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No one knows who Calla truly is except for her childhood friend—and sister’s betrothed—the distractingly handsome Prince Grae. But when Calla and Briar journey out of hiding for Briar’s wedding, all of their well-made plans go awry. The evil sorceress is back with another sleeping curse for the last heir to the Golden Court.

On the streets of 1970s Brooklyn, a daily ritual goes down: the dance. Money is exchanged, belongings surrendered, power asserted. The promise of violence lies everywhere, a currency itself. For these children, Black, brown, and white, the street is a stage in shadow. And in the wings hide the other players: parents; cops; renovators; landlords; those who write the headlines, the histories, and laws; those who award this neighborhood its name. The rules appear obvious at first. But in memory’s prism, criminals and victims may seem to trade places.

On the eve of Pearl Harbor, impetuous and overindulged, Lucy Stanhope, the granddaughter of an earl, is living a life of pampered luxury in Singapore until one reckless act will change her life forever. Exiled to England to stay with an aunt she barely remembers, Lucy never dreamed that she would be one of the last people to escape Singapore before war engulfs the entire island, and that her parents would disappear in the devastating aftermath. Now grief stricken and all alone, she must cope with the realities of a grim, battle-weary England.

Sixteen and pregnant, Karuna finds herself trapped in her mother’s Melbourne public housing apartment for one hundred days, awaiting the birth of her child—and her mother’s next move in a shocking power struggle over who will raise the baby. She writes to her unborn child, so there’s a record of what really happened.

Jai lives as a royal hostage in the Sabine Court—ever since his father Rohan, leader of the Steppefolk, led a failed rebellion and was executed by the very emperor Jai now serves. When the emperor’s son and heir is betrothed to Princess Erica of the neighboring Dansk Kingdom, she brings with her a dowry: dragons. Endemic to the northern nation, these powerful beasts come in several forms, but mystery surrounds them.

On a beach in a run-down seaside town on the Yorkshire coastline, sixteen-year-old Joan Wilson is set on fire by three other schoolgirls. Nearly a decade after the horrifying murder, journalist Alec Z. Carelli has written the definitive account of the crime, drawn from hours of interviews with witnesses and family members, painstaking historical research, and most notably, correspondence with the killers themselves. The result is a riveting snapshot of lives rocked by tragedy, and a town left in turmoil.

Sometimes all it takes is a single message. Maybe it’s bad, like a rival top boy’s been switched off. Or maybe it’s good, like an opportunity you never thought you’d get. But opportunities mean risks, and debts, and you never want to owe anyone anything. Jaq’s worked hard on the road since she was fourteen, bringing in money to keep her broken family afloat. Now she’s built a good life near the top of the Summerhouse crew, with a beautiful home she shares with her girlfriend Becks and her heavily pregnant older sister Lauryn. But messages are coming in—and Jaq has to make a choice.

Carol is a divorced teacher living in a small town in Ireland, her only son now grown. A second chance at love brings her unexpected connection and belonging—and sparks a flurry of speculation. What does a woman like her see in a man like that? What happened to his wife who abandoned him and his children all those years ago? Carol and Declan know their relationship is the talk of the town, but the gossip only serves to bring the couple closer.

The daughter of Cambodian refugees, Ai grew up in the small Australian town of Whitlam populated by Asian immigrants who once fled war-torn countries to rebuild their shattered lives. It is now the late '90s and despite their parents' harrowing past, Ai and her tightknit group of school friends: charismatic Brigitte, sweet, endearing Bowie, shy, inscrutable Tin, and politically minded Sying, lead seemingly ordinary lives, far removed from the unimaginable horrors suffered by their parents.

It’s been fifteen years since Kimmy Devine promised herself she’d never move back to Rocky Cape, the idyllic South Jersey beach town where she grew up. She doesn’t want to relive the crushing heartbreak and scandal that ravaged her world as a teen. Her younger sister Erin shares those feelings, the wounds she caused so many years ago forever binding her and Kimmy. As the sisters celebrate their homecoming at their parents’ yacht club, a handful of familiar faces arrive to dampen the revelry. The next morning, a body is found floating nearby.

In Only Big Bumbum Matters Tomorrow, Damilare Kuku brings her signature humor, boldness, and compassion to each member of this loveable but exasperating family, whose lives reveal the ways in which a woman’s physical appearance can dictate her life and relationships and show just how sharp the double-edged sword of beauty can be.

New Brunswick, 1934. When a cook in a logging camp finds an orphaned baby bear, he brings it home to his wife, who names the cub Bruno and raises him alongside her newborn daughter, Pearly Everlasting. During the Great Depression, amidst severe poverty and dangerous work conditions, Pearly’s family and the woodsmen form a close-knit community that embraces the tame, young bear in their camp. But when a new camp supervisor—who increasingly endangers the lives of the loggers for profit—arrives, he is less accepting of Bruno.

Paulie Johansson has never put much stock in the idea of family: she has her long-term boyfriend Declan and beloved best friend Jemma, and that’s more than enough for her. Yet one night on a lark, she lets Jemma convince her to audition for Sverige och Mig, a show on Swedish television where Swedish-Americans compete to win the ultimate prize: a reunion with their Swedish relatives. Much to her shock, her drunken submission video wins her a spot on the show, and against Declan’s advice Paulie decides to go for it.

Adulthood comes all too quickly when the baker’s son sets his sights on her. Offered a blood orange, Oliva—haunted by her mother’s warning, “a girl who smiles has already said yes”—spurns the fruit. Yet, this act sets into motion an unwanted courtship that will force Oliva to fight for the right to choose her own path, even though the odds of winning are steep. While America and Europe are in the throes of social change, Sicily fiercely clings to its rigid traditions, including the custom of fuitina–by which kidnappings could be disguised as elopements–which is accepted and enshrined in law.

Work might be exhausting, but for now Cassie Brooks's satisfied making good money and enjoying New York City with James. He’s an accountant but has surprisingly eclectic taste in food. Cassie is starting to think he could be the one when her life flips upside down with one call: James has died tragically. Months into her grief, she uncovers a worn diary belonging to James and stumbles upon a remarkable revelation: James was the mastermind behind the hottest, anonymous foodie account in the city.

Big-hearted evocative, and achingly relatable, What We Leave Behind grapples with destiny, belonging, and love, and makes us question our own idea of family: the kind we’re born into and the kind we create.

A brutal murder in a town called Treachery? It's a story most journos would kill for, but for Stuart Dryden, it's a major inconvenience. He didn't take the gig at the local rag for its bustling crime beat. He'd sacrifice a career-making story for happy hour at the pub, but not even he can let a grisly murder through to the keeper. Especially when he keeps getting scooped by a persistent kid with a disposable Kodak.

Beloved literature teacher Maggie Adair loves her life at the prestigious Downey House boarding school on the gloriously sunny, windy English coast. It was there that she found her footing as a teacher and fell in love with her colleague David—the two great anchors of her life. But these days Maggie’s feeling restless, lured by the promise of a different life back in her Scottish hometown. How can you follow your heart when it seems to be taking you in two directions at once?

A girl and her mother have been on the run for sixteen years, from the monster they left in their kitchen with a knife in his throat and the police who want to make them pay for his death. Home is now a van with four flat tires in a junkyard by the edge of the Brisbane River. The girl has no name, because names are dangerous when you're on the run. But she has a dream.

Most days, Magda is fine. She has her routines. She has her anxious therapy patients, who depend on her to cure their bad habits. She has her longtime colleagues, whose playful bickering she mediates. She’s mourning the recent loss of her best friend, Sara, but has brokered a tentative truce with Sara’s prickly widower as she helps him sort through the last of Sara’s possessions. She’s fine. But in going through Sara’s old journal, Magda discovers her friend’s last directive: plans for a road trip they would take together in celebration of Magda’s upcoming seventieth birthday.