTube, podcasting, Vine, and any number of reality talent competitions, your vocal presence has never been more necessary for success or more central to achieving your dreams.

Using musical examples from Bach to the Beatles, Levitin reveals the role of music in human evolution, shows how our musical preferences begin to form even before we are born and explains why music can offer such an emotional experience. Music is an obsession at the heart of human nature, even more fundamental to our species than language. In This Is Your Brain on Music Levitin offers nothing less than a new way to understand it and its role in human life.

Despite the ups and downs of his personal life and professional career—even in the face of deafness—Beethoven remained remarkably consistent in his most basic convictions about his art. This inner consistency, writes the music historian Mark Evan Bonds, provides the key to understanding the composer's life and works. Discarding tired myths about the composer, Bonds proposes a new way of listening to Beethoven by hearing his music as an expression of his entire self, not just his scowling self.

Playing music should be as simple and natural as drawing a breath, yet most musicians are hindered by self-consciousness, apprehension, self-doubt, and stress. Before we can truly express our inner self, we must first learn to be at peace and overcome the distractions that can make performance difficult. Kenny's remarkable work deals directly with these hindrances, and presents ways to let our natural creative powers flow freely with minimal stress and effort.

If you are a singer, you are an athlete. And the athletic skills that make you a great vocalist come from one source: your brain. The Singing Athlete is the first book of its kind: a view on voice training through the lens of both the physical body and the nervous system. As one of the top teachers of professional Broadway performers, Andrew Byrne has developed a unique synthesis of athletics and neuroscience that will guide you to higher levels of performance.

The Inner Game of music is that which takes place in the mind, played against such elusive opponents as nervousness, self doubt, and fear of failure. Using the same principles of "natural learning" W. Timothy Gallwey developed so successfully for tennis, golf, and skiing and applying them to his own field, noted musician Barry Green shows how to acknowledge and overcome these internal obstacles in order to bring a new quality to the experience and learning of music.

In How to Listen to Jazz, award-winning music scholar Ted Gioia presents a lively introduction to one of America's premier art forms. He tells us what to listen for in a performance and includes a guide to today's leading jazz musicians. From Louis Armstrong's innovative sounds to the jazz-rock fusion of Miles Davis, Gioia covers the music's history and reveals the building blocks of improvisation. A true love letter to jazz by a foremost expert.