検索キーワード： 制作 "Penguin Audio" 心理学

Rachel has been in love with Alistair since she was seventeen. Even though she hasn't seen him for sixteen years and she's now married to someone else. Even though she was a teenager when they met. Even though he is twenty years older than her. She's found it impossible to forget their summer together on a remote, sun-trapped Greek island. Until now. When Rachel unexpectedly reconnects with a girl that she knew back then, she is forced to re-examine her memories of that golden summer and confront the truth about her relationship with Alistair.

Fifteen-year-old István lives with his mother in a quiet apartment complex in Hungary. New to the town and shy, he is unfamiliar with the social rituals at school and soon becomes isolated, with his neighbour – a married woman close to his mother’s age – as his only companion. These encounters shift into a clandestine relationship that István himself can barely understand, and his life soon spirals out of control.

Marguerite has been locked in the attic of her family home, a disintegrating Chelsea house overlooking the stench of the Thames. For company she has: a sewing machine, a copy of Mrs Beeton’s Book of Household Management and trays of congealing food carried up to her with little regularity. Marguerite has been confined by her mother, Cécile, who is concerned about her engagement to an older, near-penniless solicitor, Mr Lewis, and wishes to educate her daughter on ‘proper’ married conduct – lest she drag the family’s good name into disrepute.

Portraying himself as a failure, the protagonist of Osamu Dazai's No Longer Human narrates a seemingly normal life even while he feels himself incapable of understanding human beings. Oba Yozo's attempts to reconcile himself to the world around him begin in early childhood, continue through high school, where he becomes a "clown" to mask his alienation, and eventually lead to a failed suicide attempt as an adult. Without sentimentality, he records the casual cruelties of life and its fleeting moments of human connection and tenderness.

Brooke wants. She isn’t in need, but there are things she wants. A sense of purpose, for instance. She wants to make a difference in the world, to impress her mother along the way, to spend time with friends and secure her independence. Her job assisting an octogenarian billionaire in his quest to give away a vast fortune could help her achieve many of these goals. It may inspire new desires as well: proximity to wealth turns out to be nothing less than transformative. What is money, really, but a kind of belief?

A young girl has died and the family’s maid is being interrogated. She must tell the whole story before arriving at the girl’s death.

Rhianne's art degree at one of the best schools in London is cut short by the predatory attentions of a tutor, who destroys her confidence in the most insidious way. She retreats home to the west country, where, with the support of her dad Dominic and step-mum Melissa, she takes a job at a small hotel while she tries to figure out what next. That turns out to be a relationship with a charismatic young chef named Callum, which starts in the adrenalin-fuelled buzz of the kitchen and soon becomes much darker.

Seven, who works as a cleaner at a chiropractor’s office, reencounters Cecilia, a woman who has obsessed her since their school days. As the two of them board the same bus — each dubiously claiming not to be following the other — their chance meeting spurs a series of intensely vivid and corporeal memories. Smart, subversive and gripping, Cecilia is a winding, misty road trip through bodily transformation, inextricable histories of desire and violence, diaspora and obsessive love.

At long last, Adam Sealey has an Oscar within reach. Working with his controversial former mentor, Jonathan, he's given the performance of a lifetime, and he almost believes it might be worth the cost. Because Adam subscribes to "the method". It's the secret that the world's greatest actors swear by - digging into their darkest, most personal traumas to bring a role to life. And Adam's greatest trauma is worse than most.

Nicki - 30ish, care worker living in Brighton - is scrolling for her next hook up. A difficult home life, a job that's going nowhere, she seeks solace in random encounters. Amber - 17, college student, lost - desperately needs someone to notice her. She creates 'Kevin', a fake dating profile for a man in his thirties. Neither Nicki nor 'Kevin' has any idea what they're about to get into. They quickly match, and an unlikely friendship develops, giving each other the validation both sorely need. But can you ever truly connect when one of you is a liar?

Paula Spencer is a 39-year-old working-class woman struggling to reclaim her dignity after marriage to an abusive husband and a worsening drinking problem. Paula recalls her contented childhood, the audacity she learned as a teenager, the exhilaration of her romance with Charlo, and the marriage to him that left her feeling powerless. Capturing both her vulnerability and her strength, Roddy Doyle gives Paula a voice that is real and unforgettable.

We meet our ill-tempered protagonist—the story’s titular “brat”—at a low moment, but not yet at rock bottom. The Gabriel of the novel is mourning the death of his father as well as a recent breakup and struggling to finish writing his second book. Alone and aimless, he agrees to move back into his parents’ house to clear it out for sale. Here, the clichés end.

A team of astronauts in the International Space Station collect meteorological data, conduct scientific experiments and test the limits of the human body. But mostly they observe. Together they watch their silent blue planet, circling it sixteen times, spinning past continents and cycling through seasons. Endless shows of spectacular beauty witnessed in a single day. Yet although separated from the world they cannot escape its constant pull. News reaches them of the death of a mother, and with it comes thoughts of returning home.

Hat, ribbon, bird rose. To the people on the island, a disappeared thing no longer has any meaning. It can be burned in the garden, thrown in the river or handed over to the Memory Police. Soon enough, the island forgets it ever existed. When a young novelist discovers that her editor is in danger of being taken away by the Memory Police, she desperately wants to save him. For some reason, he doesn't forget, and it's becoming increasingly difficult for him to hide his memories. Who knows what will vanish next?

Since the weekend of the party—the one twenty-two-year-old Liv can’t remember, the one that left her covered in bruises—she’s been locked out of her bedroom by a padlock. Her parents are behaving oddly and her best friend won’t respond to her texts. Maybe she really was out of control that night? Meanwhile Liv’s father, Janus, is not sure he can do what is necessary to keep this secret hidden. He brought his family from Australia to Los Angeles to chase his dream of seeing his novel on the big screen, and he can’t let them down. Not again.

Áine should be feeling happy with her life. She’s just moved in with Elliot. Their new flat is in an affluent neighbourhood, surrounded by bakeries, yoga studios and organic vegetable shops. They even have a garden. And yet, from the moment they move in, Áine can't shake the sense that there's something not quite right about the place...The longer Áine spends inside the flat - pretending to work from home; dissecting messages from the friends whose lives seem to have moved on without her - the less it feels like home.

Mickey and Arlo are half sisters. But they’ve never spoken and never met. Arlo adored her father—but always lived in the shadow of his magnetic personality and burdensome vices. Meanwhile, their father abandoned ​Mickey and her mother years ago, and Mickey has hated him since. When she receives news of her father’s passing, Mickey is shocked to learn that he’s left her his not-inconsiderable fortune. The catch: Mickey must attend a series of therapy sessions before the money can be released.

For fifty years, Abe and Jane have been coming to Central Park, as starry-eyed young lovers, as frustrated and exhausted parents, as artists watching their careers take flight. They came alone when they needed to get away from each other, and together when they had something important to discuss. The Park has been their witness for half a century of love. Until now. Jane is dying, and Abe is recounting their life together as a way of keeping them going: the parts they knew.

Sanjana Satyananda is trying to recover her life. It’s been a year since she walked out on her husband, a struggling actor named Killian, at a commune in India, after a disagreement about whether to have children. Now, Sanjana is struggling to resurrect her busted anthropology dissertation and crashing at her annoyingly perfect sister’s while her well-adjusted peers obsess over marriages, mortgages, and motherhood. Sanjana needs to move forward—and finalize her divorce, ASAP.

Nothing ever happens in sleepy little Fairhill. The teenagers get their kicks telling ghost stories in the old graveyard. The parents trust their kids will arrive home safe from school. Everyone knows everyone. Curtains rarely twitch. Front doors are left unlocked. But this morning all of that will change. Because Diana Brewer isn’t lying safely in her bed where she belongs. Instead she lies in a hayfield, circled by vultures, discovered by a local farmer.