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Cass County, Illinois, 1858. Nine-year-old Scrump Armstrong’s days are centered around his tight-knit family. But after stumbling across a Black man lynched on their property, the youngster’s world changes forever. And as his parents join the Underground Railroad, he fears suspicious neighbors could uncover their dangerous secret. Idolizing his older brother, Scrump is terrified when the nineteen-year-old is suddenly accused of killing their neighbor…a conviction that surely ends in hanging.

A teenager in pre-revolutionary Tehran, Massoumeh is an average girl, passionate about learning. On her way to school she meets a local man and falls in love, but when her family discover his letters, they accuse her of bringing them dishonor. She is badly beaten by her brother, and her parents hastily arrange for her to marry a man she has never met. Facing a life without love and the prospect of no education, Massoumeh is distraught, but a female neighbor urges her to comply: “We each have a destiny, and you can’t fight yours.”

On the eve of the Occupy Wall Street protests, C is flat broke. Once a renowned textile artist, she’s now the sole proprietor of an arts supply store in Lower Manhattan. Divorced, alone, at loose ends, C is stuck with a struggling business, a stack of bills, a new erotic interest in her oldest girlfriend, and a persistent hallucination in the form of a rogue garden gnome with a pointed interest in systems collapse. Replaying recent history through a distorting glass, The Visitors charts the last days of a broken status quo as the path is cleared for something new.

When Timur remarries, the girls’ new stepmother has none of their mother’s warmth, so Gül feels compelled to take on the role of mother to her younger siblings. Their village upbringing is full of simple pleasures: summer evenings sat outside listening to the radio, games played in the street. But the world is evolving, and with an emerging focus on economic growth and prosperity as modernity creeps in, Gül’s future is unknown.

Joel Agee’s hallucinatory first novel begins in a house with a large garden in an unnamed Mexican town in the late 1940s, where six-and-a-half-year-old Peter reads, dreams, and plays with his friends. He is a nascent explorer, artist, philosopher, mystic, and scientist. His world is still new, not yet papered over with received knowledge. And the actual world around him is a unique one in history: a community of leftist emigrés who have found refuge in Mexico from the Nazi and fascist regimes of Europe, rubbing shoulders with Mexican labor activists and leftists such as Frida Kahlo.

Just as the lovely Alvina Houghton comes of age, her widowed father’s business starts to dry up. In a drastic effort to regain his fortune and secure his daughter’s standing in society, James Houghton buys, of all things, a theater. Her father’s plans and dreams go misunderstood in the town, but the theater itself does quite well...for a time. One of the traveling players employed at the theater, a sensual Italian man named Ciccio, catches Alvina’s eye, and she finds herself intensely attracted to him.

Beasts of the Earth tells the story of Harlen LeBlanc, a dependable if quiet employee of the Carter Hills High School’s grounds department whose carefully maintained routine is overthrown by an act of violence. As the town searches for answers, LeBlanc strikes out on his own to exonerate a friend while drawing the eyes of the law to himself and fending off unwelcome voices that call for a sterner form of justice.

It’s the late 1980s, and Matthew Carnap is awake most nights, afflicted by a potent combination of insomnia and undiagnosed ADHD. Sometimes he gazes out his bedroom window into the dark; sometimes he wanders the streets of his small Southern Minnesota town. But more often than not, he crosses the hall into his stepfather Russ’ roller rink to spend the sleepless hours lost in music. Russ’s record collection is as eclectic as it is extensive, and he and Matthew bond over discovering new tunes and spinning perfect skate mixes. Then Matthew’s mother divorces Russ.

After the tragic death of her parents when she was just four years old, Raqi is sent to live with her uncle Dodge in Escondido, California. Taking after her Mexican father, Raqi immediately faces hostility from the members of Dodge’s all-White, one-percenter motorcycle club, the Lawless, and from her uncle himself. Being raised by a drug addict is no picnic, and Raqi must quickly learn how to survive. She manages to form a few friendships. Still, as soon as she can, she leaves the violence and bigotry behind and doesn’t look back.

Seventy-year-old Goldie Sparrows faces declining finances, questionable health, and a late husband who torments her from the beyond. She seeks refuge in her butterfly garden, which is filled with voices and memories from long ago. Jocelyn Anderson is a struggling writer who finds escape from her custody battle in the journal of her late mother-in-law. As she gets pulled through the pages of time, Jocelyn discovers her own husband has a hidden history she knows nothing about. Is this secret now Jocelyn’s to keep?

J-Bee, son of a military officer, is raised in a violent milieu during the 1960s. After his little brother is persecuted by bullies, J-Bee commits a retaliatory act of brutality, the nature of which scars him. When his best friend, Gilly, volunteers to fight in Vietnam, J-Bee - repulsed by his own violence - refuses to follow either his father or Gilly into the military. Instead, he matriculates at Columbia in 1971, an era of counterculture, drugs, sex, and rock ’n roll, in order to seek his redemption.

Sam Brandt is a long-term denizen of Connecticut’s renowned Leverett School. As an English teacher, he has dedicated his life to providing his students with the same challenges, encouragement, and sense of possibility that helped him and his friends become themselves here half a lifetime ago.

In the summer of 1932, Americans are coming to realize that the financial crash of 1929 was only the beginning of hard times. May Marshall has returned from Paris to settle at her family home in rural Keswick, Virginia. She struggles to keep her family farm and market afloat through the economic downturn. May finds herself juggling her marriage with a tempting opportunity to revamp the family business to adapt to changing times.

So Big is the unforgettable story of the indomitable Selina Peake DeJong and her struggles to stay afloat and maintain her dignity in the face of a challenging marriage, widowhood, and single parenthood.

Summer vacation isn’t all fun and hanging out when you’re a wizard-in-training. For partly reformed warlock Chance Fortunato, it’s even worse. In addition to the constant study and training, he has to prove he’s ready to be a full-fledged apprentice before he starts at the Franklin Academy. Plus, he’s beginning to think someone has it out for him. If things weren’t bad enough with a snooty proctor monitoring his every move and demons trying to capture him, his father finally makes his first attempt to get his wayward son back under his control by trying to frame his mom.

This book of interconnected stories depicts the chaotic life of a young boy on the run with his teenage mother. When Sarah reclaims Jeremiah from his foster parents, he finds himself catapulted into her world of motels and truck stops, exposed to the abusive, exploitative men she encounters. As he learns to survive in this harrowing environment, Jeremiah also learns to love his mother, even as she descends into drug-fueled madness.

Eve Mann arrives in Ideal, Georgia, in 1972 looking for answers about the mother who died giving her life. A mother named Mercy. A mother who for all of Eve’s 22 years has been a mystery and a quest. Eve’s search for her mother, and the father she never knew, is a mission to discover her identity, her name, her people, and her home. Eve’s questions and longing launch a multigenerational story that sprawls back to the turn of the 20th century.

Buying into the dream that education is the road out of poverty, a teen mom takes a chance on bettering herself, gets on welfare rolls, and talks her way into college. But once she's there, phallocratic narratives permeate every subject, and creative writing professors depend heavily on Freytag's pyramid to analyze life. So Ariel turns to a rich subcultural canon of resistance and failure, populated by writers like Audre Lorde, Tillie Olsen, and Kathy Acker. Wryly riffing on feminist literary tropes, We Were Witches documents the survival of a demonized single mother.

Bombs fall over a Greek village during World War II, and a teacher takes her students to a cave for shelter. There she tells them about another war - when the Greeks besieged Troy. Day after day, she recounts how the Greeks suffer from thirst, heat, and homesickness, and how the opponents meet - army against army, man against man. Helmets are cleaved, heads fly, blood flows. And everything had begun when Prince Paris of Troy fell in love with king of Sparta Menelaus's wife, the beautiful Helen, and escaped with her to his homeland.

Ireland. County Wexford, 1951. A father and son go swimming in the sea. The waves crash. The wind rises. Only one comes back - Colin, aged six. His mother, Eileen, runs to seek help, but this is a tragedy that will haunt them forever. Colin won't speak a word. He is mute and struggling to cope. But Eileen can see he has a talent for painting. She shows him his father's artwork and gives him a print of a Paul Henry landscape, and slowly, with her encouragement, he begins to follow his dream.