検索キーワード： 制作 "--Tyson Hanks" ファーストコンタクト

Smoke and ashes cover most of the North American continent. While emergency responders race against the clock to rescue survivors, government officials scramble to obscure details of the event that claimed the lives of millions. Was the calamity a volcanic super eruption? Or an unprecedented weapon unleashed by an enemy with a vendetta against the United States? After losing everything, one survivor hurdles red tape and false flags in an attempt to uncover--and broadcast--the real story.

On the distant edge of humanity, Far Post Colony suddenly loses contact with civilization. The lives of thousands hang in the balance as one small crew takes a stand against an alien menace.

Heute ist nicht gerade Jack Kernigans bester Tag. Erst ist er vom MIT geflogen und muss jetzt diesen langweiligen Lieferjob in Ohio machen. Und dann hat er gerade eben jemanden überfahren, oder... etwas. Denn das, was da leblos am Straßenrand liegt, ist weder Mensch noch Tier. Ein Alien, ernsthaft? Kurz darauf entdeckt Jack mit seinen Freunden auch noch das Raumschiff – und als sie einsteigen, beginnt für Jack das verrückteste, kosmischste Abenteuer seines Lebens.

All Mercy had to do was deliver her cargo and go. Now she’s got a bunch of irate aliens on her tail, and a hot-as-Helios escaped prisoner in her cargo bay who insists she is his. She’s too old for this, and she keeps telling herself she’s too old for him. But his arguments and assets are very convincing.

A new threat challenges the human race years after Covid-19 ravaged the globe. Far worse and infinitely more infectious, it strikes swiftly and definitively, devastating the population. A select few survivors in Melbourne, Australia follow an urge to make their way out of the city toward an unknown destination and unsure future. What they find and become wasn't anything they could have ever imagined....

"This is it, folks. We've arrived at our base camp for the next six months." The team cheered as they disembarked from the chopper, helmets on and goggles firmly in place against any glare aside from the wind chill too. Dr. Carter led them across the frozen tundra to a large metal structure that would serve as their base of operations, towering above them like a sentinel guarding them against that great blinding white beyond it.

THE NEWCOMERS tells the story of a global invasion and is Pamela Jekel's first novel of the future. When alien crafts are parked over every capital city on earth, Chase Cummings is sent by his family from Atlanta, Georgia to live with an African family as part of the Children Transfer Program initiated worldwide to save gifted children from the work camps of the Advisors. THE NEWCOMERS tells a story of human resilience and of two families on opposite sides of the world, struggling to survive and ultimately finding salvation in the wild places of the planet.

Three years after Alice Keller is safely hidden away on Tarsus Station, Andre Korsakov is being pressured to weaponize her psychokinetic powers. But at 17, Alice is more concerned with boys and belonging than controlling objects with her mind.

Orson Welles' 1938 radio adaptation of The War of the Worlds has done much to obscure the real brilliance of the original work. Written at a time when "science-fiction" did not exist as a genre, The War of the Worlds was a new departure in literature. Author H.G. Wells, deeply committed to social improvement in turn-of-the-century Britain, used extra-terrestrial invasion to predict the results of a not-entirely-impossible violent upheaval in contemporary society: for "Martians" read "bolsheviks."

Die Koronen, ein kriegerisches, außerirdisches Volk will an die Atmosphäre der Erde. Die Koronen haben aber nicht mit dem Kampfwillen der Menschen gerechnet. Eine vier Mann starke Besatzung im „Traumschiff“ liefert den Koronen eine galaktische Weltraumschlacht, wo es am Ende nur einen Sieger geben kann.

Der Weltraumtransporter Xanthos ist auf dem Rückweg zur Erde. Als die Mannschaft ein Notsignal empfängt, geht sie diesem nach und landet auf einem fremden Planeten. Dort finden sie ein unbekanntes Lebewesen, das sich schnell als todbringendes Monster erweist. Es beginnt ein Kampf auf Leben und Tod.

Everything is different than expected. The mystical home of mankind is anything but the warm bosom of their ancestors, and the power is no longer with himanity. Pascal and Jeremy quickly realize that they didn't reach Earth for no reason, and that they are mere pieces on a chessboard. The real players are moving them back into position. The mission? Dangerous. The chances of success? Slim. Will they once again succeed in pulling their heads out of the noose and reshuffling the cards?

When level-headed Francie arrives in Roswell, New Mexico, for her college roommate’s UFO-themed wedding—complete with a true-believer bridegroom—she can’t help but roll her eyes at all the wide-eyed talk of aliens, which obviously don’t exist. Imagine her surprise, then, when she is abducted by one. Odder still, her abductor is far from what the popular media have led her to expect, with a body like a tumbleweed and a mass of lightning-fast tentacles. Nor is Francie the only victim of the alien’s abduction spree.

Love? That’s not in my script. At least, that’s what I thought before Rah. Rah and his seven feet of broad-shouldered, unreadable, way-too-noble-for-his-own-good self. If someone had told me I’d be stuck on a green desert planet, tangled up in some slow-burn, unresolved-tension situation with him, I would’ve laughed and said that sounds like a bad sci-fi romance.

Overjoyed by his official adoption and the completion of the molecular transporter coming closer, Oliver's excitement over the return of his mother conflicts with the ever-expanding mystery surrounding the circumstances of her departure and Dindet's increasingly suspicious behavior. She's leaving, more often and for longer and longer periods of time. Left alone with devilishly wandering thoughts and idle hands, Oliver craves a distraction...and his name is Markus.

When a mysterious signal begins reaching out into deep space, Captain Henry Wells, Commander Qrora, and the rest of Midnight November are understandably concerned. Fearing an ancient enemy of the M'nok is about to attack. Henry and Qrora lead an expedition to the moon to uncover the source of the mysterious signal, and more importantly, to shut it down.

Throughout the story, the characters grapple with the challenges of their extraordinary circumstances, facing obstacles that test the strength of their bond and threaten to pull them apart. The Shape of Space is a poignant exploration of the human experience, touching on themes of love, loss, and the eternal nature of the connections that define us. The story invites listeners to contemplate the mysteries of the universe and the power of love to bridge the vast distances that separate us.

Tensions escalate across the Imperium Empire. Dwerves hunt for new Krackus worlds to raid. The Imperium executors hope to put an end to the huge armed ship’s rampage, and they delegate the duty to those imperators with the most experience against the empire’s invaders.

Madison Monroe's journey of resilience unfolds amidst the aftermath of complete destruction, and her story takes a compelling turn as she finds herself surrounded by a group of individuals who, like her, have experienced abduction and managed to return. The emergence of Super Natural Hot Spots (SNHS) at remote locations adds a layer of complexity to their predicament, attracting not only the attention of the military but also posing a challenge for those who are drawn to these enigmatic sites.

Uralte Alien-Kreaturen, ein galaktischer Krieg und eine furchtlose junge Heldin: "Cytonic – Lichtjahre von Zuhause" ist der 3. Teil von Brandon Sandersons epischem Science-Fiction Abenteuer um die junge Pilotin Spensa. Spensa hat sich nicht nur zu einer der besten Sternenjägerinnen ihres Planeten entwickelt – der jungen Pilotin ist es auch gelungen, ihr Volk vor der Ausrottung durch die rätselhaften Krell zu bewahren.