検索キーワード： 制作 "Deadtree Publishing" 文芸小説

Richard Barham Middleton was born on the 28th October 1882 in Staines, Middlesex. His education was primarily at Cranbrook School in Kent before he began work as a clerk, in 1901, at the Royal Exchange Assurance Corporation in London. There he struggled with constraints and boundaries and by night he took to a bohemian lifestyle. Middleton moved into rooms in Blackfriars and joined the New Bohemians club where his literary contacts grew.

Richard Garnett C.B. was born on the 27th February 1835. As an author he wrote several volumes of verse, a book of short stories and several biographies and history books. In 1901, Garnett was elected as a member to the American Philosophical Society. Richard Garnett died on the 13th April 1906. He was 71.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

Richard Bernard Heldmann was born on 12th October 1857, in St Johns Wood, North London. By his early 20’s Heldmann began publishing fiction for the myriad magazine publications that had sprung up and were eager for good well-written content. Marsh was a prolific writer and wrote almost 80 volumes of fiction as well as many short stories, across many genres from horror and crime to romance and humour. His unusual characters, plotting devices and other literary developments have identified his legacy as one of the best British writers of his time.

Stephen Crane was born 1st November, 1871 in Newark, New Jersey. Crane only began a full-time education when he was nine but quickly mastered the grades needed to catch up and move forward. Although educated at Lafayette and Syracuse he had little interest in completing university and was keener to move on to a career, declaring college to be ‘a waste of time’. By twenty he was a reporter and two years later had published his debut novel ‘Maggie: A Girl of the Streets’. In literary circles this was hailed as the first work of American literary Naturalism.

Stephen Crane was born 1st November, 1871 in Newark, New Jersey and was the eighth surviving child out of fourteen. Incredibly he began writing at the age of four and was published several times by the age of sixteen. By twenty he was a reporter and two years later had published his debut novel ‘Maggie: A Girl of the Streets’. In literary circles this was hailed as the first work of American literary Naturalism. Two years later, in 1895, he was the subject of worldwide acclaim for his Civil War novel, written without the benefit of any actual war experiences, ‘The Red Badge of Courage’.

Francis Bret Harte was born on 25th August 1836 in Albany New York. As a young boy Harte developed an early love of books and reading. He first published at the tender age of 11, his satirical poem ‘Autumn Musings’. Expecting praise he received anything but and later wrote "Such a shock was their ridicule to me that I wonder that I ever wrote another line of verse." By age 13 his formal education was at an end and four years later the family moved to California. It was here that he found the stories and inspiration for the works that would seal his fame across the literary world.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. In this volume we come up against the definition of Northern Europe. There are many, each with plausibility and each so obvious. So, here’s ours.

In this volume our authors explore the terrors of the mind rather than the horrors of reality, although with their pens the difference makes little difference. We twist this way and that as their talents shape our path towards endings of the nerve-shredding kind.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that are difficult to achieve elsewhere. In this volume we examine one of the great names from the past whose works invite life, rituals and the spirit world together to fashion dramatic and chilling unforeseen happenings.

In this series we try to offer up tried and trusted ‘Top Tens’ across many different themes and authors. But any anthology will immediately throw up the questions – Why that story? Why that author? In this volume the once forgotten literary backwaters of Scandinavia, and its hinterland, reveal the storied works of their own literature. Some names are familiar, some decidedly not. But each has literary talents and compelling narratives.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that are difficult to achieve elsewhere. The Gothic short story is one of the most enduring of genres. In this volume we explore works by classic authors from all corners of Europe as they explore and exploit narratives with their undeniable talents.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. Human beings are, in the main, social animals, they like to gather, to herd together, to share experiences. But some do not. Either through choice or exclusion their way forward is difficult. In this volume our authors and their characters share their stories.

Americans have vivid, colourful and mesmerising imaginations. On the flip side they are equally adept at Realism. In this volume their famed authors explore short stories that bring us up close and personal to reality.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that are difficult to achieve elsewhere. The City of Lights may be one of the glories of the world but for those whose three score and ten have passed it is the final resting place for some of the very finest of literary talents.

In this volume our classic authors turn their words to the religion of Christianity. It’s a fascinating subject for our authors who can explore faith and belief in ways that we rarely subject ourselves to. Whatever your faith these stories raise questions and that are of interest to us all.

Almost always when we think of Ghost Stories, we first think of those written by the Victorians. If you want a really good ghost story to bring that edge of chill, that foreboding of dread, that feeling that in an empty house we are not quite alone and that sometimes the sharp, sheer shock of what just happened is upon us then look no further than ‘The Victorian Ghost Story’ for your reading and listening pleasure.

Almost always when we think of Ghost Stories, we first think of those written by the Victorians. If you want a really good ghost story to bring that edge of chill, that foreboding of dread, that feeling that in an empty house we are not quite alone and that sometimes the sharp, sheer shock of what just happened is upon us then look no further than ‘The Victorian Ghost Story’ for your listening pleasure.

Almost always when we think of Ghost Stories, we first think of those written by the Victorians. Whatever the reasons given or proffered the reality and known facts are that if you want a really good ghost story to bring that edge of chill, that foreboding of dread, that feeling that in an empty house we are not quite alone and that sometimes the sharp, sheer shock of what just happened is upon us then look no further than ‘The Victorian Ghost Story’ for your listening pleasure.

Almost always when we think of Ghost Stories, we first think of those written by the Victorians. When you consider the depth of literary talent available over the extraordinary length of Queen Victoria’s reign, allied to the fascination with their all things spiritual on ‘the other side’, then perhaps it’s simply right place, right time. Whatever the reasons given or proffered the reality and known facts are that if you want a really good ghost story to bring that edge of chill, that foreboding of dread, then look no further than ‘The Victorian Ghost Story’ for your listening pleasure.